Marco d'Oggiono, 1491 - Nwa agbọghọ nwere cherị - mbipụta nka mara mma
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
E kere eserese ahụ Marco d'Oggiono. The version of the masterpiece measures the size: 19 1/4 x 14 3/4 in (48,9 x 37,5 cm) and was made with mmanụ n'elu osisi. Taa, ọrụ nka a dị n'ime Ụlọ ihe ngosi nka nke Metropolitan art collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. This masterpiece, which belongs to the ngalaba ọha is being included with courtesy of The Metropolitan Museum of Art, New York, Marquand Collection, Gift of Henry G. Marquand, 1890. Additionally, the work of art has the creditline: Mkpokọta Marquand, Onyinye nke Henry G. Marquand, 1890. E wezụga nke a, nhazi ahụ bụ Eserese ma nwee oke nke 3: 4, nke pụtara na ogologo bụ 25% mkpụmkpụ karịa obosara.
Ozi nka ndị ọzọ nke The Metropolitan Museum of Art (© - nke Ụlọ ihe ngosi nka nke Obodo ukwu - www.metmuseum.org)
This intriguing picture is by a Milanese painter closely associated with Leonardo da Vinci, whose work inspired the delicate modeling, the careful study of the positions of the hands, and the enigmatic smile. However, its precise attribution is disputed, as is its meaning. The richly dressed sitter is crowned with a wreath of ground ivy, and this, together with the cherries, may allude to marriage but equally suggests a connection with humanists and literary circles. The picture thus combines elements of portraiture and allegory and also sets the stage for genre painting.
Ozi ndabere na nka nka izizi
Aha nke ihe nka: | "Girl with Cherries" |
Nhazi: | sere |
Category: | nka ochie |
oge: | 15th narị afọ |
Emepụtara na: | 1491 |
Ogologo afọ nka nka: | karịa afọ 520 |
Usoro nka izizi: | mmanụ n'elu osisi |
Ogo nke ọrụ nka izizi: | 19 1/4 x 14 3/4 na (48,9 x 37,5 cm) |
Egosiputara na: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
Dị n'okpuru: | Museumlọ ihe ngosi nka nke Obodo |
Licensedị ikike: | ngalaba ọha |
Site n'aka: | Ụlọ ihe ngosi nka nke Metropolitan, New York, mkpokọta Marquand, Onyinye Henry G. Marquand, 1890 |
kreditline ọrụ nka: | Mkpokọta Marquand, Onyinye nke Henry G. Marquand, 1890 |
Ozi omenka
Aha onye nka: | Marco d'Oggiono |
Aha utu aha: | Oggiono Marco, Marco d'Oggiono, M. d'Oggione, Uggiono Marco d', Marco d' Oggiono, Ugginni Marco d', Marco da Ogion, Marco d'Ogion coetaneo di Leonardo, marco d'oggione, Oggionno Marco de, Marco d'Oggioni, Marco, Oglono Marco d', Uggini Marco d', Uglon Marco d', D'Oggiono Marco, Marco d'Ogion, Uggioni Marco, Oggione, Uggione Marco d', Oggiono Marco d', Oggionno Marco d' |
okike nke onye nka: | nwoke |
Obodo onye nka: | Italian |
Ọrụ nke onye na-ese ihe: | onye na-ese ihe |
Country: | Italy |
Nhazi nke onye nka: | nna ukwu ochie |
Akwụsị: | 62 afọ |
Afọ amụrụ: | 1462 |
Obodo ọmụmụ: | Oggiono, Lecco province, Lombardy, Italy |
Afọ ọnwụ: | 1524 |
Nwụrụ na (ebe): | Milan, obodo Milano, Lombardy, Italy |
Ngwa ngwaahịa ndị ahịa anyị nwere ike isi na ya were
Maka ngwaahịa ọ bụla anyị na-enye nha & ihe dị iche iche. Ka ị kwekọọ n'ihe ị chọrọ nke ọma, ị nwere ike họrọ n'ime nhọrọ nhazi ngwaahịa ndị a:
- Akwụkwọ mmado ebipụtara (akwa akwa akwa): Our poster is a printed flat canvas paper with a slightly rough surface finish, that reminds the original version of the masterpiece. Please bear in mind, that depending on the size of the poster print we add a white margin 2-6 cm around the artwork in order to facilitate the framing with your custom frame.
- Bipụta na iko acrylic (nke nwere ezigbo mkpuchi iko): The acrylic glass print, which is sometimes labelled as a an art print on plexiglass, makes your favorite original work of art into home decoration. Your own copy of the work of art is being manufactured thanks to modern UV direct print technology. This creates intense, impressive colors. The real glass coating protects your selected art replica against light and heat for up to 60 years.
- Mbipụta nke aluminom: An Aluminium Dibond print is a print with an outstanding effect of depth - for a modern impression and a non-reflective surface structure. A direct Aluminium Dibond Print is the ideal start to the sophisticated world of art prints on alu. The UV print on Aluminum Dibond is the most popular entry-level product and is a modern way to display art prints, as it puts the viewer’s focus on the artwork.
- Mbipụta kwaaji: A UV printed canvas material applied on a wood stretcher frame. A canvas has a sculptural look of three-dimensionality. Your canvas print of your favorite masterpiece will let you turn your new fine art print into a large size collection piece like you would see in a gallery. Canvas prints are relatively low in weight, meaning that it is quite simple to hang up your Canvas print without additional wall-mounts. That is why, a canvas print is suitable for any type of wall.
Banyere edemede a
Nkewa edemede: | ọrụ mgbidi |
Usoro mmeghari: | dijitalụ mmeputakwa |
Usoro mmepụta: | UV kpọmkwem obibi |
Production: | German mere |
Stockdị ngwaahịa: | mmepụta ihe na-achọ |
Ojiji ngwaahịa: | mkpokọta nka (mmeputakwa), nka mgbidi |
Nhazi nka nka: | usoro eserese |
Ụdị anya: | 3: 4 |
Nsonaazụ nke akụkụ onyonyo: | ogologo bụ 25% mkpụmkpụ karịa obosara |
Akwa mmeputakwa dị: | acrylic glass print (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta kanvas, mbipụta ọla (aluminium dibond) |
Nhọrọ nha nha mbipụta kanvas (akwa akwa na etiti ihe ndọtị): | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63" |
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha dị iche iche: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha dị iche iche: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Nhọrọ aluminom dibond (ihe aluminom) nhọrọ: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Nhazi mbipụta nka: | adịghị |
Ihe dị mkpa: We try whatever we can to describe the art products as precisely as possible and to demonstrate them visually. Although, the colors of the printed materials, as well as the printing might diverge slightly from the presentation on the device's monitor. Depending on the screen settings and the nature of the surface, not all color pigments will be printed one hundret percent realistically. Considering that our art prints are printed and processed manually, there might also be slight deviations in the exact position and the size of the motif.
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