okirikiri nke Leonardo da Vinci, 1500 - Nwa agbọghọ na-amaghị nwoke na nwa - mbipụta nka mara mma

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Maka ngwaahịa ọ bụla anyị na-enye ihe dị iche iche & nha. Anyị na-ahapụ gị ka ịhọrọ nha na akụrụngwa ọkacha mmasị gị n'etiti nhọrọ nhazi ngwaahịa ndị a:

• Mbipụta akwụkwọ mmado (ihe kwaaji): Our poster print is a printed cotton canvas paper with a granular surface texture. The poster print is excellently suited for framing your fine art print with a customized frame. Please keep in mind, that depending on the size of the poster print we add a white margin 2-6cm round about the artwork in order to facilitate the framing with a custom frame.
• Kwaaji: A printed canvas, not to be mistaken with a canvas painting, is a digital replica printed on a cotton canvas fabric. Canvas prints are relatively low in weight. That means, it is quite simple to hang the Canvas print without the support of additional wall-mounts. Therefore, a canvas print is suitable for any kind of wall.
• Ugogbe acrylic ebipụtara: The print on acrylic glass, often named a UV print on plexiglass, makes your favorite original artwork into gorgeous wall décor. Furthermore, it forms a distinct alternative to canvas or aluminium dibond fine art replicas. Your artwork is printed with modern UV printing technology. With a glossy acrylic glass fine art print contrasts and smaller details will be recognizeable because of the subtle gradation.
• Metal (aluminium debond mbipụta): This is a metal print manufactured on aluminium dibond material with an outstanding depth. For the Aluminium Dibond option, we print the favorite artpiece on the surface of the aluminum composite. The UV print on Aluminum Dibond is the most popular entry-level product and is a truly sophisticated way to showcase fine art reproductions, as it puts all of the viewer’s attention on the replica of the artwork.

Nkwupụta iwu: We try all that we can to depict our art products as clearly as possible and to exhibit them visually in our shop. Still, the tone of the print products and the printing might diverge somehwat from the representation on the device's screen. Depending on your settings of your screen and the condition of the surface, color pigments can unfortunately not be printed one hundret percent realistically. Bearing in mind that all our fine art prints are printed and processed manually, there might as well be minor variations in the motif's size and exact position.

Additional information by The Cleveland Museum of Art website (© Copyright - by The Cleveland Museum of Art - Velọ ihe ngosi nka nke Cleveland)

Madonna and Child appear in half-length, seated against a dark wall. The Child's body is covered in shadow as he looks over his shoulder at his mother. This painting was bought by James Jackson Jarves as a Leonardo. The landscape and features of the figures are similar to Leonardo's Madonna of the Rocks, and in typical Leonardesque fashion, the figures' heads incline slightly to the left. However, Virgin and Child was later attributed to a member of Leonardo's circle named Francesco Napolitano (active 1500) because of its resemblance to his Madonna and Child with St. Sebastian and St. John the Baptist in Zurich, Switzerland. Virgin and Child has not been widely accepted as a work of Napolitano, however, the present artist was certainly a member of Leonardo's circle. The Sforzesco Castle, the seat of Milan's ruling Sforza family, appears in the background. The castle's original Torre del Filarete, visible in this painting, was destroyed by lightning in 1521 and later rebuilt by Francesco Sforza. The destruction of the Torre establishes a date of about 1500 for this painting.

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In 1500 okirikiri nke Leonardo da Vinci mere 16th narị afọ artwork. The version of the work of art measures the size Framed: 57,5 x 47 x 4 cm (22 5/8 x 18 1/2 x 1 9/16 in); Painted surface: 41,5 x 30,3 cm (16 5/16 x 11 15/16 in); Panel: 41,7 x 30,9 cm (16 7/16 x 12 3/16 in). Oil on wood was used by the artist as the technique for the piece of art. What is more, the artpiece is in the the digital collection of The Cleveland Museum of Art. We are delighted to mention that this public domain artpiece is being supplied with courtesy of Velọ ihe ngosi nka nke Cleveland. : Nchịkọta Holden. Na mgbakwunye na nke a, nhazi ahụ dị na Eserese usoro na akụkụ ruru nke 1: 1.4, nke pụtara na ogologo bụ 29% mkpụmkpụ karịa obosara.

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