Agnolo Bronzino, 1550 - Eserese nwanyị - mbipụta nka mara mma

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a 16th narị afọ mpempe nka a na-akpọ Eserese nwanyị kere site na Italian artist Agnolo Bronzino. Ihe osise ahụ nwere nha: Nhazi: 81,5 x 68,5 x 5 cm (32 1/16 x 26 15/16 x 1 15/16 na); Edebereghị: 60 x 48,8 cm (23 5/8 x 19 3/16 na). Mmanụ na osisi was used by the European artist as the medium of the work of art. This artpiece is part of the digital collection of Velọ ihe ngosi nka nke Cleveland in Cleveland, Ohio, United States nke America. Site n'ikike nke - Velọ ihe ngosi nka nke Cleveland (nwere ikike - ngalaba ọha). Ihe kredit nke artpiece bụ nke a: Leonard C. Hanna, Jr. Fund. Ọzọkwa, itinye n'usoro mmepụta dijitalụ na-abanye Eserese format ma nwee oke nke 3: 4, which means that the length is 25% shorter than the width. The poet, painter Agnolo Bronzino was a European artist from Italy, whose art style can mainly be classified as Mannerism. The painter was born in 1503 in Monticelli, Firenze province, Tuscany, Italy and passed away at the age of 69 na 1572.

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• Akwụkwọ mmado ebipụtara (akwa akwa akwa): The Artprinta poster print is a UV printed canvas with a slight surface finish. A print poster is particularly suited for framing your art print using a custom-made frame. Please bear in mind, that depending on the absolute size of the poster print we add a white margin 2-6cm around the work of art to facilitate the framing with a custom frame.
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• Ugogbe acrylic ebipụtara: An acrylic glass print, often named a fine art print on plexiglass, will change an original into décor. Beyond that, the acrylic fine art print makes a great alternative option to aluminium and canvas fine art prints. The work of art is printed thanks to the help of state-of-the-art UV print machines. The result of this are intense and deep colors. The major benefit of a plexiglass fine art print is that contrasts plus painting details become identifiable because of the subtle tonal gradation.

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What does the website of the The Cleveland Museum of Art state about the work of art created by Agnolo Bronzino? (© - The Cleveland Museum of Art - Velọ ihe ngosi nka nke Cleveland)

Bronzino was court painter to Cosimo I de’Medici, the Duke of Florence. Though the woman cannot be definitively identified, she was likely affiliated with the Medici court. As in most of the portraits in this gallery, Bronzino emphasizes wealth, status, and courtly refinement above personality or individualized expression. The plain background further accentuates the work’s monumentality and grandeur, despite its small scale. The hand placed against the chest with elegantly spread fingers extends back to an ancient Greek pose of modesty, here emphasizing the proper comportment of a woman of high status. The sitter wears a linen partlet (collar) delicately embroidered in matt stitch, part of which is, like her cuffs, trimmed in fine lace.