Maerten van Heemskerck, 1545 - Eserese nke Machtelt Suijs - mbipụta nka mara mma.
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Isiokwu
Ọrụ nka Portrait of Machtelt Suijs e sere ya n'ebe ugwu renaissance onye na-ese ihe Maerten van Heemskerck. Nke kariri 470 year old original measures the exact dimensions: Nhazi: 107 x 97 x 8 cm (42 1/8 x 38 3/16 x 3 1/8 na); Edebereghị: 85 x 74 cm (33 7/16 x 29 1/8 na). Mmanụ na osisi onye na-ese ihe na Europe ji mee ihe dị ka usoro ihe osise. Note on cradle appears on a notation in chalk (originally) slightly scratched faintly letters " Mr A.M.C [?] or K [?] Reyve" was the masterpiece's inscription. Nowadays, this artwork forms part of the art collection of Velọ ihe ngosi nka nke Cleveland emi odude ke Cleveland, Ohio, United States nke America. The nka ochie ngalaba ọha a na-enye artpiece na nkwanye ùgwù nke Velọ ihe ngosi nka nke Cleveland. : Leonard C. Hanna, Jr. Fund. Moreover, alignment is portrait with a ratio of 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara. Maerten van Heemskerck was a painter of Dutch nationality, whose style can mainly be attributed to Northern Renaissance. The European painter lived for 76 years and was born in the year 1498 in Heemskerk, North Holland, Netherlands and deceased in the year 1574.
Nye iwu ihe ị ga-achọ inwe
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- Mbipụta kwaaji: A canvas direct print is a printed canvas stretched on a wooden stretcher. Additionally, a canvas print generates a nice and warm ambience. Canvas prints are relatively low in weight, which implies that it is easy to hang up the Canvas print without additional wall-mounts. That is why, canvas prints are suitable for any kind of wall.
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Nkọwa ngwaahịa ahaziri ahazi
Nkewa edemede: | nka nka |
Usoro mmeputakwa: | dijitalụ mmeputakwa |
Production usoro: | Mbipụta UV ozugbo (mbipụta dijitalụ) |
Mmalite nke ngwaahịa a: | emepụtara na Germany |
Ụdị ngwaahịa: | a na-achọ |
Eji ngwaahịa a chọrọ: | mgbidi mgbidi, ụlọ ihe osise nka |
Nhazi nka nka: | nhazi ihe osise |
Ụdị anya: | 1: 1.2 - ( Ogologo: obosara) |
Oke onyonyo pụtara: | ogologo bụ 20% mkpụmkpụ karịa obosara |
Nhọrọ ihe dị: | Mbipụta iko acrylic (nwere ezigbo mkpuchi iko), mbipụta ọla (aluminium dibond), mbipụta akwa akwa, mbipụta akwụkwọ mmado (akwụkwọ kwaaji) |
Nhọrọ nke akwa akwa n'elu etiti ihe ndọtị (mbipụta akwa akwa): | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha: | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha dị iche iche: | 50x60cm - 20x24", 100x120cm - 39x47" |
Ụdị mbipụta Dibond (ihe alumnium) dị iche iche: | 50x60cm - 20x24", 100x120cm - 39x47" |
ụba: | enweghị etiti |
Iberibe nkọwa nka
Aha nke ihe nka: | "Portrait of Machtelt Suijs" |
nhazi ọkwa: | sere |
Okwu mkpokọta: | nka ochie |
Narị afọ nka: | 16th narị afọ |
Emepụtara n'afọ: | 1545 |
Afọ nka: | karịa afọ 470 |
Ihe osise izizi: | mmanụ n'elu osisi |
Akụkụ izizi (ọrụ nka): | Nhazi: 107 x 97 x 8 cm (42 1/8 x 38 3/16 x 3 1/8 na); Edebereghị: 85 x 74 cm (33 7/16 x 29 1/8 na) |
Akanyere (ọrụ nka): | note on cradle appears on a notation in chalk (originally) slightly scratched faintly letters " Mr A.M.C [?] or K [?] Reyve" |
Egosiputara na: | Velọ ihe ngosi nka nke Cleveland |
Ebe ngosi nka: | Cleveland, Ohio, United States nke America |
Ebe nrụọrụ weebụ ihe ngosi nka: | www.clevelandart.org |
Ikikere nke ihe osise: | ngalaba ọha |
Site n'aka: | Velọ ihe ngosi nka nke Cleveland |
Ebe E Si Nweta: | Leonard C. Hanna, Jr. Fund |
Ose okwu
Ihe nkiri: | Maerten van Heemskerck |
Aha ndị ọzọ: | Maerten van Heemskerck, martino fiamengho, Martin Hemskerque, Van Heemskerck Martinus, Le meilleur Hemskeerck, Hemskerck Maerten van, Heemskerk Marten Van, Martino Hemskerck, martino fiamingho, Van Heemskerk Maarten, Van Heemskerck Maerten, m. v. heemskerk, Maerten Hemskirck, Martin Heemskirke, Martin Hemskirk, Marten Jacobsz van Heemskerk, Martin Heemskerk, Heemskerck Martin van, Martin van Veen, Veen Maarten van, Heemskerck Maarten van, Heemskerk Maarten van, martin van heemskerk, Marten Heemskerk, Maarten van Heemskerck, Maerten Heemskirck, martin van heemskerk gen. m. van veen, M. Hemskerck, Van Heemskerck Martin, Heemskirke Maerten van, Heemskerk Martin van, marten van heemskerck, martin fiamengo, Martinus Heemskerk, Van Heemskerk Martin, Hemskirck Maerten van, Van Heemskerk Martinus, Hemskirk Maerten van, Van Heemskerck Maarten, Van Veen Maarten, Heemskerck Maerten, Maarten van Heemskerk, Van Heemskerck Marten, Hemskerk Maerten van, Heemskerck Martinus, van Heemskerk, Martin Heemskerck, Maerte van Heemskerke, heemskerk m., Heemskerck Marten van, Heemskerk Maerten van, Heemskerk Marten Jacobsz van, martin van heemskerk eigentlich m. van veen, M. Hemskerk, Maerten Hemskirk, M. Heemskerk, Heemskerk Marten Jacobsz, Van Heemskerk Marten, Heemskerck Maerten van, m. van heemskerk, Heemskerck Maarten Jacobsz. van, Martin van Heemskerck, Maerten Heemskirke, marten van heemskerk van veen, Martin Hemskerk, Marten van Heemskerk, Martin Hermskerck, Heemskirk Maerten van, Martin Hemskerck, marten v. heemskerk |
Gender: | nwoke |
Obodo onye nka: | Dutch |
Ọrụ: | onye na-ese ihe |
Country: | mba netherland |
nhazi ọkwa: | nna ukwu ochie |
Ụdị nke onye na-ese ihe: | Northern Renaissance |
Nwụrụ na afọ nke: | 76 afọ |
Afọ amụrụ: | 1498 |
Ebe omuma: | Heemskerk, North Holland, Netherlands |
Afọ ọnwụ: | 1574 |
Nwuru na (ebe): | Haarlem, North Holland, Netherlands |
Nwebiisinka © - Artprinta (www.artprinta.com)
General specifications from The Cleveland Museum of Art (© Nwebiisinka - site na Cleveland Museum of Art - www.clevelandart.org)
Heemskerck lived in Rome for four years (1532-36) and was deeply affected by the city's art and antiquities. Here, the half-length, seated figure, the tense yet elegant hands, and even the grotesque classical mask reflect the impact of that experience, while the love of meticulously represented textures is traditionally associated with northern European art. Machtelt Suijs married Dirick van Teijlingen in 1535 and lived in Alkmaar (the Netherlands), where Heemskerck must have painted her. The coat-of-arms that hangs from the mask combines family emblems, indicating that her portrait must have been accompanied by one (now lost) of her husband.