Jan-Baptist Weenix, 1621 - Ngosipụta egwuregwu nwụrụ anwụ - mbipụta nka mara mma

39,99 €

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  • Mbipụta kwaaji: A printed canvas, not to be mistaken with an artwork painted on a canvas, is a digital image printed from an industrial printing machine. A canvas creates the unique look of three dimensionality. Besides, printed canvas creates a homelike and pleasing ambience. A canvas print has the advantage of being low in weight. This means, it is quite simple to hang up the Canvas print without additional wall-mounts. Because of thatcanvas prints are suited for any kind of wall.
  • Aluminom ihe eji eme ihe: Aluminium Dibond prints are metal prints with a true effect of depth. The Direct Print on Aluminum Dibond is your perfect start to fine art replicas produced on aluminum. The bright components of the work of art shimmer with a silky gloss, however without any glare. The colors are luminous, fine details appear very clear, and the print has a a matte appearance that you can literally feel.
  • Akwụkwọ mmado ebipụtara (akwa akwa akwa): Our poster is a printed cotton canvas paper with a slight structure on the surface. The poster print is suited for placing the fine art print in a special frame. Please bear in mind, that depending on the size of the canvas poster print we add a white margin of approximately 2-6cm round about the artwork to facilitate the framing.
  • Mbipụta enyo acrylic: An print on acrylic glass, which is often described as a print on plexiglass, will turn your favorite original artwork into wonderful décor. The major benefit of a plexiglass fine art print is that sharp contrasts as well as small details become more exposed because of the delicate gradation. Our acrylic glass protects your chosen art replica against light and heat for many more years to come.

Nkwupụta iwu: We try our utmost to describe our art products in as much detail as possible and to illustrate them visually in our shop. At the same time, the tone of the printing material, as well as the printing can vary slightly from the presentation on the device's monitor. Depending on the settings of your screen and the nature of the surface, not all colors are printed as exactly as the digital version on this website. Considering that all our art reproductions are printed and processed by hand, there might also be minor variations in the motif's size and exact position.

Nkọwa ndị ọzọ sitere na ihe ngosi nka (© - nke Petit Palais dere - Musée des Beaux-arts de la Ville de Paris - www.petitpalais.paris.fr)

At the foot of a tree, is heaped a product of hunting. A hare is bound by the hind legs with a rope attached to a branch. At his side, several dead birds with colorful plumage are crowded. A heron, arranged on a red cloth, the overhangs. Its body is contorted, its wings open and raised inert legs.

Jan-Baptist Weenix painted many paintings exposing the hunt. It seems he was particularly interested in this activity since it did not forget the figure of the dog, which he sometimes spent his entire table. The animals in his repertoire are less varied than those painted by his son, Jan Weenix (1640-1719). They often boiled down to a hare tied by one leg and birds.

Still Life, Rabbit or Hare, Partridge, Heron, Bird, Tree, Hunting

Ngwaahịa nka anya nkeonwe gị

The nka ochie ihe nka mere site na Jan-Baptist Weenix. Ihe gafere 390 e sere ụdị mbụ dị afọ na nha: Ogologo: 102 cm, obosara: 132,5 cm and was painted on the medium Oil, Canvas (material). Today, the work of art is included in the Petit Palais - Musée des Beaux-arts de la Ville de Paris's digital art collection, which is located in Paris, France. With courtesy of Petit Palais Paris (public domain).The creditline of the artpiece is the following: . What is more, the alignment of the digital reproduction is landscape with a ratio of 4 : 3, which implies that ogologo bụ 33% ogologo karịa obosara.

Nkọwa gbasara nka

Aha eserese: "Display of dead game"
Nhazi nka: sere
Okwu mkpokọta: nka ochie
oge: 17th narị afọ
Emepụtara n'afọ: 1621
Afọ nka: 390 afọ
Usoro nka izizi: Mmanụ, Canvas (ihe)
Akụkụ izizi (ọrụ nka): Ogologo: 102 cm, obosara: 132,5 cm
Ụlọ ihe ngosi nka / ebe: Petit Palais - Musée des Beaux-arts de la Ville de Paris
Ebe ngosi nka: Paris, France
Weebụsaịtị nke ihe ngosi nka: Petit Palais - Musée des Beaux-arts de la Ville de Paris
Licensedị ikike: ngalaba ọha
Site n'aka: Petit Palais Paris

Ngwaahịa a

Nkewa edemede: ezi nka mmeputakwa
Usoro mmeghari: dijitalụ mmeputakwa
Usoro mmepụta: Mbipụta UV ozugbo (mbipụta dijitalụ)
Ihe ngosi: Germany
Stockdị ngwaahịa: a na-achọ
A na-atụ aro iji ngwaahịa eme ihe: Ụlọ ihe osise nka, mkpokọta nka (mmepụta)
Ndepụta: usoro odida obodo
Oke akụkụ: 4: 3
Nkọwa nha onyonyo: ogologo bụ 33% ogologo karịa obosara
Nhọrọ ihe dị: akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibond), mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko), mbipụta akwụkwọ.
Ọdịiche dị n'okirikiri akwa akwa akwa (akwa akwa): 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47"
Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47"
Nhọrọ nke mbipụta akwụkwọ mmado (akwụkwọ kwaaji): 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"
Mpempe aluminom (aluminium dibond ihe) nha: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"
Igwe onyonyo: biko buru n'uche na emebeghi mmeputakwa a

Nchịkọta ihe nkiri

Aha onye nka: Jan-Baptist Weenix
Ọrụ nke onye na-ese ihe: onye na-ese ihe
Nkewa onye nka: nna ukwu ochie
Nwụrụ anwụ: 40 afọ
Amụrụ n'afọ: 1621
Obodo: Amsterdam
Nwụrụ n'afọ: 1661
Obodo ọnwụ: Haarzuilens

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