Hans Maler, 1525 - Ulrich Fugger nke Nta (1490-1525) - mbipụta nka mara mma.
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Onyinye ngwaahịa nka
N'elu 490 year-old artwork was created by the northern renaissance master Hans Maler in 1525. The version of the artwork has the size of 15 7/8 x 12 3/4 na (40,3 x 32,4 cm) ma jiri ya rụọ ya Usoro of oil on linden. Moveover, this artwork can be viewed in in the Ụlọ ihe ngosi nka nke Metropolitan collection in New York City, New York, United States of America. With courtesy of - Ụlọ ihe ngosi nka nke Metropolitan, New York, Arịrịọ nke Benjamin Altman, 1913 (ikike - ngalaba ọha). Ọzọkwa, ihe osise ahụ nwere akara kredit ndị a: Arịrịọ nke Benjamin Altman, 1913. Ọzọkwa, nhazi nke mmepụta dijitalụ dị n'ime Eserese format na nwere akụkụ ruru nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara. The painter Hans Maler was an artist from Germany, whose artistic style can primarily be classified as Northern Renaissance. The German artist was born in 1475 in Ulm, Baden-Wurttemberg, Germany and deceased at the age of 54 na 1529.
Artwork depiction from The Metropolitan Museum of Art website (© - Ụlọ ihe ngosi nka nke obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)
Hans Maler produced numerous portraits of members of the Fugger family, who by the sixteenth century had become one of Europe’s greatest mercantile and banking dynasties. This painting shows Ulrich Fugger the Younger at age thirty-five, in the final year of his life, when he represented his family in the flourishing mining center of Schwaz in Tirol. A nearly identical version exists in a private collection. The Fuggers may have commissioned such relatively small portraits in multiples to distribute among family members and important business partners and to decorate the family’s residences and offices.
Nkọwa gbasara nka
Aha nke ihe nka: | "Ulrich Fugger the Younger (1490–1525)" |
Nhazi nka: | sere |
Nhazi nka: | nka ochie |
Time: | 16th narị afọ |
Afọ nka: | 1525 |
Afọ nka: | ihe dị ka afọ 490 |
Usoro izizi: | mmanụ na linden |
Nha ihe osise izizi: | 15 7/8 x 12 3/4 na (40,3 x 32,4 cm) |
Egosiputara na: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
Weebụsaịtị nke ihe ngosi nka: | Museumlọ ihe ngosi nka nke Obodo |
Licensedị ikike: | ngalaba ọha |
Site n'aka: | Ụlọ ihe ngosi nka nke Metropolitan, New York, Arịrịọ nke Benjamin Altman, 1913 |
Ebe kredit nke ọrụ nka: | Arịrịọ nke Benjamin Altman, 1913 |
Nchịkọta ihe nkiri
Aha onye nka: | Hans Maler |
Aha ndị ọzọ: | Schwarz Hans Maler zu, Maler, Maler Hans, Maler zu Schwaz Johan, Hans Maler Zu Schwaz, Maler Hans i, Maler zu Schwaz Hans, Giovanni Malerg, Giovanni Malerg Tedesco, Maler von Ulm Hans, Hans Maler |
okike onye nka: | nwoke |
Obodo onye nka: | German |
Ọrụ onye na-ese ihe: | onye na-ese ihe |
Mba onye si: | Germany |
Otu nka: | nna ukwu ochie |
Ụdị nka: | Northern Renaissance |
Akwụsị: | 54 afọ |
Afọ ọmụmụ: | 1475 |
Ebe omuma: | Ulm, Baden-Württemberg, Germany |
Afọ nwụrụ: | 1529 |
Ihe ndị a na-ahọrọ
Anyị na-enye ụdị dị iche iche nha na ihe maka ngwaahịa ọ bụla. Ka ị kwekọọ n'ihe ị chọrọ nke ọma, ị nwere ike họrọ n'ime nhọrọ nhazi ngwaahịa ndị a:
- Mbipụta nke aluminom: An Aluminium Dibond print is a print with an outstanding depth. A non-reflective surface creates a contemporary look. The bright & white parts of the original artpiece shine with a silky gloss, however without glow. The colors of the print are luminous, fine details are clear and crisp.
- Akwụkwọ mmado ebipụtara (ihe kwaaji): A poster print is a printed sheet of flat cotton canvas with a slight surface texture, that reminds the actual version of the artwork. Please keep in mind, that depending on the size of the poster we add a white margin between 2-6cm round about the print in order to facilitate the framing with your custom frame.
- Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): An acrylic glass print, which is often referred to as a UV print on plexiglass, will convert your favorite artwork into home decoration. The work of art is being manufactured thanks to the help of state-of-the-art UV direct printing technology. The special effect of this are sharp and vivid color tones. The great upside of an acrylic glass fine art copy is that contrasts and small details will be more exposed due to the very subtle tonal gradation of the print. Our acrylic glass protects your custom art replica against sunlight and heat for decades.
- Mbipụta kwaaji: The printed canvas material applied on a wooden frame. What is more, canvas print makes a homelike and warm feeling. The great advantage of canvas prints is that they are relatively low in weight, which implies that it is easy to hang up your Canvas print without any wall-mounts. Canvas prints are suited for any kind of wall.
Nkọwa ihe ahaziri ahazi
Nkewa bipụta: | ọmarịcha nka |
Mmeputakwa: | mmeputakwa n'ụdị dijitalụ |
Usoro mmepụta: | mbipụta dijitalụ (Mbipụta UV ozugbo) |
Nlụpụta: | emepụtara na Germany |
Ụdị ngwaahịa: | mmepụta ihe na-achọ |
A na-atụ aro iji ngwaahịa eme ihe: | Nhazi ụlọ, mkpokọta nka (mmeputakwa) |
Nhazi: | nhazi ihe osise |
Njikwa oyiyi: | ogologo ruo obosara 1: 1.2 |
Mmetụta akụkụ: | ogologo bụ 20% mkpụmkpụ karịa obosara |
Ihe mmeputakwa dị: | acrylic glass print (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta kanvas, mbipụta ọla (aluminium dibond) |
Nha n'arọwa n'elu ihe ndọtị (mbipụta akwa akwa): | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Ụdị akwụkwọ mmado (akwụkwọ kwaaji) dị iche iche: | 50x60cm - 20x24", 100x120cm - 39x47" |
Mpempe akwụkwọ Dibọn (ihe alumnium): | 50x60cm - 20x24", 100x120cm - 39x47" |
Nhazi nke nnomi nka: | agunyeghi |
Important note: We try everything to describe our art products in as much detail as possible and to illustrate them visually on the respective product detail pages. Nevertheless, the pigments of the print materials and the printing can differ somehwat from the image on your monitor. Depending on the screen settings and the nature of the surface, color pigments might not be printed as exactly as the digital version. In view of the fact that the fine art prints are processed and printed by hand, there might as well be slight deviations in the motif's size and exact position.
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