Andrea di Bartolo, 1415 - Ogbugbu - ọmarịcha nka

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In 1415 Andrea di Bartolo painted the piece of art. Today, this piece of art belongs to the National Gallery of Art's mkpokọta nka. Anyị na-enwe obi ụtọ na-ekwu na ngalaba ọha masterpiece na-gụnyere na n'ikike nke National Gallery of Art, Washington.Ebe E Si Nweta nke ihe osise:. Kedu ihe ọzọ, nhazi nke mmepụta dijitalụ bụ Eserese ya na oke onyonyo nke 2: 3, nke pụtara na ogologo bụ 33% mkpụmkpụ karịa obosara. The painter Andrea di Bartolo was an artist from Italy, whose art style can mainly be attributed to Early Renaissance. The Italian artist lived for a total of 58 afọ - a mụrụ n'afọ 1370 in Siena and deceased in the year 1428.

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For every fine art print we offer a range of different sizes & materials. You can choose your preferred material and size between the subsequent choices:

• Kwaaji: A UV printed canvas material applied on a wooden stretcher frame. Canvas Prints have the advantage of being relatively low in weight. This means, it is easy to hang up the Canvas print without any wall-mounts. Hence, a canvas print is suitable for any kind of wall.
• Mpempe akwụkwọ ederede (akwa akwa akwa): The poster is a printed cotton canvas with a fine surface finish. A poster print is ideally appropriate for framing your art print with a custom frame. Please bear in mind, that depending on the absolute size of the poster we add a white margin 2-6 cm round about the print motif, which facilitates the framing.
• Aluminom dibond mbipụta (ọla): These are metal prints on aluminium dibond material with a true depth effect. The colors are bright and luminous in the highest definition, details of the print appear crisp, and the print has a a matte appearance that you can literally feel. The direct UV print on Aluminum Dibond is the most popular entry-level product and is an extremely stylish way to showcase fine art prints, because it draws attention on the replica of the artwork.
• Mbipụta enyo acrylic: A glossy acrylic glass print, often named a print on plexiglass, will turn your original into home décor. Your artwork is made with the help of modern UV print machines. It makes impressive and vivid color hues. The acrylic glass protects your chosen art print against sunlight and external influences for many years.

Nkwupụta iwu: We try to depict the products in as much detail as possible and to exhibit them visually. Please keep in mind that the tone of the print products and the imprint can vary slightly from the representation on your device's monitor. Depending on the settings of your screen and the quality of the surface, colors might not be printed one hundret percent realistically. Given that all are printed and processed by hand, there might as well be minor differences in the exact position and the size of the motif.

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Full Title: The Crucifixion (Reverse)

Ọkara: Okpomọkụ na panel

Dimensions: Overall: 28.6 x 17.8 cm (11 1/4 x 7 in.) Framed: 52.7 x 34.3 x 7.9 cm (20 3/4 x 13 1/2 x 3 1/8 in.)

Through his careful use of pose, expression and colour, Andrea di Bartolo made this crucifixion scene a highly emotive and painful one. Christ's pained face, the deathly colour of his body, and the red of his blood all work to reinforce the sorrow of the Crucifixion and the importance of Christ's sacrifice.

Ederede: Emily Wilkinson