Albert Eckhout, 1640 - Ọmụmụ Mbe Brazil abụọ - mbipụta nka mara mma

Original artwork information as provided from Mauritshuis (© - Maurithuis - Maurithuis)

Probably Johan Maurits of Nassau-Siegen; Jacques Goudstikker Gallery, Amsterdam (purchase and supposed sale in 1936; cat. 1936-1937, no. 42, as by Anonymous Master; Goudstikker number 3036, inventory of 1936); J.C.H. Heldring, Oosterbeek, 1942-1963 (probably purchased before 10 May 1940; cat. 1955, pp. 32-33, no. 18, as by Anonymous; sale London, Sotheby’s, 27 March 1963, lot 1); Edward Speelman Gallery, London, 1963 (bought at auction for S. Nijstad who worked in commission of the Mauritshuis); purchased by the Friends of the Mauritshuis Foundation, 1963; on long-term loan from the Friends of the Mauritshuis Foundation, since 1963

Ihe nka "Study of Two Brazilian Tortoises" from Albert Eckhout as your unique art copy

Study of Two Brazilian Tortoises was painted by Albert Eckhout in 1640. The work of art had the following size of height: 30,5 cm width: 51 cm | height: 12 in width: 20,1 in. Tempera, gouache on paper on panel was used by the artist as the technique for the piece of art. Nowadays, this piece of art is included in the collection of Maurithuis. The ngalaba ọha work of art is provided with courtesy of Mauritshuis, The Hague. Also, the work of art has the following creditline: Probably Johan Maurits of Nassau-Siegen; Jacques Goudstikker Gallery, Amsterdam (purchase and supposed sale in 1936; cat. 1936-1937, no. 42, as by Anonymous Master; Goudstikker number 3036, inventory of 1936); J.C.H. Heldring, Oosterbeek, 1942-1963 (probably purchased before 10 May 1940; cat. 1955, pp. 32-33, no. 18, as by Anonymous; sale London, Sotheby’s, 27 March 1963, lot 1); Edward Speelman Gallery, London, 1963 (bought at auction for S. Nijstad who worked in commission of the Mauritshuis); purchased by the Friends of the Mauritshuis Foundation, 1963; on long-term loan from the Friends of the Mauritshuis Foundation, since 1963. In addition to that, the alignment of the digital reproduction is in landscape format na a akụkụ ruru nke 16: 9, nke pụtara na ogologo bụ 78% ogologo karịa obosara.

Nye iwu ihe ị ga-achọ ka kpọgidere na mgbidi gị

Maka mbipụta nka ọ bụla anyị na-enye nha & ihe dị iche iche. Anyị na-ahapụ gị ka ịhọrọ nha na akụrụngwa ọkacha mmasị gị n'etiti nhọrọ nhazi ngwaahịa ndị a:

• Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): The print on acrylic glass, often referenced as a plexiglass print, changes the artwork into brilliant wall decoration. Above all, the acrylic art print offers a viable alternative option to aluminium or canvas prints. The artwork is being printed with the help of state-of-the-art UV direct print technology.
• Aluminom dibond (ọkpụkpụ ọla): This is a metal print manufactured on aluminium dibond material with a true depth effect. The non-reflective surface structure make a contemporary impression. This print on Aluminum Dibond is the most popular entry-level product and is a stylish way to showcase fine art reproductions, as it puts all of the viewer’s attention on the image.
• Mbipụta kwaaji: The printed canvas, not to be mistaken with an artwork painted on a canvas, is a digital copy printed from an industrial printing machine. Canvas Prints have the advantage of being relatively low in weight. That means, it is quite simple to hang up your Canvas print without extra wall-mounts. Because of thata canvas print is suitable for any kind of wall.
• Akwụkwọ mmado ebipụtara (akwa akwa akwa): Our poster is a UV printed sheet of cotton canvas with a nice texture on the surface. Please bear in mind, that depending on the size of the canvas poster print we add a white margin 2 - 6cm round about the print to facilitate the framing with your custom frame.

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Important legal note: We try our utmost in order to depict our products with as many details as possible and to exhibit them visually in our shop. Still, some tone of the printing material, as well as the printing might differ somehwat from the image on the screen. Depending on your settings of your screen and the nature of the surface, not all color pigments will be printed as realistically as the digital version. Given that all the art prints are processed and printed by hand, there might as well be minor discrepancies in the motif's exact position and the size.

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