Jaume Ferrer, 1457 - Annunciation na Ọmụmụ - mbipụta nka mara mma

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• Aluminom dibond mbipụta (ọla): These are metal prints on alu dibond with an outstanding depth effect. A non-reflective surface structure make a contemporary look. For our Print On Aluminum Dibond, we print the selected artpiece right on the aluminium composite white-primed surface. Colors are luminous, fine details of the print appear very clear.
• Mbipụta kwaaji: A printed canvas material applied on a wooden frame. Your canvas of this masterpiece will allow you to transform your fine art print into a large size collection piece. Canvas prints are relatively low in weight, which implies that it is easy to hang up the Canvas print without extra wall-mounts. That is why, a canvas print is suited for any type of wall.
• Akwụkwọ mmado ebipụtara (akwa akwa akwa): The Artprinta poster is a printed flat cotton canvas paper with a slightly rough surface finish. It is excellently suited for putting your art replica with the help of a personal frame. Please bear in mind, that depending on the absolute size of the canvas poster print we add a white margin of something between 2 - 6cm around the painting in order to facilitate the framing with your custom frame.
• Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko n'elu): The print on acrylic glass, often denoted as a an art print on plexiglass, changes your artwork into beautiful décor. The plexiglass with real glass coating protects your chosen art replica against light and external influences for many decades.

Important information: We try all that we can to describe the products in as much detail as we can and to demonstrate them visually in our shop. Please bear in mind that the tone of the print products, as well as the imprint might vary marginally from the presentation on the monitor. Depending on your settings of your screen and the nature of the surface, color pigments can unfortunately not be printed as exactly as the digital version on this website. Given that all the art prints are printed and processed manually, there may as well be slight variations in the motif's exact position and the size.

Original artwork information from the museum (© - by The Cleveland Museum of Art - Velọ ihe ngosi nka nke Cleveland)

This and the painting to the right are believed to be the remaining components of a six-panel altarpiece. The large central panel is now preserved in Barcelona (Museu National d’Art de Catalunya). Ferrer collaborated with the painter Pere Garcia de Benavarri on this commission. Spanish works like these often feature elaborate treatment of the gold background, evident here in the exuberant raised decoration (called pastiglia) in the skies and the haloes, as well as other details. Here the Archangel Gabriel proclaims the Virgin’s destiny as the mother of Christ. The setting is an ordinary house, but simple objects have symbolic meaning. The lilies represent the Virgin’s purity; the covered jar and water carafe symbolize inviolability; the pomegranate symbolizes Christ’s resurrection, while the apple alludes to humankind’s fall from grace. The two books, closed and open, refer respectively to the Old and New Testaments: one foretelling and the other fulfilling the promise of the messiah. Both The Annunciation and The Nativity were components of a large altarpiece probably dedicated to the Virgin. Spanish works like these often feature elaborate treatment of the gold background, evident here in the exuberant raised decoration (called pastiglia) in the skies and haloes, as well as other details such as the vase of lilies in the Annunciation. The Annunciation The archangel Gabriel, gesturing toward God in a window above, proclaims the Virgin's destiny as the mother of Christ. Gabriel holds a scroll with the words from the New Testament (in Latin) "Hail Mary, full of grace, the Lord is with you." The angels in the sky hold another scroll proclaiming: "Glory to God in the highest, and peace to good people on earth". The simple objects surrounding the Virgin appear to be the furnishings of an ordinary house, but they carry symbolic meaning. The lilies represent the Virgin's purity; the covered jar and the water carafe symbolize inviolability. The towel and basin hint at ritual cleansing during Mass. The blown out candle points to the arrival of divine light in the world. The pomegranate symbolizes Christ's resurrection, while the apple alludes to humankind's fall from grace. The two books, closed and open, refer respectively to the Old and New testaments: one foretelling and the other fulfilling the promise of the Messiah.

Onyinye ngwaahịa nka

The Annunciation and The Nativity onye na-ese ihe mere ya Jaume Ferrer n’afọ 1457. The 560 artpiece dị afọ tụrụ nha: Nhazi: 186,5 x 139 x 14,5 cm (73 7/16 x 54 3/4 x 5 11/16 na); Edebereghị: 172 x 124,7 cm (67 11/16 x 49 1/8 na) ma were ihe osise ese Usoro of oil, tempera, and gold on wood panel (fir). Nowadays, this artpiece can be viewed in in the digital art collection of Velọ ihe ngosi nka nke Cleveland in Cleveland, Ohio, United States of America. We are happy to reference that the ngalaba ọha piece of art is being included with courtesy of The Cleveland Museum of Art. The creditline of the artwork is the following: Gift of Francis Ginn, Marian Ginn Jones, Barbara Ginn Griesinger, and Alexander Ginn in memory of Frank Hadley Ginn and Cornelia Root Ginn. Ọzọkwa, alignment bụ Eserese na nwere akụkụ ruru nke 1: 1.4, nke pụtara na ogologo bụ 29% mkpụmkpụ karịa obosara.

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