Laurent Girardin, 1460 - Atọ n'Ime Otu - mbipụta nka mara mma

Ozi ngwaahịa ebipụta zuru oke

This artpiece was created by the painter Laurent Girardin. Ihe gafere 560 year-old original was made with the size: Framed: 134,5 x 114,5 x 8 cm (52 15/16 x 45 1/16 x 3 1/8 in); Unframed: 114 x 94,5 cm (44 7/8 x 37 3/16 in). Mmanụ na osisi was applied by the painter as the medium of the artpiece. Nowadays, the artwork can be viewed in in the Ụlọ ihe ngosi nka nke Cleveland digital collection, which is one of the leading museums worldwide that builds, preserves, studies, and shares its outstanding collections of art from all periods and parts of the world, generating new scholarship and understanding, while serving as a social and intellectual hub for its community. With courtesy of: Velọ ihe ngosi nka nke Cleveland (ikike ngalaba ọha). : Maazị na Oriakụ William H. Marlatt Fund. Na mgbakwunye na nke a, nhazi ahụ bụ Eserese ma nwee oke onyonyo nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara.

Nkọwa zuru oke site na webụsaịtị ihe ngosi nka (© Nwebiisinka - site na Cleveland Museum of Art - Velọ ihe ngosi nka nke Cleveland)

Fundamental to Christian belief, the Holy Trinity refers to the three divine persons in God—God the Father, here depicted wearing a papal tiara, God the Son, crucified on the cross, and the Holy Spirit, represented as a dove. Juxtaposed with the Trinity's austere depiction are cherubim bathed in radiant red light, possibly influenced by stained glass windows that Girardin also designed in Lyon. God the Father wears a liturgical vestment, a sumptuous and bejeweled cope, or cape, fastened below the neck, typically worn by clergy for processional occasions. It is made of opulent crimson velvet with gold thread forming a large pomegranate pattern.

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Họrọ ihe kacha amasị gị

Maka mbipụta nka ọ bụla dị mma anyị na-enye ihe dị iche iche na nha dị iche iche. Họrọ nha na ihe kacha amasị gị n'ime nhọrọ ndị a:

• Mbipụta iko acrylic na-egbuke egbuke (ya na mkpuchi iko n'ezie): A glossy print on acrylic glass, which is sometimes referenced as a fine art print on plexiglass, will transform your favorite original work of art into décor. Your work of art is being printed with the help of modern UV printing technology. With an acrylic glass fine art print contrasts and image details become more visible with the help of the very subtle gradation of the picture. Our plexiglass with real glass coating protects your chosen fine art print against light and heat for many years to come.
• Mbipụta akwụkwọ mmado (ihe kwaaji): The Artprinta poster is a printed cotton canvas paper with a nice surface finish. The print poster is particularly used for placing your art copy with a personal frame. Please note, that depending on the absolute size of the poster we add a white margin 2-6 cm around the work of art, which facilitates the framing with a custom frame.
• Mbipụta kwaaji: The canvas print is a printed canvas stretched on a wooden frame. Canvas prints are relatively low in weight, which means that it is quite simple to hang your Canvas print without any wall-mounts. That is why, canvas prints are suited for any type of wall.
• Aluminom dibond mbipụta (ọla): This is a metal print manufactured on aluminium dibond material with an outstanding depth effect. A non-reflective surface creates a modern impression. For your Direct Aluminium Dibond option, we print the chosen artwork on the aluminium surface. The colors are luminous, details of the print appear very clear.

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Important information: We do all that we can to depict the products in as much detail as possible and to display them visually on the various product detail pages. Still, the colors of the printed materials and the imprint can vary slightly from the image on the screen. Depending on your settings of your screen and the nature of the surface, not all colors are printed as realistically as the digital version depicted here. In view of the fact that our fine art prints are printed and processed manually, there might also be minor variations in the size and exact position of the motif.

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