David Teniers tọrọ, 1650 - The Guardhouse - ọmarịcha nka

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Supplemental description from Art Institute Chicago (© - Art Institute Chicago - Ụlọ ọrụ Art Chicago)

The versatile Flemish painter David Teniers turned to military paraphernalia as the subject of his still lifes in the mid-1640s, as the long conflict of the Thirty Years’ War was drawing to a close. Here soldiers play cards in the dim interior of a guardhouse, while a page carries the officers’ cloaks. However, the chief subject of the work is the pile of discarded armor, weaponry, and parade gear—a saddle, musket, powder horn, charging spanner, and gauntlets—in the immediate foreground. In treating armor as a still-life subject, Teniers followed the precedent of Jan Breughel the Elder, whose daughter he had married.

Ozi ndabere na akụkọ

Ọ bụ nwoke na-ese ọrụ nka a Onye Belgium onye na-ese ihe David Teniers nke-ntà. Nke kariri 370 afọ mbụ e mere na size nke 72,6 × 55,4 cm (28 9/16 × 21 13/16 na). Oil on canvas was used by the European painter as the medium of the artwork. Moveover, this artpiece is included in the digital collection of Ụlọ ọrụ Art Chicago, nke bụ otu n'ime nnukwu ụlọ ngosi ihe nka n'ụwa, na-ebukọ mkpokọta nke gafere ọtụtụ narị afọ na ụwa. Site n'ikike nke: Art Institute Chicago (ikike - ngalaba ọha). : Charles L. Hutchinson Collection. On top of that, alignment is portrait with a ratio of 3: 4, nke pụtara na ogologo bụ 25% mkpụmkpụ karịa obosara. The painter David Teniers the younger was an artist from Belgium, whose style can mainly be classified as Baroque. The Baroque painter was born in 1610 in Antwerp and died at the age of 80 na 1690 na Brussels.

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