Amaghi ama, 1500 - Pietà - ezigbo nka nka

39,99 €

Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.

In 1500 the painter Unknown created this painting. The more than 520 a na-ese ihe mbụ dị afọ na nha: Emebereghị: 117 x 89 cm (46 1/16 x 35 1/16 na). Mmanụ na kwaaji was applied by the artist as the medium of the artwork. The work of art is part of the art collection of Velọ ihe ngosi nka nke Cleveland in Cleveland, Ohio, United States nke America. The nka ochie ngalaba ọha work of art is included with courtesy of The Cleveland Museum of Art. Also, the artpiece has the following creditline: Gift of Philip R. McCurdy and Lucia McCurdy McBride. Moreover, alignment of the digital reproduction is in portrait format na nha onyonyo nke 3: 4, nke pụtara na ogologo bụ 25% mkpụmkpụ karịa obosara.

Nweta ihe kacha amasị gị

Maka mbipụta nka ọ bụla dị mma anyị na-enye nha na ihe dị iche iche. Ka ị kwekọọ n'ihe ị chọrọ nke ọma, ị nwere ike họrọ n'ime nhọrọ nhazi ngwaahịa ndị a:

  • Mbipụta nke aluminom: An Aluminium Dibond print is a material with an impressive effect of depth - for a modern impression and non-reflective surface. A direct Direct Print on Aluminum Dibond is the excellent start to art reproductions on aluminum. The bright and white parts of the work of art shimmer with a silky gloss, however without any glow. Colors are luminous and bright, the details of the print are crisp and clear, and you can perceive a matte appearance of the print. The direct UV print on aluminium is the most popular entry-level product and is a truly contemporary way to display art reproductions, since it draws attention on the replica of the artwork.
  • Mbipụta akwụkwọ mmado (akwa akwa akwa): The Artprinta poster print is a printed flat cotton canvas paper with a granular surface finish. It is suited for placing the art print with a special frame. Please keep in mind, that depending on the absolute size of the canvas poster print we add a white margin of approximately 2-6cm around the work of art, which facilitates the framing with a custom frame.
  • Bipụta na iko acrylic (nke nwere ezigbo mkpuchi iko): An acrylic glass print, which is sometimes denoted as a an art print on plexiglass, makes the artwork into décor. Your artwork is being custom-made with state-of-the-art UV direct printing machines. With an acrylic glass fine art print contrasts and small painting details become more exposed thanks to the subtle tonal gradation.
  • Mbipụta kanvas: A canvas print is a printed cotton canvas stretched on a wooden frame. Besides, canvas print generates a homelike, positive atmosphere. Canvas prints are relatively low in weight, which means that it is quite simple to hang the Canvas print without additional wall-mounts. Therefore, canvas prints are suitable for any kind of wall.

Disclaimer: We try all that we can in order to describe the products in as much detail as possible and to illustrate them visually on the various product detail pages. Although, the pigments of the print materials, as well as the printing may diverge somehwat from the presentation on the device's screen. Depending on your screen settings and the nature of the surface, not all colors can be printed as realistically as the digital version. Since the art reproductions are printed and processed manually, there might as well be minor variations in the exact position and the size of the motif.

Banyere akụkọ

Bipụta ngwaahịa: mmepụta nka
Mmeputakwa: mmeputakwa n'ụdị dijitalụ
Usoro mmepụta: Mbipụta UV ozugbo (mbipụta dijitalụ)
Ihe ngosi: arụpụtara na Germany
Ụdị ngwaahịa: mmepụta ihe na-achọ
A na-atụ aro iji ngwaahịa eme ihe: nka mgbidi, foto mgbidi
Nhazi nka nka: nhazi ihe osise
Oke akụkụ: 3:4- (ogologo: obosara)
Nkọwa nke oke akụkụ: ogologo bụ 25% mkpụmkpụ karịa obosara
Ụdị ngwaahịa dị iche iche: akwụkwọ mmado (akwụkwọ kwaaji), mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta akwa akwa, mbipụta ọla (aluminium dibbond)
Nha n'arọwa n'elu ihe ndọtị (mbipụta akwa akwa): 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63"
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha dị iche iche: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Ụdị akwụkwọ mmado (akwụkwọ kwaaji) dị iche iche: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Mpempe akwụkwọ Dibony (ihe alumnium) nha dị iche iche: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Igwe onyonyo: na-enweghị etiti

Nkọwapụta nka

Aha nke eserese ahụ: "Pietà"
Nhazi nka: sere
Category: nka ochie
Time: 16th narị afọ
Afọ okike: 1500
Afọ nka: gbara afọ 520
Usoro nka izizi: mmanụ na kwaaji
Nha izizi (ọrụ nka): Emebereghị: 117 x 89 cm (46 1/16 x 35 1/16 na)
Egosiputara na: Velọ ihe ngosi nka nke Cleveland
Ebe ngosi nka: Cleveland, Ohio, United States nke America
website: Velọ ihe ngosi nka nke Cleveland
Akwụkwọ ikike nka: ngalaba ọha
Site n'aka: Velọ ihe ngosi nka nke Cleveland
Ebe kredit nke ọrụ nka: Gift of Philip R. McCurdy and Lucia McCurdy McBride

Ozi ndabere gbasara onye na-ese ihe

Ihe nkiri: Unknown
Ọrụ: onye na-ese ihe
Nkewa onye nka: nna ukwu ochie

© nwebiisinka, Artprinta.com (Artprinta)

Nkọwa ndị ọzọ site na ihe ngosi nka (© Nwebiisinka - site na Cleveland Museum of Art - Velọ ihe ngosi nka nke Cleveland)

Originating in Germany in the 1300s, the intense moment of lamentation, often referred to as a pietà, has no origin in the Bible. Though it was more widespread in northern Europe, the poignant scene of Mary holding the body of her deceased son expanded into Italy as well. In this painting, Nicodemus supports Christ's upper body, Mary clasps her son's elbow as he lies across her lap, Mary Magdalene kneels at Christ's feet, and John the Apostle covers his face in grief behind her. The crown of thorns upon Christ's head and the blood still visible from his wounds recall the events of the Passion and highlight the sorrow of the Virgin.

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