Họrọ ihe kacha amasị gị
Anyị na-enye ihe dị iche iche dị iche iche na nha maka ngwaahịa ọ bụla. Ị nwere ike ịhọrọ n'ime nhọrọ nhazi ngwaahịa ndị a:
- Mpempe akwụkwọ (ihe kwaaji): The poster is a UV printed canvas paper with a slightly rough surface texture, that reminds the original masterpiece. Please bear in mind, that depending on the absolute size of the poster print we add a white margin of something between 2-6cm around the print motif, which facilitates the framing with your custom frame.
- Mbipụta ọla (aluminium dibbond): Aluminium Dibond prints are prints on metal with a true depth, which makes a modern impression by having a non-reflective surface structure. A direct Aluminium Dibond Print is the excellent introduction to fine art reproductions produced with aluminum. The white & bright sections of the original artpiece shine with a silky gloss but without glare. The colors of the print are luminous in the highest definition, the details of the print are clear and crisp, and you can notice the matte appearance of the art print surface. This direct print on Aluminum Dibond is one of the most popular entry-level products and is an extremely modern way to display fine art prints, because it puts all of the viewer’s attention on the artwork.
- Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko n'elu): A glossy print on acrylic glass, which is sometimes referred to as a plexiglass print, will transform your favorite artwork into beautiful wall décor. Your work of art is made with state-of-the-art UV direct printing technology. The effect of this are and rich colors.
- Kwaaji: The canvas print is a printed cotton canvas mounted on a wooden stretcher. It has the unique impression of three dimensionality. Hanging your canvas print: Canvas prints are relatively low in weight. This means, it is quite simple to hang your Canvas print without extra wall-mounts. Canvas prints are suitable for any kind of wall.
Ederede iwu dị mkpa: We try our utmost in order to depict the products as accurately as possible and to exhibit them visually in our shop. Nonetheless, the tone of the print products and the print result may differ to a certain extent from the representation on the device's screen. Depending on your screen settings and the condition of the surface, not all color pigments are printed as realistically as the digital version shown here. In view of the fact that the are printed and processed manually, there may as well be slight discrepancies in the motif's size and exact position.
Original description by the museum (© - National Gallery of Art - www.nga.gov)
Medium: Oil on canvas transferred from panel
Dimensions: Canvas: 90.2 x 34.1 cm (35 1/2 x 13 7/16 in.) Support: 92.7 x 36.7 cm (36 1/2 x 14 7/16 in.) Framed: 102.2 x 55.9 x 8.9 cm (40 1/4 x 22 x 3 1/2 in.)
This is Van Eyck's depiction of one of the most famous biblical scenes: the moment at which the angel Gabriel announces to the Virgin that she will bear the son of God. Here Mary is dressed, as is typical, in virginal blue; the lilies before her are similarly a symbol of her purity. Visible also is a symbol of Mary's impregnation; the dove and the light of God (an allegory for Jesus) are seen heading towards Mary from the window.
( Ederede: Emily Wilkinson )
Nkọwa ngwaahịa nka dị omimi
Ọkpụkpọ bụ onye omenkà Ọnye na -bụ Jan Van Eyck?. E wezụga nke a, artwork bụ nke National Gallery of Art's nchịkọta dijitalụ, nke dị na Washington DC, Njikota Obodo Amerika. The masterpiece, which is part of the public domain is included with courtesy of National Gallery of Art, Washington.E wezụga nke ahụ, ihe osise nwere akara akara: . E wezụga nke a, nhazi nke mmepụta dijitalụ bụ Eserese na nwere akụkụ ruru nke 2: 5, nke pụtara na ogologo bụ 60% mkpụmkpụ karịa obosara. Jan van Eyck was a painter of Belgian nationality, whose art style can primarily be classified as Northern Renaissance. The European painter was born in the year 1390 in Helmond, North Brabant, Netherlands and deceased at the age of 51 na 1441.
Tebụl ihe osise
Iberibe aha nka: | "The Annunciation" |
nhazi ọkwa: | sere |
Otu izugbe: | nka ochie |
oge: | 15th narị afọ |
Emepụtara n'afọ: | 1436 |
Afọ nka: | karịa afọ 580 |
Ụlọ ihe ngosi nka: | Nnukwu osisi nke Art |
Ebe ngosi nka: | Washington DC, Njikota Obodo Amerika |
Weebụsaịtị nke ihe ngosi nka: | Nnukwu osisi nke Art |
Ikikere nke ihe osise: | ngalaba ọha |
Site n'aka: | National Gallery of Art, Washington |
Nkọwapụta ihe
Nkewa ngwaahịa: | ọrụ mgbidi |
Usoro mmeputakwa: | mmeputakwa n'ụdị dijitalụ |
Usoro mmepụta: | mbipụta dijitalụ (Mbipụta UV ozugbo) |
Ihe ngosi: | emere na Germany |
Ụdị ngwaahịa: | na mmepụta ihe |
Ngwaahịa were: | nka mgbidi, ihe ndozi mgbidi |
Ndepụta: | nhazi ihe osise |
Ụdị anya: | 2: 5 ogologo ruo obosara |
Ntụgharị nkọwa akụkụ akụkụ: | ogologo bụ 60% mkpụmkpụ karịa obosara |
Akụrụngwa dị: | Mpempe iko acrylic (nke nwere ezigbo mkpuchi iko), mbipụta ọla (aluminium dibond), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta kwaaji. |
Mbipụta kanvas (akwa akwa na etiti ihe ndọtị): | 20x50cm - 8x20", 40x100cm - 16x39", 60x150cm - 24x59" |
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) dị iche iche: | 20x50cm - 8x20", 40x100cm - 16x39" |
Mbipụta akwụkwọ mmado (akwụkwọ kwaaji): | 40x100cm - 16x39" |
Nhọrọ Dibond (ihe alumnium) nhọrọ: | 20x50cm - 8x20", 40x100cm - 16x39" |
Igwe onyonyo: | biko buru n'uche na edeghị nka nka |
Tebụl metadata omenkà
aha: | Ọnye na -bụ Jan Van Eyck? |
Aha ndi ozo: | Eyck Jan, Eijk Jan van, Eyck Johannes Lodevicus Nicolaas, Eyck Johannes Lodevicus Nicolaas Van, Jan van Eyck, Eyck Jan van, Eijk Johannes Lodevicus Nicolaas van, Johannes Lodevicus Nicolaas Van Eyck |
okike onye nka: | nwoke |
Obodo onye nka: | Onye Belgium |
Ọrụ onye na-ese ihe: | onye na-ese ihe |
Obodo obibi: | Belgium |
Nhazi nke onye nka: | nna ukwu ochie |
Ụdị nka: | Northern Renaissance |
Oge ndu: | 51 afọ |
A mụrụ: | 1390 |
Ebe amụrụ onye: | Helmond, North Brabant, Netherlands |
Afọ ọnwụ: | 1441 |
Nwụrụ na (ebe): | s Hertogenbosch, North Brabant, Netherlands |
© echekwabara ikike nwebiisinka, Artprinta (www.artprinta.com)