Hans Holbein nke Nta, 1533 - Eserese Robert Cheseman (1485-1547) - mbipụta nka mara mma.
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Artwork description by the museum (© - by Mauritshuis - Maurithuis)
King Charles I, London, until 1649; King James II, London, until 1688; King-Stadholder William III, London, after 1688; Het Loo Palace, Apeldoorn, 1713; Prince William V, The Hague; confiscated by the French, transferred to the Muséum Central des Arts/Musée Napoléon (Musée du Louvre), Paris, 1795-1815; Royal Picture Gallery, housed in the Prince William V Gallery, The Hague, 1816; transferred to the Mauritshuis, 1822
Background information on the painting from the old master with the name Hans Holbein the Younger
Ihe osise narị afọ nke 16 a Portrait of Robert Cheseman (1485-1547) mere site na German artist Hans Holbein the Younger in 1533. The 480 year-old painting measures the following size - height: 58,8 cm width: 62,8 cm | height: 23,1 in width: 24,7 in and was painted with the Usoro mmanụ na panel. The artwork's inscription is the following - "inscription and dated: ROBERTVS CHESEMAN . ÆTATIS . SVUÆ . XLVIII . / ANNO . DM . M . D . XXXIII .". This piece of art is included in the Ndị Maurithuis art collection. With courtesy of - Mauritshuis, The Hague (nwere ikike: ngalaba ọha). Na mgbakwunye na nke ahụ, ọrụ nka nwere akara kredit ndị a: King Charles I, London, until 1649; King James II, London, until 1688; King-Stadholder William III, London, after 1688; Het Loo Palace, Apeldoorn, 1713; Prince William V, The Hague; confiscated by the French, transferred to the Muséum Central des Arts/Musée Napoléon (Musée du Louvre), Paris, 1795-1815; Royal Picture Gallery, housed in the Prince William V Gallery, The Hague, 1816; transferred to the Mauritshuis, 1822. The alignment is square and has a ratio of 1 : 1, which implies that the length is equal to the width. Hans Holbein the Younger was a male engraver, painter from Germany, whose art style was mainly Northern Renaissance. The Northern Renaissance painter was born in the year 1497 na Augsburg, Bavaria, Germany ma nwụọ mgbe ọ dị afọ 46 N'afọ 1543 na London, Greater London, England, United Kingdom.
Ngwa ngwaahịa a na-ahọpụta
Anyị na-enye ihe dị iche iche dị iche iche na nha maka ngwaahịa ọ bụla. Nhọrọ ndị a dị maka n'otu n'otu:
- Mbipụta enyo acrylic: The acrylic glass print, often described as a UV print on plexiglass, will change your favorite original into brilliant wall decoration. In addition to that, it is a good alternative option to canvas or aluminium dibond art prints. Your work of art will be custom-made with the help of state-of-the-art UV direct print machines. This creates vivid and stunning color tones. The great upside of a plexiglass fine art copy is that sharp contrasts as well as color details will be identifiable thanks to the precise gradation. The plexiglass protects your selected fine art print against light and external influences for between 4 and 6 decades.
- Kwaaji: The printed canvas, which shall not be confused with an artwork painted on a canvas, is a digital copy printed on a UV direct printer. Additionally, a printed canvas produces a nice and pleasant look. The advantage of canvas prints is that they are relatively low in weight, which means that it is quite simple to hang up the Canvas print without extra wall-mounts. That is why, a canvas print is suitable for any kind of wall.
- Mbipụta akwụkwọ mmado (akwa akwa akwa): A poster print is a UV printed flat canvas paper with a granular surface finish. It is designed for putting the art print with a custom-made frame. Please bear in mind, that depending on the size of the poster we add a white margin of approximately 2-6cm around the painting, which facilitates the framing with a custom frame.
- Aluminom dibond (ọkpụkpụ ọla): These are metal prints on aluminium dibond with an impressive depth. A non-reflective surface structure creates a fashionable look. A direct Direct Print on Aluminum Dibond is the best start to the sophisticated world of art reproductions manufactured with aluminum. The colors are luminous in the highest definition, the details of the print are crisp, and you can really feel the matte appearance of the product.
Tebụl ozi omenkà
Ihe nkiri: | Hans Holbein nke Nta |
Aliases: | Hans Holbien, Oelbren, Hollebeen Hans, Hollbein, Olpeius Olpenus, Holbe Hans, Olbeins, Holbien, Hulbens, Olbeius, Holbein Hans the Younger, Olbeen, Hanns Holbein, Olbeni Hans, Hans Hohlbein, Orbens, H. Hollbein, Der jüngere Holbein, Hans Holbein, holbein h., Hol-bein, Hollebeen, Giovanni Ansebor, Holbiens, Hulbeine, Holbeins, François Holbein, Golʹbeĭn Gans, holbein hans der jungere, H. Hohlbein, Giovanni Holbense, Holbein d. J., Holbens Hans, J. Holbein, Holbein Hans (The Younger), Holbyns, Holben, Holbein Jun., H. Holbien, Holbeen Hans, Holbee, Holbein the Younger Hans, Olbeius Hans, Hans Holbeen, H. Holbeen, hans holbein der jungere, Holbein Hans the younger, Holbain, Ho bein, Olben, Hosbeen, Holby Hans II, Holbeins Hans, holbein school of hans, Ans. Olbeen, Holbein Hans II, Johann Holbein, Oelbren Hans, Hans Holbean, HANS HOLBEIN D.J., Olbey, holbein der jungere hans, Holbein dem Jüngeren, Holbens, Holben Hans II, Holbien Hans, Han's Holbein, Olpenus Hans II, Hulbyen, Hannss Holbein, Ulbens, Albens, Hollebin, Hans Holbein the Younger, Holbeijn, Jean Holbein, Hanns Holbein der Jüngere, Hohlbein, Ubens Fiammingo, Jean Holbeen, Olbens Hans, Holbeyn, Ansolben, John Holbein, Olbein, Holbins, H. Holbein, Holby Hans, Olbeni, Hans Holbens, Frans Holbeen, hans holbein d. jung., Hans Holbein the younger, Olpeius Hans II, Albens Hans, h. holbein the younger, Holbin, Orbens Svizzero, Holber, Ulbens Hans, Holbein Hans, H. Holbeyn, Holbeni Hans, hans holbein des jungeren, Hbens, Holhein, Holbeen, Olbens, Olbens Olandese, Ubeno Hans, J. Holbeen, Giovanni Holbeno, John or Hans Holbein, Giovanni Holben, Hans II Holbein, Albens fiammingo, Hans Hollbein, Hulbeen, Holbein, Hans Holben, Ubeno, Hans (The Younger) Holbein, Holbe, Olbeim, הולביין האנס, Hanshulben, A. Olbeen, Holbein Junior, hans holbein d. j., Holbeine, Holbein Hans d. J., Holbein dem Jüngern, Hans Holbein de Bale en Suisse, Holber Hans, Olvens, J. Holben, Holbeni, Helbin, Ulbens fiammengo |
okike onye nka: | nwoke |
Obodo onye nka: | German |
Ọrụ: | onye na-ese ihe, onye na-ese ihe |
Obodo obibi: | Germany |
Otu nka: | nna ukwu ochie |
styles: | Northern Renaissance |
Akwụsị: | 46 afọ |
Afọ amụrụ: | 1497 |
Ebe omuma: | Augsburg, Bavaria, Germany |
Nwuru: | 1543 |
Obodo ọnwụ: | London, Greater London, England, United Kingdom |
Tebụl a haziri ahazi nke ọrụ nka
Iberibe aha nka: | "Portrait of Robert Cheseman (1485-1547)" |
Nchịkọta nke ọrụ nka: | sere |
Okwu mkpokọta: | nka ochie |
Time: | 16th narị afọ |
Afọ okike: | 1533 |
Afọ nka: | ihe karịrị afọ 480 |
Ihe osise izizi: | mmanụ na panel |
Nha izizi: | elu: 58,8 cm obosara: 62,8 cm |
mbinye aka izizi nka: | inscription and dated: ROBERTVS CHESEMAN . ÆTATIS . SVUÆ . XLVIII . / ANNO . DM . M . D . XXXIII . |
Ụlọ ihe ngosi nka / mkpokọta: | Maurithuis |
Ebe ngosi nka: | Hague, South Holland, Netherlands |
Ebe nrụọrụ weebụ ihe ngosi nka: | Maurithuis |
Licensedị ikike: | ngalaba ọha |
Site n'aka: | Maurithuis, Hague |
Ebe E Si Nweta: | King Charles I, London, until 1649; King James II, London, until 1688; King-Stadholder William III, London, after 1688; Het Loo Palace, Apeldoorn, 1713; Prince William V, The Hague; confiscated by the French, transferred to the Muséum Central des Arts/Musée Napoléon (Musée du Louvre), Paris, 1795-1815; Royal Picture Gallery, housed in the Prince William V Gallery, The Hague, 1816; transferred to the Mauritshuis, 1822 |
Ngwaahịa a
Bipụta ụdị ngwaahịa: | mmepụta nka |
Usoro mmeghari: | dijitalụ mmeputakwa |
Usoro nhazi: | UV kpọmkwem obibi |
Mmalite nke ngwaahịa a: | Germany |
Ụdị ngwaahịa: | mmepụta ihe na-achọ |
Ngwaahịa were: | gallery mmeputakwa nka, mkpokọta nka (mmeputakwa) |
Nhazi nke ihe nka: | nhazi square |
Ụdị anya: | 1: 1 - ogologo: obosara |
Pụtara nha onyonyo: | ogologo ya na obosara |
Akụrụngwa ị nwere ike ịhọrọ site na: | ígwè ebipụta (aluminium dibond), acrylic glass print (nwere ezigbo mkpuchi iko), mbipụta akwa akwa, mbipụta akwụkwọ mmado (akwụkwọ kwaaji) |
Mbipụta kanvas (akwa akwa na etiti ihe ndọtị) dị iche iche: | 20x20cm - 8x8 ", 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39", 150x150cm - 59x59", 180-x180cm |
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha: | 20x20cm - 8x8 ", 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39", 150x150cm - 59x59", 180-x180cm |
Mbipụta akwụkwọ mmado (akwụkwọ kwaaji): | 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39" |
Mpempe akwụkwọ Dibony (ihe alumnium) nha: | 20x20cm - 8x8", 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39" |
ụba: | oyiri nka na-enweghị isi |
Ihe dị mkpa: We try the best we can to describe the products as accurately as possible and to showcase them visually on the respective product detail pages. Nonetheless, the tone of the printed materials and the print result can differ marginally from the image on your screen. Depending on the settings of your screen and the condition of the surface, not all color pigments can be printed as exactly as the digital version. In view of the fact that all the art reproductions are printed and processed by hand, there may as well be minor discrepancies in the size and exact position of the motif.
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