Bartolomeo Veneto, 1510 - Eserese nke nwoke - mbipụta nka mara mma

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N'ime ndetu ndetu ngwaahịa ị nwere ike ịhọrọ nha na akụrụngwa nke nhọrọ gị. Anyị na-ahapụ gị ka ịhọrọ n'ime ụdị ndị a:

• Mbipụta enyo acrylic: An acrylic glass print, often referenced as a UV print on plexiglass, will change your favorite original into lovely décor. Beyond that, the acrylic print makes a great alternative option to aluminium or canvas prints. The work of art will be custom-made thanks to the help of state-of-the-art UV direct print machines. The real glass coating protects your chosen art print against light and heat for up to six decades.
• Mbipụta nke aluminom: An Aluminium Dibond print is a material with a true depth effect, which makes a modern impression thanks to a non-reflective surface structure. For your Print On Aluminum Dibond, we print your favorite work of art on the surface of the aluminum composite. The bright & white parts of the artpiece shimmer with a silky gloss, however without glare. The colors are luminous, the details of the print are clear and crisp, and the print has a a matte appearance that you can literally feel.
• Mbipụta akwụkwọ mmado (ihe kwaaji): Our poster print is a UV printed sheet of canvas paper with a nice surface texture. The printed poster is suited for framing the art print with a personal frame. Please keep in mind, that depending on the size of the canvas poster print we add a white margin of something between 2-6cm round about the painting, which facilitates the framing with a custom frame.
• Mbipụta kanvas: The printed canvas, which should not be mistaken with an artwork painted on a canvas, is an image applied onto cotton canvas fabric. Besides, canvas print creates a attractive and warm look. Hanging a canvas print: The advantage of canvas prints is that they are relatively low in weight. That means, it is quite simple to hang up your Canvas print without the help of extra wall-mounts. That is why, a canvas print is suitable for any type of wall.

Disclaimer: We try our utmost in order to describe the art products as accurate as possible and to showcase them visually on the respective product detail pages. Nonetheless, the colors of the print products and the imprint might diverge to a certain extent from the representation on the screen. Depending on the screen settings and the condition of the surface, not all colors will be printed 100% realistically. Bearing in mind that all the fine art prints are processed and printed by hand, there may also be minor deviations in the exact position and the size of the motif.

Nkọwapụta nka nka izizi nke Cleveland Museum of Art (© Nwebiisinka - Ụlọ ihe ngosi nka nke Cleveland - www.clevelandart.org)

This young man is possibly a member of the Sforza household, the ruling family of Milan during the Renaissance. He wears a plaquette on his hat indicating his nobility and status. This medallion depicts an actual work by Andrea Riccio (1470–1532), an artist whose work is represented in the museum's collection. The medallion illustrates an allegory of fortune and virtue personified by a winged woman and a child.

Ozi ngwaahịa dị omimi

In 1510 Bartolomeo Veneto mere nka nka Eserese nke nwoke. The version of the artpiece had the following size: Framed: 74,9 x 57,8 x 11,1 cm (29 1/2 x 22 3/4 x 4 3/8 in); Unframed: 39,4 x 29,2 cm (15 1/2 x 11 1/2 in) and was produced on the medium oil on wood, transferred to wood. The mpempe nka gụnyere na nchịkọta nke Velọ ihe ngosi nka nke Cleveland. Ọrụ nka, nke bụ nke ngalaba ọha a na-enye ya site n'ikike nke Velọ ihe ngosi nka nke Cleveland. Ọzọkwa, ihe nkiri ahụ nwere akara kredit: Bequest of James Parmelee. N'elu nke ahụ, nhazigharị dị na eserese format na nwere akụkụ ruru nke 1: 1.4, which implies that the length is 29% shorter than the width. Bartolomeo Veneto was a male painter, whose style can be attributed primarily to High Renaissance. The painter was born in 1502 and deceased at the age of 29 n'afọ 1531.

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