Ogbako nke Rogier van der Weyden, 1460 - Ogbugbu ya na Carthusian Monk - mbipụta nka mara mma.

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• Mbipụta ọla (aluminium dibbond): These are metal prints on aluminium dibond material with an impressive depth. For our Direct Aluminium Dibond print, we print your favorite artwork on the surface of the white-primed aluminum. This print on Aluminum Dibond is one of the most popular entry-level products and is an extremely contemporary way to showcase art, since it draws focus on the replica of the artwork.
• Ugogbe acrylic ebipụtara: The acrylic glass print, which is sometimes denoted as a print on plexiglass, will transform an artwork into beautiful home décor. Your favorite work of art is printed thanks to state-of-the-art UV direct printing machines.
• Mbipụta kwaaji: The canvas print is a printed canvas stretched on a wood frame. Furthermore, a printed canvas makes a soft and enjoyable feeling. The great advantage of canvas prints is that they are relatively low in weight, which implies that it is easy to hang up the Canvas print without additional wall-mounts. Therefore, canvas prints are suitable for any type of wall.
• Bipụta akwụkwọ mmado n'ihe kwaaji: Our poster print is a printed canvas with a slightly rough surface finish. It is perfectly designed for placing the art replica in a custom frame. Please bear in mind, that depending on the size of the poster we add a white margin 2 - 6cm round about the painting, which facilitates the framing with a custom frame.

Ederede iwu: We try all that we can to describe our art products as accurately as possible and to demonstrate them visually. At the same time, the colors of the print materials, as well as the imprint may differ slightly from the representation on your device's monitor. Depending on the screen settings and the nature of the surface, not all colors will be printed one hundret percent realistically. Since all art reproductions are printed and processed by hand, there might also be minor discrepancies in the exact position and the size of the motif.

Additional information on the original artwork by the museum (© - by The Cleveland Museum of Art - Velọ ihe ngosi nka nke Cleveland)

This painting shows a Carthusian monk kneeling in devotion and prayer before the Crucifixion. It is likely that this panel was intended for the cell of a monk in an unknown monastery. The Carthusians were particularly devoted to the Passion and Crucifixion of Christ, and devotional images were provided for each monk’s cell. The Carthusian order was founded by Saint Bruno in 1084 with the purpose of providing the strictest separation from the world. The first Carthusians were dedicated to contemplation through silence, prayer, poverty, penance, and almost continuous occupancy of a solitary cell. The solitary life could only be maintained through the establishment of separate cell houses. Each community of monks was limited to the apostolic number of 12, though exceptions were sometimes made. They were recognized by their white, full-length, cowled habit called the scapular, shown here. The artist has not been identified.

Interesting facts about the artpiece from the old master named workshop of Rogier van der Weyden

The 15th narị afọ ihe osise mere site na Dutch artist workshop of Rogier van der Weyden in 1460. The over 560 years old original version has the size of Image: 37,1 x 27,3 cm (14 5/8 x 10 3/4 in); Framed: 57,5 x 48 x 7 cm (22 5/8 x 18 7/8 x 2 3/4 in); Unframed: 38,4 x 29,2 cm (15 1/8 x 11 1/2 in) and was painted with mmanụ na ọla edo n'elu osisi. Moveover, the artpiece belongs to the collection of The Cleveland Museum of Art. The nka ochie ọrụ nka, nke dị na ngalaba ọha a na-enye ya site n'ikike nke Velọ ihe ngosi nka nke Cleveland. : Delia E. Holden and L. E. Holden Funds. The alignment is Eserese na nwere akụkụ ruru nke 3: 4, nke pụtara na ogologo bụ 25% mkpụmkpụ karịa obosara.

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