Giovanni Battista Moroni, 1572 - Eserese nke Vincenzo Guarignoni - mbipụta nka mara mma.

59,99 €

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Nke a kariri 440 year-old painting was created by the male Italian onye na-ese ihe Giovanni Battista Moroni. The masterpiece tụrụ nha: Nhazi: 91 x 80 x 8 cm (35 13/16 x 31 1/2 x 3 1/8 na); Emebereghị: 63 x 50,8 cm (24 13/16 x 20 na). Oil on canvas was applied by the European artist as the medium of the piece of art. The artwork's inscription is: "inscribed at bottom: "VINCENT. GVARINON. AN. AET. XXXXV / MDLXXII"". Nowadays, the artwork can be viewed in in the The Cleveland Museum of Art's art collection, which is one of the leading museums worldwide that builds, preserves, studies, and shares its outstanding collections of art from all periods and parts of the world, generating new scholarship and understanding, while serving as a social and intellectual hub for its community. With courtesy of - Velọ ihe ngosi nka nke Cleveland (nwere ikike: ngalaba ọha). Creditline of the artwork: Gift of Adele C. and Howard P. Eells, Jr., in memory of Howard Parmelee Eells. Furthermore, alignment is in Eserese format na nwere akụkụ ruru nke 1: 1.2, meaning that the length is 20% shorter than the width. Giovanni Battista Moroni was a male painter of Italian nationality, whose style can primarily be attributed to Mannerism. The artist was born in the year 1520 and deceased at the age of 58 n'afọ 1578.

Họrọ ihe ị chọrọ

We offer a range of different sizes and materials for every product. Pick your favorite size and material among the subsequent options:

  • Mbipụta kanvas: A printed canvas material applied on a wood frame. Additionally, a canvas print generates a homelike and pleasing look. Canvas prints are relatively low in weight, meaning that it is easy and straightforward to hang the Canvas print without extra wall-mounts. Canvas prints are suited for all types of walls.
  • Mbipụta enyo acrylic: The print on acrylic glass, which is sometimes denoted as a print on plexiglass, will transform the artwork into wall décor. Besides, the acrylic art print makes a good alternative to dibond and canvas prints. The artwork is being made with state-of-the-art UV print machines.
  • Aluminom dibond mbipụta (ọla): Aluminium Dibond prints are prints on metal with an impressive depth. The Direct Print on Aluminum Dibond is your perfect start to fine art replicas made with aluminum. The bright parts of the original artwork shimmer with a silky gloss but without glare.
  • Bipụta akwụkwọ mmado n'ihe kwaaji: Our poster print is a printed flat canvas with a slightly roughened surface finish. The printed poster is best used for putting the art print with the help of a custom-made frame. Please bear in mind, that depending on the size of the poster we add a white margin between 2-6cm around the print, which facilitates the framing with a custom frame.

Important note: We try the best we can in order to depict our art products as clearly as possible and to display them visually in our shop. At the same time, the tone of the print products, as well as the imprint might diverge slightly from the representation on the device's monitor. Depending on the screen settings and the nature of the surface, not all colors are printed as realistically as the digital version depicted here. Considering that all fine art prints are printed and processed manually, there may as well be minor variations in the motif's size and exact position.

Tebụl ihe

Nkewa edemede: ọrụ mgbidi
Usoro mmeputakwa: dijitalụ mmeputakwa
Usoro mmepụta: Mbipụta UV ozugbo
Nlụpụta: emepụtara na Germany
Stockdị ngwaahịa: na mmepụta ihe
Ojiji ngwaahịa: ihe ndozi mgbidi, ihe ndozi ụlọ
Ndozi onyonyo: nhazi ihe osise
Ụdị anya: 1: 1.2 (ogologo: obosara)
Ihe: ogologo bụ 20% mkpụmkpụ karịa obosara
Akwa ngwaahịa dị: akwụkwọ mmado (akwụkwọ kwaaji), mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta akwa akwa, mbipụta ọla (aluminium dibbond)
Kanvas n'elu etiti ihe ndọtị (mbipụta akwa akwa): 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) nhọrọ nha: 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Ụdị akwụkwọ mmado (akwụkwọ kwaaji) dị iche iche: 50x60cm - 20x24", 100x120cm - 39x47"
Nhọrọ Dibond (ihe alumnium) nhọrọ: 50x60cm - 20x24", 100x120cm - 39x47"
Nhazi nke nnomi nka: agunyeghi

Nkọwa ihe osise

Aha nka: "Portrait of Vincenzo Guarignoni"
Nhazi nka: sere
Okwu mkpokọta: nka ochie
Time: 16th narị afọ
Emepụtara na: 1572
Afọ nka: 440 afọ
Agba na: mmanụ na kwaaji
Nha nke ihe osise izizi: Nhazi: 91 x 80 x 8 cm (35 13/16 x 31 1/2 x 3 1/8 na); Emebereghị: 63 x 50,8 cm (24 13/16 x 20 na)
Akara aka nka nka: inscribed at bottom: "VINCENT. GVARINON. AN. AET. XXXXV / MDLXXII"
Ụlọ ihe ngosi nka / ebe: Velọ ihe ngosi nka nke Cleveland
Ebe ngosi nka: Cleveland, Ohio, United States nke America
Weebụsaịtị ihe ngosi nka: www.clevelandart.org
Ụdị ikike nka: ngalaba ọha
Site n'aka: Velọ ihe ngosi nka nke Cleveland
Ebe kredit nke ọrụ nka: Gift of Adele C. and Howard P. Eells, Jr., in memory of Howard Parmelee Eells

Nyocha ngwa ngwa nke onye na-ese ihe

Aha onye nka: Giovanni Battista Moroni
Aliases: Moroni Giovanni Battista, Moroni Giambattista, Morone, Morroni, moroni gian battista, g.b. moroni, Morone Giambattista, moroni giovanni baptista, moroni gianbattista, Moroni Giovan, Moroni Giov. Batt., Moroni, giovanni batiste moroni, Moron, Giovanni Battista Moroni, j. b. moroni, gian battista moroni, Moroni Giovan Battista, Moron di Bergamo, moroni g.b., Giovanni Battista Morone, giov. batt. moroni, Moron da Brescia, Marone, Giambattista Moroni, Moron de Brescia, Moron da Bergamo, Moroni Giovanni, Moroni da Bergamo, moroni giovanni battista, Morone d'Albino, Giovanni moroni, g. b. moroni, Moronni, Morone dà Bergamo, giov. battista moroni, moroni giovanni battista
okike onye nka: nwoke
Obodo onye nka: Italian
Ọrụ nke onye na-ese ihe: onye na-ese ihe
Mba onye si: Italy
Otu nka: nna ukwu ochie
Ụdị nka: Omume
Ndụ: 58 afọ
Afọ amụrụ: 1520
Afọ nwụrụ: 1578

© nwebisiinka, Artprinta (www.artprinta.com)

General specifications as provided from The Cleveland Museum of Art website (© Nwebiisinka - site na Cleveland Museum of Art - Velọ ihe ngosi nka nke Cleveland)

The Latin inscription gives the sitter's name and age (45), as well as the painting's date. Guarignoni came from a prominent family in the northern Italian city of Bergamo. His direct and thoughtful gaze enhances the painting’s lifelike quality, while the solemn detachment conveys dignity and excellence rather than an exact personality, a common approach in Renaissance portraiture.

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