Maerten van Heemskerck, 1545 - Eserese nke Machtelt Suijs - mbipụta nka mara mma.

59,99 €

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Ọrụ nka Portrait of Machtelt Suijs e sere ya n'ebe ugwu renaissance onye na-ese ihe Maerten van Heemskerck. Nke kariri 470 year old original measures the exact dimensions: Nhazi: 107 x 97 x 8 cm (42 1/8 x 38 3/16 x 3 1/8 na); Edebereghị: 85 x 74 cm (33 7/16 x 29 1/8 na). Mmanụ na osisi onye na-ese ihe na Europe ji mee ihe dị ka usoro ihe osise. Note on cradle appears on a notation in chalk (originally) slightly scratched faintly letters " Mr A.M.C [?] or K [?] Reyve" was the masterpiece's inscription. Nowadays, this artwork forms part of the art collection of Velọ ihe ngosi nka nke Cleveland emi odude ke Cleveland, Ohio, United States nke America. The nka ochie ngalaba ọha a na-enye artpiece na nkwanye ùgwù nke Velọ ihe ngosi nka nke Cleveland. : Leonard C. Hanna, Jr. Fund. Moreover, alignment is portrait with a ratio of 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara. Maerten van Heemskerck was a painter of Dutch nationality, whose style can mainly be attributed to Northern Renaissance. The European painter lived for 76 years and was born in the year 1498 in Heemskerk, North Holland, Netherlands and deceased in the year 1574.

Nye iwu ihe ị ga-achọ inwe

The product dropdown menu ofers you the chance to choose your individual size and material. Pick your favorite size and material among the following options:

  • Mbipụta kwaaji: A canvas direct print is a printed canvas stretched on a wooden stretcher. Additionally, a canvas print generates a nice and warm ambience. Canvas prints are relatively low in weight, which implies that it is easy to hang up the Canvas print without additional wall-mounts. That is why, canvas prints are suitable for any kind of wall.
  • Aluminom dibond mbipụta (ọla): This is a metal print made on aluminium dibond material with a true depth. The bright and white components of the artwork shine with a silky gloss but without any glare. The colors are luminous in the highest definition, fine details of the print appear crisp.
  • Akwụkwọ mmado ebipụtara (ihe kwaaji): Our poster is a printed sheet of flat canvas with a nice structure on the surface. It is optimally designed for putting the art replica in a personal frame. Please keep in mind, that depending on the size of the canvas poster print we add a white margin of approximately 2 - 6cm around the print motif, which facilitates the framing.
  • Mbipụta iko acrylic na-egbuke egbuke: The acrylic glass print, which is often referenced as a plexiglass print, makes the original into lovely décor. With an acrylic glass art print contrasts and granular details become identifiable because of the very fine gradation of the print. The real glass coating protects your custom fine art print against light and external influences for several decades.

Ederede iwu: We try our utmost to describe our art products as accurate as it is possible and to illustrate them visually. However, the pigments of the print products and the printing may diverge somehwat from the presentation on the screen. Depending on the screen settings and the quality of the surface, not all color pigments are printed one hundret percent realistically. Bearing in mind that all the art reproductions are processed and printed by hand, there may also be minor deviations in the motif's exact position and the size.

Nkọwa ngwaahịa ahaziri ahazi

Nkewa edemede: nka nka
Usoro mmeputakwa: dijitalụ mmeputakwa
Production usoro: Mbipụta UV ozugbo (mbipụta dijitalụ)
Mmalite nke ngwaahịa a: emepụtara na Germany
Ụdị ngwaahịa: a na-achọ
Eji ngwaahịa a chọrọ: mgbidi mgbidi, ụlọ ihe osise nka
Nhazi nka nka: nhazi ihe osise
Ụdị anya: 1: 1.2 - ( Ogologo: obosara)
Oke onyonyo pụtara: ogologo bụ 20% mkpụmkpụ karịa obosara
Nhọrọ ihe dị: Mbipụta iko acrylic (nwere ezigbo mkpuchi iko), mbipụta ọla (aluminium dibond), mbipụta akwa akwa, mbipụta akwụkwọ mmado (akwụkwọ kwaaji)
Nhọrọ nke akwa akwa n'elu etiti ihe ndọtị (mbipụta akwa akwa): 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha: 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha dị iche iche: 50x60cm - 20x24", 100x120cm - 39x47"
Ụdị mbipụta Dibond (ihe alumnium) dị iche iche: 50x60cm - 20x24", 100x120cm - 39x47"
ụba: enweghị etiti

Iberibe nkọwa nka

Aha nke ihe nka: "Portrait of Machtelt Suijs"
nhazi ọkwa: sere
Okwu mkpokọta: nka ochie
Narị afọ nka: 16th narị afọ
Emepụtara n'afọ: 1545
Afọ nka: karịa afọ 470
Ihe osise izizi: mmanụ n'elu osisi
Akụkụ izizi (ọrụ nka): Nhazi: 107 x 97 x 8 cm (42 1/8 x 38 3/16 x 3 1/8 na); Edebereghị: 85 x 74 cm (33 7/16 x 29 1/8 na)
Akanyere (ọrụ nka): note on cradle appears on a notation in chalk (originally) slightly scratched faintly letters " Mr A.M.C [?] or K [?] Reyve"
Egosiputara na: Velọ ihe ngosi nka nke Cleveland
Ebe ngosi nka: Cleveland, Ohio, United States nke America
Ebe nrụọrụ weebụ ihe ngosi nka: www.clevelandart.org
Ikikere nke ihe osise: ngalaba ọha
Site n'aka: Velọ ihe ngosi nka nke Cleveland
Ebe E Si Nweta: Leonard C. Hanna, Jr. Fund

Ose okwu

Ihe nkiri: Maerten van Heemskerck
Aha ndị ọzọ: Maerten van Heemskerck, martino fiamengho, Martin Hemskerque, Van Heemskerck Martinus, Le meilleur Hemskeerck, Hemskerck Maerten van, Heemskerk Marten Van, Martino Hemskerck, martino fiamingho, Van Heemskerk Maarten, Van Heemskerck Maerten, m. v. heemskerk, Maerten Hemskirck, Martin Heemskirke, Martin Hemskirk, Marten Jacobsz van Heemskerk, Martin Heemskerk, Heemskerck Martin van, Martin van Veen, Veen Maarten van, Heemskerck Maarten van, Heemskerk Maarten van, martin van heemskerk, Marten Heemskerk, Maarten van Heemskerck, Maerten Heemskirck, martin van heemskerk gen. m. van veen, M. Hemskerck, Van Heemskerck Martin, Heemskirke Maerten van, Heemskerk Martin van, marten van heemskerck, martin fiamengo, Martinus Heemskerk, Van Heemskerk Martin, Hemskirck Maerten van, Van Heemskerk Martinus, Hemskirk Maerten van, Van Heemskerck Maarten, Van Veen Maarten, Heemskerck Maerten, Maarten van Heemskerk, Van Heemskerck Marten, Hemskerk Maerten van, Heemskerck Martinus, van Heemskerk, Martin Heemskerck, Maerte van Heemskerke, heemskerk m., Heemskerck Marten van, Heemskerk Maerten van, Heemskerk Marten Jacobsz van, martin van heemskerk eigentlich m. van veen, M. Hemskerk, Maerten Hemskirk, M. Heemskerk, Heemskerk Marten Jacobsz, Van Heemskerk Marten, Heemskerck Maerten van, m. van heemskerk, Heemskerck Maarten Jacobsz. van, Martin van Heemskerck, Maerten Heemskirke, marten van heemskerk van veen, Martin Hemskerk, Marten van Heemskerk, Martin Hermskerck, Heemskirk Maerten van, Martin Hemskerck, marten v. heemskerk
Gender: nwoke
Obodo onye nka: Dutch
Ọrụ: onye na-ese ihe
Country: mba netherland
nhazi ọkwa: nna ukwu ochie
Ụdị nke onye na-ese ihe: Northern Renaissance
Nwụrụ na afọ nke: 76 afọ
Afọ amụrụ: 1498
Ebe omuma: Heemskerk, North Holland, Netherlands
Afọ ọnwụ: 1574
Nwuru na (ebe): Haarlem, North Holland, Netherlands

Nwebiisinka © - Artprinta (www.artprinta.com)

General specifications from The Cleveland Museum of Art (© Nwebiisinka - site na Cleveland Museum of Art - www.clevelandart.org)

Heemskerck lived in Rome for four years (1532-36) and was deeply affected by the city's art and antiquities. Here, the half-length, seated figure, the tense yet elegant hands, and even the grotesque classical mask reflect the impact of that experience, while the love of meticulously represented textures is traditionally associated with northern European art. Machtelt Suijs married Dirick van Teijlingen in 1535 and lived in Alkmaar (the Netherlands), where Heemskerck must have painted her. The coat-of-arms that hangs from the mask combines family emblems, indicating that her portrait must have been accompanied by one (now lost) of her husband.

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