Bartolomeo Manfredi, 1613 - Cupid Chastised - ọmarịcha nka

63,99 €

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Ozi banyere ngwaahịa a

a nka ochie Ibé nka e kere site Bartolomeo Manfredi in 1613. Ụdị ihe osise ahụ nwere nha ndị a: 69 × 51 3/8 na (175,3 × 130,6 cm). Mmanụ na kwaaji was applied by the painter as the technique for the masterpiece. Today, the piece of art is in the the art collection of Art Institute Chicago in Chicago, Illinois, Njikota Obodo Amerika. Site n'ikike nke: Ụlọ ọrụ Art Chicago (ikike ngalaba ọha). Ọzọkwa, ọrụ nka nwere kreditline ndị a: Charles H. na Mary FS Worcester mkpokọta. In addition to that, the alignment of the digital reproduction is in portrait format and has a ratio of 1: 1.4, nke pụtara na ogologo bụ 29% mkpụmkpụ karịa obosara. Bartolomeo Manfredi was a painter, whose artistic style can mainly be attributed to Baroque. The European artist was born in the year 1582 in Ostiano, Cremona province, Lombardy, Italy and died at the age of 40 Na 1622 na Rome, Rome Province, Lazio, Italy.

Họrọ ihe gị

The product dropdown menu gives you the opportunity to pick your favorite size and material. You can select your favorite size and material between the following options:

  • Mbipụta aluminom (aluminium dibbond): An Aluminium Dibond print is a print with an outstanding depth. A non-reflective surface structure make a fashionable impression. A direct Direct Print on Aluminum Dibond is the perfect introduction to the sophisticated world of art replicas made on aluminum. Colors are bright and luminous, the fine details are crisp and clear, and the print has a a matte appearance you can literally feel.
  • Mbipụta kwaaji: The canvas print is a printed cotton canvas mounted on a wooden stretcher. A printed canvas of your favorite work of art will let you turn your art print into a large size collection piece. The great advantage of canvas prints is that they are relatively low in weight, meaning that it is quite simple to hang up the Canvas print without any wall-mounts. Therefore, canvas prints are suitable for any kind of wall.
  • Akwụkwọ mmado ebipụtara (akwa akwa akwa): The Artprinta poster is a printed canvas paper with a nice finish on the surface. It is perfectly designed for framing your art copy in a custom-made frame. Please keep in mind, that depending on the absolute size of the canvas poster print we add a white margin of approximately 2-6 cm around the artwork, which facilitates the framing with your custom frame.
  • Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): The acrylic glass print, which is often denoted as a plexiglass print, will convert the original artwork into magnificient décor. Your work of art is being custom-made with state-of-the-art UV print machines. With an acrylic glass fine art print contrasts as well as details will be more exposed due to the very subtle gradation of the picture.

Important legal note: We try the best we can to describe the products in as much detail as possible and to illustrate them visually. Nonetheless, the colors of the printing material and the printing can differ marginally from the presentation on the device's monitor. Depending on your screen settings and the quality of the surface, color pigments can unfortunately not be printed as realistically as the digital version depicted here. Bearing in mind that all our art prints are printed and processed manually, there might also be slight discrepancies in the exact position and the size of the motif.

Banyere ngwaahịa

Nkewa ngwaahịa: ọrụ mgbidi
Usoro mmeputakwa: dijitalụ mmeputakwa
Usoro nhazi: Mbipụta UV / dijitalụ
Ihe ngosi: Germany
Ụdị ngwaahịa: mmepụta ihe na-achọ
Eji ngwaahịa a chọrọ: ihe ndozi mgbidi, foto mgbidi
Nhazi nka nka: nhazi ihe osise
Njikwa oyiyi: 1: 1.4
Pụtara nha akụkụ onyonyo: ogologo bụ 29% mkpụmkpụ karịa obosara
Nhọrọ ihe onwunwe: akwụkwọ mmado (akwụkwọ kwaaji), mbipụta enyo acrylic (nke nwere ezigbo mkpuchi iko), mbipụta ọla (aluminium dibond), mbipụta kwaaji
Nhọrọ nke Canvas Mbipụta (akwa akwa na etiti ihe ndọtị): 50x70cm - 20x28", 100x140cm - 39x55"
Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): 50x70cm - 20x28", 100x140cm - 39x55"
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha: 50x70cm - 20x28"
Mpempe akwụkwọ Dibony (ihe alumnium) nha dị iche iche: 50x70cm - 20x28", 100x140cm - 39x55"
Nhazi mbipụta nka: enweghị etiti

Tebụl a haziri ahazi nke mpempe nka

Aha ọrụ nka: "Cupid Chastised"
Nhazi nka: sere
Okwu mkpokọta: nka ochie
Time: 17th narị afọ
Emepụtara n'afọ: 1613
Afọ nka: ihe dị ka afọ 400
Ihe osise izizi: mmanụ na kwaaji
Akụkụ izizi (ọrụ nka): 69 × 51 3/8 na (175,3 × 130,6 cm)
Ụlọ ihe ngosi nka: Ụlọ ọrụ Art Chicago
Ebe ngosi nka: Chicago, Illinois, Njikota Obodo Amerika
Weebụsaịtị ihe ngosi nka: www.artic.edu
Licensedị ikike: ngalaba ọha
Site n'aka: Ụlọ ọrụ Art Chicago
Ebe kredit nke ọrụ nka: Charles H. na Mary FS Worcester mkpokọta

Tebụl nyocha nke onye na-ese ihe

Aha onye nka: Bartolomeo Manfredi
Aha ndị ọzọ: Manfredi Barth., Manfredy, Barth. Manfredi, Manfredi Bartolomeo, Manfredo, Menfredi, Manfredi scolaro del Caravaggio, Bartolomeo Manfredi milanese, Manfreddi, Manfredi, Manfride, Manfredi scuolaro di Caravaggio, Bart. Manfredi, Manphredo, Bartholomeo Manfredi, Bartolomeo Manfredi, Bartolomeo Manfredo, Bartolomeo Manfreddi, Monfredo, B. Manfrede, Manfredi Bartolommeo, B. Manfredo, Mamfredi, Manfrede, bartolommeo manfredi
okike nke onye nka: nwoke
Obodo onye nka: Italian
Ọrụ: onye na-ese ihe
Obodo onye nka: Italy
Otu nka: nna ukwu ochie
styles: Baroque
Oge ndu: 40 afọ
Afọ ọmụmụ: 1582
Ebe amụrụ onye: Ostiano, mpaghara Cremona, Lombardy, Italy
Nwụrụ n'afọ: 1622
Nwụrụ na (ebe): Rome, Rome Province, Lazio, Italy

© Nwebiisinka nke, Artprinta.com

Nkọwa zuru oke dị ka ihe ngosi nka nyere (© Nwebiisinka - nke Art Institute Chicago - www.artic.edu)

Following the example of the revolutionary early seventeenth-century artist Michelangelo Merisi da Caravaggio, Bartolomeo Manfredi chose to depict ordinary individuals in his scenes from the Bible and Greek and Roman mythology. Caravaggio had demonstrated to Manfredi and an entire generation of European artists that such lofty themes could be transformed into events experienced by ordinary people. Employing dramatic lighting and locating the action directly before the viewer, these artists were able to endow their narratives with great immediacy and power.

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