Adriaen van Ostade, 1674 - Ndị na-eme obi ụtọ na ebe obibi - mbipụta nka mara mma

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na 1674 Adriaen van Ostade painted the classic art painting. The artpiece measures the size of 18 3/8 × 16 1/8 in (46,7 × 41 cm) and was produced with the medium oil on panel. Inscribed, lower left: A. van Ostade 1674 was the artwork's original inscription. This artwork forms part of the art collection of Art Institute Chicago in Chicago, Illinois, United States of America. The public domain piece of art is being supplied with courtesy of Ụlọ ọrụ Art Chicago. Na mgbakwunye, ọrụ nka nwere akara kredit ndị a: George B. and Mary R. Harris Fund. N'elu nke ahụ, nhazi nke mmepụta dijitalụ na-abanye Eserese format na nwere akụkụ ruru nke 1: 1.2, meaning that the length is 20% shorter than the width. Adriaen van Ostade was a engraver, artist, painter of Dutch nationality, whose artistic style was mainly Baroque. The European painter lived for a total of 75 years, born in the year 1610 in Haarlem, North Holland, Netherlands and died in the year 1685 in Haarlem, North Holland, Netherlands.

What does the curator team of the Art Institute Chicago state about the artwork painted by Adriaen van Ostade? (© Nwebiisinka - Art Institute Chicago - Ụlọ ọrụ Art Chicago)

Over the course of a long and successful career, Adriaen van Ostade specialized in peasant subjects, his treatment of this theme mirroring the general evolution of Dutch painting in the 17th century. In his earlier works, he took a satirical approach to his subject, using a monochrome tonality and visible brushstrokes. The clear, relatively bright colors and fine brushwork of this late painting are in keeping with the refined taste of the later 17th century. Similarly, the rustic figures depicted here, while vividly characterized, are quite decorous in their enjoyment of village pleasures.

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• Kwaaji: The canvas print is a printed canvas stretched on a wood frame. Your printed canvas of this artwork will let you turn your art print into a large artwork as you know from galleries. Canvas prints are relatively low in weight, meaning that it is easy and straightforward to hang your Canvas print without extra wall-mounts. Hence, canvas prints are suited for any kind of wall.
• Aluminom dibond mbipụta (ọla): An Aluminium Dibond print is a material with a true depth - for a modern look and a non-reflective surface structure. For the Direct Print On Aluminum Dibond, we print the favorite artwork on the surface of the aluminum material. The bright and white sections of the work of art shimmer with a silk gloss but without any glare.
• Mbipụta iko acrylic na-egbuke egbuke (nke nwere ezigbo mkpuchi iko): A glossy print on acrylic glass, which is sometimes described as a an art print on plexiglass, changes the original into brilliant décor. Your own replica of the work of art is being manufactured with state-of-the-art UV direct printing machines. This creates sharp, vibrant color shades. The great upside of a plexiglass art print is that contrasts as well as color details will be more recognizeable with the help of the subtle tonal gradation of the print.
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Ederede iwu: We try in order to describe our art products with as many details as possible and to exhibit them visually on the respective product detail pages. Nonetheless, the pigments of the print materials and the print result might differ marginally from the image on the device's monitor. Depending on the screen settings and the quality of the surface, colors can unfortunately not be printed as realisitcally as the digital version. Given that all our fine art prints are processed and printed manually, there may as well be minor differences in the motif's exact position and the size.

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