Joachim Wtewael, 1605 - The Golden Age - ọmarịcha nka
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Ozi ndabere na akụkọ
"The Golden Age" was made by the painter Joachim Wtewael in 1605. The 410 Ụdị nka nka dị afọ nwere nha: 8 7/8 x 12 inch (22,5 x 30,5 cm). Mmanụ na ọla kọpa was applied by the Dutch painter as the medium of the artpiece. Nowadays, the work of art can be viewed in in the Ụlọ ihe ngosi nka nke Metropolitan art collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. The nka ochie ngalaba ọha artpiece na-nyere na n'ikike nke The Metropolitan Museum of Art, New York, Purchase, The Edward Joseph Gallagher III Memorial Collection, Edward J. Gallagher Jr. Bequest; Lila Acheson Wallace Gift; special funds; and Gift of George Blumenthal, Bequest of Lillian S. Timken, The Collection of Giovanni P. Morosini, presented by his daughter Giulia, Gift of Mr. and Mrs. Nathaniel Spear Jr., Gift of Mrs. William M. Haupt, from the collection of Mrs. James B. Haggin, special funds, gifts, and bequests, by exchange, 1993. Ọzọkwa, ihe osise a nwere kreditline ndị a: Purchase, The Edward Joseph Gallagher III Memorial Collection, Edward J. Gallagher Jr. Bequest; Lila Acheson Wallace Gift; special funds; and Gift of George Blumenthal, Bequest of Lillian S. Timken, The Collection of Giovanni P. Morosini, presented by his daughter Giulia, Gift of Mr. and Mrs. Nathaniel Spear Jr., Gift of Mrs. William M. Haupt, from the collection of Mrs. James B. Haggin, special funds, gifts, and bequests, by exchange, 1993. On top of that, alignment of the digital reproduction is landscape and has a side ratio of 4 : 3, which means that the length is 33% longer than the width. The painter Joachim Wtewael was an artist, whose art style can primarily be assigned to Northern Renaissance. The Dutch painter lived for a total of 72 afọ - amuru na 1566 ma nwuru anwu na 1638.
General description as provided by The Metropolitan Museum of Art website (© Nwebiisinka - The Metropolitan Museum of Art - Museumlọ ihe ngosi nka nke Obodo)
The Utrecht painter Joachim Wtewael was among the most sophisticated of Netherlandish Mannerists, as is evident from this exquisite cabinet picture on copper, dated 1605. The subject is taken from the opening pages of Ovid's Metamorphoses (I, 89 ff.), which describe a time before the ages of silver, bronze, and iron when "spring was everlasting . . . streams of sweet nectar flowed," and mankind, "without a law," did right and lived contentedly.
Nkọwa na artpiece
Aha nka: | "The Golden Age" |
Nhazi: | sere |
Otu izugbe: | nka ochie |
oge: | 17th narị afọ |
Afọ nka: | 1605 |
Afọ nka: | karịa afọ 410 |
Ihe osise izizi: | mmanụ na ọla kọpa |
Akụkụ nke ihe osise izizi: | 8 7/8 x 12 inch (22,5 x 30,5 cm) |
Egosiputara na: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
Weebụsaịtị nke ihe ngosi nka: | Museumlọ ihe ngosi nka nke Obodo |
Ụdị ikike nka: | ngalaba ọha |
Site n'aka: | The Metropolitan Museum of Art, New York, Purchase, The Edward Joseph Gallagher III Memorial Collection, Edward J. Gallagher Jr. Bequest; Lila Acheson Wallace Gift; special funds; and Gift of George Blumenthal, Bequest of Lillian S. Timken, The Collection of Giovanni P. Morosini, presented by his daughter Giulia, Gift of Mr. and Mrs. Nathaniel Spear Jr., Gift of Mrs. William M. Haupt, from the collection of Mrs. James B. Haggin, special funds, gifts, and bequests, by exchange, 1993 |
kreditline ọrụ nka: | Purchase, The Edward Joseph Gallagher III Memorial Collection, Edward J. Gallagher Jr. Bequest; Lila Acheson Wallace Gift; special funds; and Gift of George Blumenthal, Bequest of Lillian S. Timken, The Collection of Giovanni P. Morosini, presented by his daughter Giulia, Gift of Mr. and Mrs. Nathaniel Spear Jr., Gift of Mrs. William M. Haupt, from the collection of Mrs. James B. Haggin, special funds, gifts, and bequests, by exchange, 1993 |
Banyere onye na-ese ihe
Aha onye nka: | Joachim Wtewael |
okike onye nka: | nwoke |
Nationality: | Dutch |
Ọrụ onye na-ese ihe: | onye na-ese ihe |
Obodo onye nka: | mba netherland |
nhazi ọkwa: | nna ukwu ochie |
Ụdị nka: | Northern Renaissance |
Oge ndu: | 72 afọ |
Afọ ọmụmụ: | 1566 |
Afọ nwụrụ: | 1638 |
Nweta ụdị ihe onwunwe gị
Maka ngwaahịa ọ bụla anyị na-enye ihe dị iche iche dị iche iche na nha. Ị nwere ike ịhọrọ n'ime nhọrọ nhazi ngwaahịa ndị a:
- Mbipụta ọla (aluminium dibbond): An Aluminium Dibond print is a print material with a true depth. The non-reflective surface make a contemporary impression. The white and bright components of the original artwork shine with a silky gloss, however without the glow. Colors are luminous and bright, details of the print appear clear and crisp.
- Mbipụta enyo acrylic: An print on acrylic glass, often referred to as a UV print on plexiglass, will turn your favorite original work of art into décor. The artwork is custom-made with state-of-the-art UV direct print technology.
- Mbipụta kwaaji: The canvas print is a printed canvas mounted on a wood frame. Canvas prints are relatively low in weight, which implies that it is easy to hang your Canvas print without any wall-mounts. A canvas print is suitable for any type of wall.
- Akwụkwọ mmado ebipụtara (akwa akwa akwa): The poster is a UV printed cotton canvas paper with a nice surface finish. The poster print is excellently used for framing the art replica in a personal frame. Please keep in mind, that depending on the size of the canvas poster print we add a white margin between 2-6cm round about the print motif, which facilitates the framing with a custom frame.
Nkọwapụta ngwaahịa
Nkewa ngwaahịa: | nka nka |
Usoro mmeputakwa: | dijitalụ mmeputakwa |
Production usoro: | mbipụta dijitalụ |
Mmalite ngwaahịa: | arụpụtara na Germany |
Ụdị ngwaahịa: | mmepụta ihe na-achọ |
Eji ngwaahịa emebere: | mkpokọta nka (mmeputakwa), gallery mgbidi |
Nhazi nke ihe nka: | nhazi odida obodo |
Oke akụkụ: | 4:3- ogologo: obosara |
Pụtara nha akụkụ onyonyo: | ogologo bụ 33% ogologo karịa obosara |
Nhọrọ akụrụngwa: | Mbipụta kwaaji, mbipụta ọla (aluminium dibond), mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji) |
Mbipụta kanvas (akwa akwa na etiti ihe ndọtị): | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47" |
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) nhọrọ nha: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47" |
Mbipụta akwụkwọ mmado (akwụkwọ kwaaji): | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
Mpempe akwụkwọ Dibony (ihe alumnium) nha: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
Nhazi mbipụta nka: | biko rịba ama na emebeghi mmeputakwa a |
Nkwupụta iwu: We try everything in order to describe our art products in as much detail as possible and to showcase them visually. Still, the pigments of the print products and the printing may vary slightly from the representation on your device's monitor. Depending on the settings of your screen and the quality of the surface, colors may not be printed 100% realistically. Since all our art reproductions are processed and printed manually, there may as well be minor differences in the size and exact position of the motif.
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