Claude Monet, 1673 - Red Kerchief - mbipụta nka mara mma
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Ihe osise a kpọrọ aha The Red Kerchief e sere ya nwoke onye na-ese ihe Claude Monet. E ji nha ya see nke mbụ ya: Nhazi: 128,3 x 105,7 x 14,6 cm (50 1/2 x 41 5/8 x 5 3/4 na); Emebereghị: 99 x 79,8 cm (39 x 31 7/16 na) and was painted with the medium oil on fabric. The artwork's inscription is the following: not signed. N'oge a, ọrụ nka dị na nchịkọta nke Velọ ihe ngosi nka nke Cleveland, nke bụ otu n'ime ụlọ ngosi ihe mgbe ochie na-ewu ewu n'ụwa nile nke na-ewu, na-echekwa, na-amụ ihe, ma na-ekesa nchịkọta nkà ya pụtara ìhè site n'oge niile na akụkụ nke ụwa, na-emepụta akwụkwọ mmụta na nghọta ọhụrụ, mgbe ọ na-eje ozi dị ka ebe nchekwa ọha na nke ọgụgụ isi maka obodo ya. Site n'ikike nke - The Cleveland Museum of Art (ikike ngalaba ọha). The creditline of the artpiece is the following: Bequest of Leonard C. Hanna, Jr.. Moreover, alignment is in Eserese format ma nwee oke nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara. The painter Claude Monet was a European artist from France, whose artistic style can be attributed mainly to Impressionism. The French painter was born in 1840 na Paris, Ile-de-France, France wee nwụọ mgbe ọ dị afọ 86 n'afọ 1926.
Nweta akụrụngwa ngwaahịa gị
The product dropdown menu provides you with the opportunity to select the material and size of your choice. You can pick your favorite material and size between the subsequent alternatives:
- Mbipụta nke aluminom: An Aluminium Dibond print is a material with a true depth effect, which creates a fashionable look by having a surface structure, that is non-reflective. For your Direct Print On Aluminum Dibond, we print the chosen artpiece right onto the aluminium white-primed surface. The bright and white components of the work of art shine with a silky gloss, however without glare. This print on Aluminum Dibond is the most popular entry-level product and is an extremely contemporary way to display fine art reproductions, as it draws focus on the replica of the artwork.
- Glass acrylic e biri ebi (nwere ezigbo mkpuchi iko): An acrylic glass print, often denoted as a UV print on plexiglass, will convert your selected artwork into brilliant home décor. Your favorite work of art is being printed with state-of-the-art UV direct printing machines. This creates deep, vivid colors.
- Mbipụta kwaaji: A UV printed canvas mounted on a wood frame. The great advantage of canvas prints is that they are relatively low in weight, meaning that it is easy and straightforward to hang up your Canvas print without extra wall-mounts. Because of thatcanvas prints are suited for all kinds of walls.
- Akwụkwọ mmado ebipụtara (akwa akwa akwa): Our poster is a UV printed sheet of cotton canvas with a fine surface structure. Please note, that depending on the absolute size of the poster print we add a white margin of something between 2-6cm around the painting, which facilitates the framing.
Ihe dị mkpa: We try our utmost in order to describe the products in as much detail as it is possible and to demonstrate them visually on the different product detail pages. Nonetheless, the colors of the printing material, as well as the imprint may vary to a certain extent from the image on your monitor. Depending on your settings of your screen and the condition of the surface, not all color pigments are printed one hundret percent realistically. Since all art prints are printed and processed by hand, there might as well be minor differences in the size and exact position of the motif.
Banyere ngwaahịa a
Ụdị ngwaahịa: | nka nka |
Usoro mmeghari: | dijitalụ mmeputakwa |
Usoro nhazi: | Mbipụta UV ozugbo (mbipụta dijitalụ) |
Mmalite ngwaahịa: | Germany |
Ụdị ngwaahịa: | a na-achọ |
Eji ngwaahịa a chọrọ: | Ụlọ ihe ngosi nka, mgbidi gallery |
Nhazi: | nhazi ihe osise |
Oke akụkụ onyonyo: | ogologo ruo obosara 1: 1.2 |
Oke onyonyo pụtara: | ogologo bụ 20% mkpụmkpụ karịa obosara |
Ihe mmeputakwa dị: | ígwè obibi akwụkwọ (aluminium dibond), akwụkwọ mmado (akwụkwọ kwaaji), mbipụta enyo acrylic (nke nwere ezigbo mkpuchi iko), mbipụta akwụkwọ. |
Mbipụta kanvas (akwa akwa na etiti ihe ndọtị) dị iche iche: | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha dị iche iche: | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Mbipụta akwụkwọ mmado (akwụkwọ kwaaji): | 50x60cm - 20x24", 100x120cm - 39x47" |
Nhọrọ Dibond (ihe alumnium) nhọrọ: | 50x60cm - 20x24", 100x120cm - 39x47" |
Nhazi mbipụta nka: | biko mara na edeghị nnomi nka nka |
Nkọwa ọrụ nka
Aha nke ọrụ nka: | "The Red Kerchief" |
Nhazi nka: | sere |
Nhazi nka: | nka ochie |
Narị afọ nka: | 17th narị afọ |
Emepụtara n'afọ: | 1673 |
Afọ nka: | ihe karịrị afọ 340 |
Usoro izizi: | mmanụ na akwa ákwà |
Akụkụ izizi: | Nhazi: 128,3 x 105,7 x 14,6 cm (50 1/2 x 41 5/8 x 5 3/4 na); Emebereghị: 99 x 79,8 cm (39 x 31 7/16 na) |
Akara mbinye aka: | not signed |
Ụlọ ihe ngosi nka: | Velọ ihe ngosi nka nke Cleveland |
Ebe ngosi nka: | Cleveland, Ohio, United States nke America |
Weebụsaịtị nke ihe ngosi nka: | Velọ ihe ngosi nka nke Cleveland |
Akwụkwọ ikike nka: | ngalaba ọha |
Site n'aka: | Velọ ihe ngosi nka nke Cleveland |
Ebe E Si Nweta: | Arịrịọ nke Leonard C. Hanna, Jr. |
Ozi izugbe gbasara onye na-ese ihe
aha: | Claude Monet |
Aha ndị ọzọ: | Claude Monet, C. Monet, Mone Klod, מונה קלוד, Monet Oscar-Claude, Cl. Monet, Monet Claude Oscar, Claude Oscar Monet, Monet Claude Jean, Monet Claude, Monet Oscar Claude, monet claude, monet c., Monet, Monet Claude-Oscar |
Gender: | nwoke |
Obodo onye nka: | French |
Ọrụ onye na-ese ihe: | onye na-ese ihe |
Obodo onye nka: | France |
Nkewa onye nka: | nna ukwu ochie |
Ụdị nke onye na-ese ihe: | Mmetụta |
Afọ ọnwụ: | 86 afọ |
Afọ ọmụmụ: | 1840 |
Ebe omuma: | Paris, Ile-de-France, France |
Afọ nwụrụ: | 1926 |
Ebe ọnwụ: | Giverny, Normandie, France |
© Nwebiisinka - ikike ọgụgụ isi nke - Artprinta.com
Ozi izizi gbasara ọrụ nka nke Cleveland Museum of Art (© - site na Cleveland Museum of Art - Velọ ihe ngosi nka nke Cleveland)
This painting depicts Monet's first wife, Camille, outside on a snowy day passing by the French doors of their home at Argenteuil. Her face is rendered in a radically bold Impressionist technique of mere daubs of paint quickly applied, just as the snow and trees are defined by broad, broken strokes of pure white and green.