Amaghi ama, 1500 - Ọnwụ nke Virgin - ọmarịcha nka nka

Ozi nkowa mgbakwunye from the museum (© Nwebiisinka - site na Cleveland Museum of Art - Velọ ihe ngosi nka nke Cleveland)

This panel reveals a long history of changes. The initial work was painted on a single slab of wood, with strips left unpainted along the top and bottom. At an unknown time, the panel was probably cut down on the right and left sides, and the two blank strips at the top and bottom were filled in to enlarge the picture, most likely to fit its current, elaborately carved, 18th-century frame. Although these additions must have been initially more convincing, they were painted to match the yellowed and darkened original image, and thus no longer match the original paint. The flat and mismatched handling of the draperies in the lower portion also signal the intervention of a subsequent hand. The painting may have been part of an altarpiece as the predella, a long, horizontal painting along the base. The bottom of this panel exhibits signs of damage from fire and smoke, perhaps from the candles that could have been placed in front of it.

a 16th narị afọ onye na-ese ihe kere ọrụ nka Unknown. The 520 years old version of the piece of art had the size: Framed: 78,8 x 130,9 cm (31 x 51 9/16 in); Unframed: 25 x 103,5 cm (9 13/16 x 40 3/4 in). Oil on wood was applied by the artist as the technique for the artpiece. Besides, the piece of art is in the the Ụlọ ihe ngosi nka nke Cleveland mkpokọta nka na Cleveland, Ohio, United States nke America. Site n'ikike nke: The Cleveland Museum of Art (ikike ngalaba ọha). Creditline of the artwork: Holden Collection. Besides, the alignment of the digital reproduction is in odida obodo format ya na oke nke 3: 1, nke pụtara na ogologo ahụ dị okpukpu atọ karịa obosara.

Nhọrọ akụrụngwa ngwaahịa gị

Maka mbipụta nka ọ bụla anyị na-enye ihe dị iche iche na nha. N'ihi ya, anyị na-enye gị ohere ịhọrọ n'ime nhọrọ ndị a:

• Glass acrylic ebipụtara nwere mmetụta na-egbuke egbuke (ya na mkpuchi iko n'ezie): A glossy acrylic glass print, often denoted as a plexiglass print, makes the original into great décor and is a good alternative to canvas or aluminium dibond art prints. The plexiglass with real glass coating protects your chosen art print against light and external influences for many years.
• Mbipụta nke aluminom: An Aluminium Dibond print is a print with an outstanding depth - for a modern impression and a non-reflective surface structure. A direct Direct Print on Aluminum Dibond is the best introduction to fine art prints made with aluminum. The bright parts of the artpiece shimmer with a silky gloss, however without any glare.
• Bipụta akwụkwọ mmado n'ihe kwaaji: Our poster is a UV printed flat canvas paper with a fine texture on the surface. Please note, that depending on the absolute size of the poster print we add a white margin between 2-6cm around the print, which facilitates the framing with a custom frame.
• Mbipụta kwaaji: The printed canvas material applied on a wood frame. The great advantage of canvas prints is that they are relatively low in weight, which implies that it is easy and straightforward to hang the Canvas print without the help of any wall-mounts. That is why, a canvas print is suited for all types of walls.

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Nkọwa ngwaahịa ahaziri ahazi

Legal disclaimer: We try our utmost to describe our art products as precisely as possible and to demonstrate them visually. Please bear in mind that the tone of the print materials, as well as the imprint can vary slightly from the representation on the monitor. Depending on your screen settings and the quality of the surface, not all colors will be printed one hundret percent realistically. Considering that all our art prints are printed and processed by hand, there may also be minor discrepancies in the size and exact position of the motif.

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