Gerard David, 1490 - Ọmụmụ ihe ọmụmụ - ọmarịcha nka

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N’afọ 1490 Gerard david painted the artwork. The 530 year-old piece of art has the following size: Framed: 102,5 x 76 x 7,5 cm (40 3/8 x 29 15/16 x 2 15/16 in); Unframed: 85,2 x 59,7 cm (33 9/16 x 23 1/2 in). Mmanụ na osisi panel was applied by the European artist as the medium of the artpiece. What is more, this piece of art is included in the digital collection of Velọ ihe ngosi nka nke Cleveland. Site n'ikike nke - Velọ ihe ngosi nka nke Cleveland (ngalaba ọha). Ihe kredit nke ọrụ nka bụ nke a: Leonard C. Hanna, Jr. Fund. N'elu nke ahụ, nhazi a na-abanye Eserese usoro ma nwee oke nke 1: 1.4, nke pụtara na ogologo bụ 29% mkpụmkpụ karịa obosara. The artist, illuminator, painter, drawer, miniaturist Gerard David was an artist, whose artistic style can be attributed primarily to Northern Renaissance. The Northern Renaissance painter was born in the year 1460 in Oudewater, Utrecht province, Netherlands and deceased at the age of 63 in 1523.

Ozi nka nka izizi sitere na webụsaịtị ihe ngosi nka (© Nwebiisinka - Ụlọ ihe ngosi nka nke Cleveland - Velọ ihe ngosi nka nke Cleveland)

The nativity was one of the most frequently depicted subjects in western art. The event marks the entrance of Christ into the world and the fulfillment of Old Testament prophecy. In the distance an angel announces the birth of Christ to the shepherds tending their flocks. One shepherd is already at the stable adoring the Christ child. In the background, the cityscape represents Jerusalem, where Christ would be crucified, represented here as a northern medieval city. Only Matthew and Luke describe Christ’s nativity in the Gospels, which led medieval writers and artists to amplify the event. Some scholars have suggested that the head of Joseph is a donor portrait. Gerard David was born in Oudewater, now located in Utrecht. He spent his mature career in Bruges, where he was a member of the painters’ guild. Upon the death of Hans Memling in 1494, David became Bruges’s leading painter of devotional panels. He was also a manuscript illuminator.

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• Mbipụta kwaaji: The printed canvas mounted on a wooden stretcher frame. It makes a plastic effect of three-dimensionality. The advantage of canvas prints is that they are relatively low in weight. This means, it is easy to hang the Canvas print without any wall-mounts. A canvas print is suited for all kinds of walls.
• Ugogbe acrylic ebipụtara: An print on acrylic glass, often described as a print on plexiglass, will convert the original into brilliant décor.
• Aluminom ihe eji eme ihe: Aluminium Dibond prints are metal prints with an impressive depth effect. For the Direct Aluminium Dibond option, we print your selected artwork on the aluminium surface.
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Ederede iwu dị mkpa: We try whatever we can to depict the art products with as many details as possible and to display them visually in our shop. Still, the pigments of the print materials and the imprint might diverge to a certain extent from the image on your screen. Depending on your settings of your screen and the condition of the surface, not all colors will be printed 100% realistically. Because all the fine art prints are processed and printed by hand, there might also be minor deviations in the motif's size and exact position.

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