Hans Memling, 1475 - Nwa agbọghọ na-amaghị nwoke na nwa - mbipụta nka mara mma

na 1475 Hans memling mere ihe osise a na-akpọ "Vergin na Nwa". The more than 540 year old original measures the size - Overall, with integral frame, diameter 9 3/4 in (24,8 cm); painted surface diameter 6 7/8 in (17,5 cm). Oil on wood was used by the Dutch painter as the technique for the work of art. This work of art can be viewed in in the digital art collection of Museumlọ ihe ngosi nka nke Obodo, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. The classic art artpiece, which is part of the public domain is supplied with courtesy of The Metropolitan Museum of Art, New York, The Friedsam Collection, Bequest of Michael Friedsam, 1931. : The Friedsam Collection, Bequest of Michael Friedsam, 1931. What is more, the alignment of the digital reproduction is square ma nwee oke nke 1: 1, nke pụtara na ogologo ya na obosara. Hans Memling was a male Netherlandish, whose art style was mainly Northern Renaissance. The artist was born in 1430 na Seligenstadt, Hessen steeti, Germany ma nwụọ mgbe ọ dị afọ 64 na 1494 na Bruges, West-Vlaanderen, Flanders, Belgium.

Họrọ ihe ị ga-ekwu

Maka mbipụta nka ọ bụla anyị na-enye nha & ihe dị iche iche. Nhọrọ ndị a dị maka n'otu n'otu:

• Mbipụta enyo acrylic: The print on acrylic glass, which is sometimes referred to as a plexiglass print, will transform your favorite original artwork into lovely décor. The great benefit of a plexiglass print is that contrasts as well as artwork details will be more visible due to the delicate tonal gradation. Our real glass coating protects your chosen fine art print against light and external influences for between 40-60 years.
• Mbipụta ọla (aluminium dibbond): An Aluminium Dibond print is a print with an outstanding effect of depth. A direct Direct Print on Aluminum Dibond is your best introduction to fine art replicas with aluminum. For the Aluminium Dibond option, we print your selected work of art on the surface of the aluminum composite. The bright and white sections of the artwork shimmer with a silky gloss, however without glow. The colors of the print are bright and luminous, the fine details are very clear, and you can literally feel the matte appearance.
• Akwụkwọ mmado na ihe kwaaji: The poster print is a printed flat canvas paper with a fine surface texture, which resembles the original work of art. The print poster is optimally qualified for framing the fine art print using a customized frame. Please bear in mind, that depending on the size of the canvas poster print we add a white margin 2-6cm round about the artwork, which facilitates the framing with your custom frame.
• Mbipụta kwaaji: A canvas print is a printed canvas mounted on a wooden stretcher. A canvas creates the unique impression of three dimensionality. A canvas print produces a cosy and comfy appearance. A printed canvas of this artwork will give you the opportunity to turn your fine art print into a large work of art as you know from galleries. Canvas prints are relatively low in weight. This means, it is easy and straightforward to hang your Canvas print without any wall-mounts. Therefore, a canvas print is suitable for all kinds of walls in your house.

Ederede iwu: We try whatever we can to describe our art products as precisely as it is possible and to display them visually. Although, the tone of the print materials and the imprint can differ slightly from the presentation on your device's monitor. Depending on your screen settings and the quality of the surface, colors may not be printed one hundret percent realistically. Since all art prints are processed and printed by hand, there may also be minor deviations in the motif's exact position and the size.

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Ozi nkowa mgbakwunye on the original artwork from the museum (© Nwebiisinka - The Metropolitan Museum of Art - www.metmuseum.org)

The composition of this small roundel of the Virgin suckling the Christ Child was very popular: it derives from a composition by Robert Campin that was disseminated through workshop patterns. Memling enriched the prototype by adding an extended wooded landscape. Roundels like this were often hung above the heads of beds, where they served as a blessing over a married couple or as a focus for personal prayer. The frame and painted image are carved from a single piece of wood.