Lorenzo Lotto, 1534 - Eserese nwoke, ikekwe Girolamo Rosati - mbipụta nka mara mma.

Background information on the artwork with the title "Portrait of a Man, possibly Girolamo Rosati"

"Portrait of a Man, possibly Girolamo Rosati" is a work of art made by the male Italian artist Lorenzo Lotto n’afọ 1534. The 480 year-old artpiece was painted with the absolute size: Nhazi: 135,9 x 128 x 8,6 cm (53 1/2 x 50 3/8 x 3 3/8 na); Edebereghị: 108,2 x 100,5 cm (42 5/8 x 39 9/16 na). Oil on canvas was applied by the European painter as the medium of the artpiece. The artwork's inscription is: "signed lower right: ".L. Lotus 15[...]"". Today, the piece of art is included in the Ụlọ ihe ngosi nka nke Cleveland mkpokọta nka. Nke nka ochie masterpiece, nke bụ akụkụ nke ngalaba ọha a na-enye ya site n'ikike nke Velọ ihe ngosi nka nke Cleveland. The creditline of the artwork is: Gift of the Hanna Fund. Moreover, alignment is square ya na oke onyonyo nke 1: 1, nke pụtara na ogologo ya na obosara. Lorenzo Lotto was a male painter, whose artistic style can be classified as High Renaissance. The artist lived for a total of 81 years - born in 1475 in Venice, Venezia province, Veneto, Italy and died in 1556.

Artwork specifications by The Cleveland Museum of Art (© Copyright - The Cleveland Museum of Art - www.clevelandart.org)

The gesture of the elegantly dressed man is a mystery. Is he rising from his chair to address someone or is he pointing to something outside the frame? His right hand rests on a piece of paper (a letter?), while on the table are clover—a symbol of abundance, good fortune, and happy marriage—and jasmine, associated with purity and love, further emphasized by the roses on the trellis. There may have been a companion portrait of the sitter’s bride, to whom he acknowledges his devotion. Another recent interpretation identifies the sitter as Girolamo Rosati, a high official in Fermo, on Italy’s east coast. The paper may be a design for one of his important architectural projects, to which he may be pointing in the distance. The interrupted moment is a naturalistic touch characteristic of Lotto, quite distinct from the formality of the other Italian Renaissance portraits in the museum's collection. Though this portrait clearly articulates the man’s status, Lotto emphasizes his individuality and interiority as much as a socially constructed identity.

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