Amaghị, 1520 - Nwa agbọghọ na-amaghị nwoke na Nwatakịrị n'okpuru Canopy - mbipụta nka mara mma

Akụrụngwa ndị ahịa anyị nwere ike ịhọrọ

Anyị na-enye ụdị nha na ihe dị iche iche maka ngwaahịa ọ bụla. Nhọrọ ndị a dị maka n'otu n'otu:

• Kwaaji: The canvas print, not to be mistaken with a canvas painting, is a digital copy printed on a canvas. The great advantage of canvas prints is that they are relatively low in weight, meaning that it is easy and straightforward to hang up your Canvas print without the support of any wall-mounts. Therefore, canvas prints are suited for any type of wall.
• Aluminom ihe eji eme ihe: Aluminium Dibond prints are metal prints with an outstanding depth effect. The Direct Print on Aluminum Dibond is the best introduction to fine art replicas produced with aluminum. For the Direct Print On Aluminum Dibond, we print the favorite work of art onto the aluminium composite surface. The bright and white sections of the artpiece shine with a silk gloss but without any glow. The colors are luminous and bright in the highest definition, details of the print appear very clear, and you can truly feel the matte appearance of the print.
• Bipụta akwụkwọ mmado n'ihe kwaaji: A poster print is a printed canvas with a slight surface texture. Please bear in mind, that depending on the absolute size of the poster print we add a white margin of around 2-6cm around the artwork, which facilitates the framing with a custom frame.
• Bipụta na enyo acrylic: An acrylic glass print, often referenced as a print on plexiglass, changes your favorite original into amazing décor and offers a distinct alternative option to canvas and aluminidum dibond fine art prints. With an acrylic glass art print contrasts as well as image details become more visible thanks to the very subtle gradation in the print. Our plexiglass with real glass coating protects your chosen art replica against light and heat for up to 60 years.

Nkwupụta iwu: We try everythig possible in order to describe our art products as precisely as possible and to demonstrate them visually in our shop. Nonetheless, the tone of the print products and the imprint can diverge to a certain extent from the presentation on the monitor. Depending on your settings of your screen and the nature of the surface, not all colors can be printed 100% realistically. Bearing in mind that all the are processed and printed by hand, there may also be minor differences in the motif's exact position and the size.

(© - site na Cleveland Museum of Art - Velọ ihe ngosi nka nke Cleveland)

Scholars continue to debate the identity of this artist and the original source of the painting. The small coat of arms and initials at the bottom have not yet been identified. The arms may refer to a family, a city, or a bishopric. The style seems to relate to Bruges painting of the early 1500s, however the slightly mannered treatment of the child may point to Antwerp.

Nkọwapụta edemede

Nke a gafee 500 year-old masterpiece "Virgin and Child under a Canopy" was created by Unknown. The painting was painted with the exact dimensions: Framed: 77,5 x 53,5 x 7 cm (30 1/2 x 21 1/16 x 2 3/4 in); Unframed: 64,8 x 40 cm (25 1/2 x 15 3/4 in) and was made with the techinque oil on wood panel. Today, this artpiece is part of the Ụlọ ihe ngosi nka nke Cleveland nchịkọta dijitalụ, nke bụ otu n'ime ụlọ ngosi ihe mgbe ochie n'ụwa nile nke na-ewu, na-echekwa, na-amụ ihe, ma na-ekesa nchịkọta nkà ya pụtara ìhè site n'oge niile na akụkụ nke ụwa, na-emepụta akwụkwọ mmụta na nghọta ọhụrụ, mgbe ọ na-eje ozi dị ka ebe ọha na eze na ọgụgụ isi maka ya. obodo. Site n'ikike nke Velọ ihe ngosi nka nke Cleveland (public domain license). Besides, the artwork has the creditline: In memory of Ralph King, gift of Mrs. Ralph King; Ralph T. King, Woods King, Charles G. King; and Frances King Schafer. What is more, the alignment of the digital reproduction is in Eserese format ma nwee ihe onyonyo nke 9: 16, nke pụtara na ogologo ya dị 45% dị mkpụmkpụ karịa obosara.

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