Agnolo Bronzino, 1545 - St. Jọn Baptist - ọmarịcha nka

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a 16th narị afọ mpempe nka Jọn Onye Na-eme Baptizim was made by Agnolo Bronzino. The 470 year old version of the artwork measures the following dimensions: 154 x 53 cm and was produced with the Usoro of mmanụ na panel. What is more, the artpiece can be viewed in in the The J. Paul Getty Museum's digital art collection. With courtesy of: Ụlọ ihe ngosi nka nke J. Paul Getty (ikike ngalaba ọha): . Ọzọkwa, itinye n'ọnọdụ Eserese format ma nwee oke onyonyo nke 1: 3, nke pụtara na ogologo bụ 66% mkpụmkpụ karịa obosara. The poet, painter Agnolo Bronzino was a European artist, whose artistic style can be attributed primarily to Mannerism. The Italian painter was born in the year 1503 in Monticelli, Firenze province, Tuscany, Italy and deceased at the age of 69 in 1572.

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• Aluminom dibond mbipụta (ọla): Aluminium Dibond prints are metal prints with a true depth effect, creating a fashionable look throuch a surface structure, which is not reflective. The Aluminium Dibond Print is your ideal introduction to art prints with alu. For your Print On Aluminum Dibond, we print the favorite artpiece onto the surface of the white-primed aluminum. The bright & white parts of the artpiece shine with a silky gloss but without the glare.
• Mbipụta kanvas: A printed canvas material applied on a wood frame. It creates the unique impression of three-dimensionality. The great advantage of canvas prints is that they are relatively low in weight, which implies that it is easy and straightforward to hang the Canvas print without additional wall-mounts. Canvas prints are suitable for all kinds of walls.
• Mpempe akwụkwọ ederede (akwa akwa akwa): The poster print is a UV printed sheet of canvas with a fine surface texture. It is optimally qualified for framing your art copy using a customized frame. Please note, that depending on the size of the poster we add a white margin of something between 2-6cm round about the print in order to facilitate the framing with your custom frame.
• Bipụta na enyo acrylic: An print on acrylic glass, which is often labelled as a UV print on plexiglass, makes your favorite original into lovely wall décor and is a great alternative option to canvas or dibond fine art prints. The work of art is custom-made with the help of state-of-the-art UV printing technology. This creates the impression of rich and deep colors. Our acrylic glass protects your chosen art print against sunlight and external influences for many decades.

Ederede iwu: We try all that we can to depict our products as exact as we can and to demonstrate them visually on the various product detail pages. Nevertheless, some colors of the print materials, as well as the imprint may differ to a certain extent from the representation on the monitor. Depending on the settings of your screen and the condition of the surface, color pigments can unfortunately not be printed one hundret percent realistically. Because our fine art prints are printed and processed by hand, there might as well be slight discrepancies in the size and exact position of the motif.

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Artwork information from The J. Paul Getty Museum (© - by The J. Paul Getty Museum - www.getty.edu)

Saint John the Baptist's artificially posed figure is confined in a space that seems too small to contain his muscular frame. His torso twists to bring it parallel with his bent leg and arm, thus exposing a portion of his back. Although unnaturally posed, Agnolo Bronzino's serpentine figure of Saint John achieves a graceful fluidity typical of the style called Mannerism.

The unusually tall format of this work results from its original position as the left panel of the altarpiece in the private chapel of Eleonora di Toledo in the Palazzo Vecchio. Representing the patron saint of Florence, this panel was paired with one of Saint Cosmas, the name saint of Eleonora's husband, Cosimo de' Medici.