Hans Memling, 1465 - Annunciation - ọmarịcha nka

This artwork was painted by the male artist Hans Memling in 1465. The original has the following size: 73 1/4 x 45 1/4 na (186,1 x 114,9 cm) e jikwa ya see ya mmanụ n'elu osisi. Taa, ọrụ nka gụnyere na nchịkọta nke Museumlọ ihe ngosi nka nke Obodo, nke bụ otu n'ime ụlọ ngosi ihe ngosi nka kachasị ukwuu na nke kachasị mma n'ụwa, nke gụnyere ihe karịrị nde abụọ ọrụ nka nke gbasara puku afọ ise nke omenala ụwa, site na prehistory ruo ugbu a na site n'akụkụ ọ bụla nke ụwa .. Site n'ikike nke - Ụlọ ihe ngosi nka nke Metropolitan, New York, Onyinye J. Pierpont Morgan, 1917 (licensed: public domain). Creditline of the artwork: Gift of J. Pierpont Morgan, 1917. Further, the alignment of the digital reproduction is portrait with an aspect ratio of 2: 3, nke pụtara na ogologo bụ 33% mkpụmkpụ karịa obosara. The Netherlandish Hans Memling was an artist from the Netherlands, whose artistic style was primarily Northern Renaissance. The Northern Renaissance artist was born in the year 1430 na Seligenstadt, Hessen steeti, Germany wee nwụọ mgbe ọ dị afọ 64 n'afọ 1494.

Ozi izugbe sitere na The Metropolitan Museum of Art (© - Ụlọ ihe ngosi nka nke obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)

One of the largest surviving depictions of the Annunciation, this imposing painting was most likely commissioned by Ferry de Clugny, whose family coat of arms—the two joined keys—decorates the carpet and stained-glass window. In 1465, Ferry founded the Chapelle Dorée as his burial site in the Saint-Lazare cathedral at Autun and lavishly decorated it with artworks, probably including this panel. The composition is based on a design by Rogier van der Weyden. Possibly commissioned before his death in 1464, it was painted by Memling, who, technical evidence suggests, was a journeyman in Rogier's workshop before establishing himself in Bruges in 1465.

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• Ugogbe acrylic ebipụtara: The print on acrylic glass, often described as a plexiglass print, will transform the original work of art into beautiful home décor. Your artwork is manufactured with the help of state-of-the-art UV direct printing technology. It creates deep, rich colors. The major advantage of a plexiglass art print is that contrasts and granular details become visible due to the granular gradation of the picture. Our plexiglass protects your custom fine art print against light and external influences for many years to come.
• Ebipụta akwụkwọ mmado na ihe akwa akwa: The Artprinta poster is a printed flat canvas paper with a nice surface texture. The poster print is perfectly designed for placing the art replica using a special frame. Please note, that depending on the absolute size of the poster print we add a white margin of approximately 2-6cm round about the artwork, which facilitates the framing with your custom frame.
• Aluminom dibond (ọkpụkpụ ọla): An Aluminium Dibond print is a material with a true effect of depth, which makes a contemporary look throuch a non-reflective surface structure. The white and bright parts of the work of art shimmer with a silk gloss but without any glow. Colors are luminous, the details of the print are crisp, and the print has a a matte appearance that you can literally feel.
• Kwaaji: A canvas print, not to be confused with a canvas painting, is a digital copy printed on a cotton canvas. Your canvas print of your favorite artpiece will provide you with the chance of transforming your personal into a large work of art as you know from art galleries. Canvas prints are relatively low in weight, meaning that it is easy and straightforward to hang up the Canvas print without the use of any wall-mounts. That is why, a canvas print is suited for any kind of wall.

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Ederede iwu dị mkpa: We try to describe our art products as clearly as possible and to showcase them visually. Still, the colors of the printed materials, as well as the imprint might differ marginally from the image on your monitor. Depending on your screen settings and the nature of the surface, not all color pigments can be printed as exactly as the digital version shown here. In view of the fact that all art reproductions are printed and processed manually, there may as well be slight discrepancies in the size and exact position of the motif.

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