Pinturicchio, 1509 - Rape nke Proserpine - ọmarịcha nka

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• Mbipụta enyo acrylic: The acrylic glass print, which is often referred to as a an art print on plexiglass, makes the artwork into beautiful décor. The artwork will be printed thanks to modern UV print machines. Our acrylic glass protects your chosen art replica against light and heat for many years to come.
• Mbipụta ọla (aluminium dibbond): An Aluminium Dibond print is a material with an impressive depth. A direct Direct Print on Aluminum Dibond is your excellent introduction to fine art reproductions with aluminum. The direct UV print on Aluminum Dibond is one of the most demanded entry-level products and is a modern way to display art reproductions, as it puts all of the viewer’s focus on the artwork.
• Mpempe akwụkwọ ederede (akwa akwa akwa): Our poster is a printed flat cotton canvas with a granular structure on the surface. It is optimally suited for framing the fine art print using a customized frame. Please note, that depending on the size of the poster we add a white margin between 2-6cm around the artwork, which facilitates the framing with a custom frame.
• Kwaaji: A canvas print is a printed cotton canvas stretched on a wood stretcher. Your canvas of this artwork will let you turn your art print into a large size collection piece as you know from galleries. The advantage of canvas prints is that they are relatively low in weight, which means that it is easy to hang up your Canvas print without the help of extra wall-mounts. Canvas prints are suited for all kinds of walls.

Ederede iwu: We try the best we can in order to describe the art products as precisely as it is possible and to illustrate them visually. Nevertheless, the colors of the print products and the print result may vary somehwat from the image on your device's screen. Depending on the screen settings and the condition of the surface, color pigments can unfortunately not be printed as realistically as the digital version. Given that our fine art prints are printed and processed manually, there might also be slight differences in the size and exact position of the motif.

General specifications from The Metropolitan Museum of Art website (© - The Metropolitan Museum of Art - Museumlọ ihe ngosi nka nke Obodo)

Otu n'ime ogwe iri abụọ na abụọ (14.114.1-.22) na-akpụ ụlọ si n'obí Pandolfo Petrucci, nke a na-akpọ Il Magnifico, Siena. Nkesa n'ozuzu na nkebi nke uko ụlọ dị ka ọ na-enweta site na nke ụlọ a gbanyere mkpọrọgwụ na nke e sere n'ụlọ Nero's Golden House na Rome. Ọtụtụ n'ime ọnụ ọgụgụ mmadụ n'otu n'otu dịkwa ka ọ na-enweta site na ọrụ nka ochie - karịsịa sarcophagi.

Nkọwa ngwaahịa

a nka ochie sere Rape of Proserpine e kere ya Pinturicchio in 1509. Nke mbụ nwere nha: N'ozuzu: 31 × 31 3/4 na (78,7 × 80,6 cm). Fresco, transferred to canvas and attached to wood panels was applied by the painter as the technique for the painting. Furthermore, this artwork can be viewed in in the collection of Museumlọ ihe ngosi nka nke Obodo. Obi dị anyị ụtọ ikwu na ngalaba ọha artwork na-ọnọ na nkwanye ùgwù nke Ụlọ ihe ngosi nka nke Metropolitan, New York, Rogers Fund, 1914. : Rogers Fund, 1914. The alignment is in square format and has a ratio of 1 : 1, which implies that the length is equal to the width. The painter Pinturicchio was an artist, whose style can mainly be assigned to Early Renaissance. The painter lived for 59 years and was born in 1454 ma nwụọ na 1513.

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