Georges de La Tour, 1630 - Onye na-agba afa - mbipụta nka mara mma
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
What does the original artwork description of the The Metropolitan Museum of Art write about the 17th century work of art from the painter Georges de La Tour? (© - nke Ụlọ ihe ngosi nka nke Obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)
This celebrated painting, which was only discovered in the middle of the twentieth century, catches the moment when a wealthy young man, distracted by having his fortune told by an old gyspy woman, is robbed by her companions. The costume and composition may have been influenced by a theatrical scene, but such cautionary images, made popular by Caravaggio, were painted throughout Europe in the seventeenth century. Although scholars have debated whether the artist had seen Caravaggio’s work in Rome, the inscription in the right corner includes the name of the town where the artist lived in northeastern France.
Data ndabere gbasara nka nka izizi
Aha nka: | "The Fortune-Teller" |
nhazi ọkwa: | sere |
Category: | nka ochie |
Century: | 17th narị afọ |
Emepụtara n'afọ: | 1630 |
Afọ nka: | ihe karịrị 390 afọ |
Ọkara nke ihe osise izizi: | mmanụ na kwaaji |
Akụkụ nke ihe osise izizi: | 40 1/8 x 48 5/8 na (101,9 x 123,5 cm) |
Egosiputara na: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
Ibe weebụ: | Museumlọ ihe ngosi nka nke Obodo |
Ikikere nke ihe osise: | ngalaba ọha |
Site n'aka: | Ụlọ ihe ngosi nka nke Metropolitan, New York, Rogers Fund, 1960 |
Ebe E Si Nweta: | Rogers Fund, 1960 |
Ozi omenka
Aha onye nka: | Georges de La Tour |
Aha ndị ọzọ: | Sr. Latour, georges latour, de la Tour, latour georges, La Tur Zhorzh dʹo, Tour Georges de la, La Tour Georges du Mesnil, La Tour Georges du Mesnil de, La Tour Georges Dumesnil, La Tour Ménil, Latour, La Tour Dumesnil, Georges de La Tour, De La Tour Georges, De La Tour Georges du Mesnil, La Tour Georges de, Du Mesnil de La Tour Georges, Georges Du Mesnil La Tour, g. de la tour, Georges du Mesnil de La Tour, De La Tour Claude du Menil, La Tour Claude du Menil de, La Tour |
okike onye nka: | nwoke |
Obodo onye nka: | French |
Ọrụ: | onye na-ese ihe |
Country: | France |
Nhazi nke onye nka: | nna ukwu ochie |
Ụdị nka: | Baroque |
Nwụrụ na afọ nke: | 60 afọ |
Afọ amụrụ: | 1593 |
Ebe amụrụ onye: | Vic-sur-Seille, Grand Est, France |
Afọ ọnwụ: | 1653 |
Nwuru na (ebe): | Luneville, Grand Est, France |
Nkọwapụta ngwaahịa
Nkewa edemede: | nka nka |
Mmeputakwa: | mmeputakwa n'ụdị dijitalụ |
Usoro nhazi: | UV kpọmkwem obibi |
Mmalite nke ngwaahịa a: | arụpụtara na Germany |
Ụdị ngwaahịa: | mmepụta ihe na-achọ |
Eji ngwaahịa a chọrọ: | nka mgbidi, ihe ndozi ụlọ |
Ntuziaka onyonyo: | usoro odida obodo |
Oke akụkụ onyonyo: | 1.2: 1 |
Mmetụta ihe onyonyo: | ogologo bụ 20% ogologo karịa obosara |
Akwa mmeputakwa dị: | Mpempe akwụkwọ mmado (akwụkwọ kwaaji), mbipụta kanvas, mbipụta ọla (aluminium dibond), mbipụta iko acrylic (nwere ezigbo mkpuchi iko) |
Nhọrọ nke akwa akwa n'elu etiti ihe ndọtị (mbipụta akwa akwa): | 60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59" |
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) nhọrọ nha: | 60x50cm - 24x20", 120x100cm - 47x39" |
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha: | 60x50cm - 24x20", 120x100cm - 47x39" |
Ụdị mbipụta aluminom: | 60x50cm - 24x20", 120x100cm - 47x39" |
ụba: | enweghị etiti |
Họrọ nhọrọ akụrụngwa gị
In the dropdown lists next to the article you can select your prefered material and size. We allow yout to choose among the following variants:
- Mpempe akwụkwọ (ihe kwaaji): The Artprinta poster print is a UV printed canvas paper with a granular surface finish, which reminds the original work of art. Please bear in mind, that depending on the size of the poster we add a white margin of around 2-6cm around the work of art to facilitate the framing with a custom frame.
- Mbipụta iko acrylic na-egbuke egbuke (nke nwere ezigbo mkpuchi iko): An print on acrylic glass, often referenced as a plexiglass print, will convert your favorite original work of art into brilliant décor. Additionally, it is a good alternative to dibond or canvas prints.
- Mbipụta kwaaji: A canvas print, not to be confused with a canvas painting, is a digital image printed on a UV direct printer. In addition to that, a canvas makes a cosy and appealing atmosphere. A canvas print has the advantage of being low in weight, which means that it is easy to hang the Canvas print without any wall-mounts. Therefore, canvas prints are suitable for any type of wall in your home.
- Mbipụta nke aluminom: Aluminium Dibond prints are metal prints with a true depth. For your Direct Print On Aluminum Dibond, we print the artwork on the aluminium surface. The white and bright components of the artpiece shine with a silk gloss, however without any glow. Colors are luminous, the fine details are crisp.
The 17th narị afọ artpiece was created by Georges de La Tour in 1630. Ihe mbụ eserese ahụ nwere nha: 40 1/8 x 48 5/8 na (101,9 x 123,5 cm). Mmanụ na kwaaji was applied by the artist as the technique for the work of art. Moveover, the work of art belongs to the The Metropolitan Museum of Art's digital art collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. With courtesy of - Ụlọ ihe ngosi nka nke Metropolitan, New York, Rogers Fund, 1960 (public domain license). Creditline of the artwork: Rogers Fund, 1960. What is more, the alignment of the digital reproduction is odida obodo na nwere akụkụ ruru nke 1.2: 1, meaning that the length is 20% longer than the width. Georges de La Tour was a painter of French nationality, whose style can be attributed primarily to Baroque. The French painter was born in 1593 in Vic-sur-Seille, Grand Est, France and deceased at the age of 60 in the year 1653 in Luneville, Grand Est, France.
Ozi dị mkpa: We try whatever we can in order to describe our products in as much detail as possible and to showcase them visually in our shop. However, the pigments of the print products, as well as the printing can differ to a certain extent from the representation on the monitor. Depending on the screen settings and the condition of the surface, colors can unfortunately not be printed as exactly as the digital version shown here. Given that all our fine art prints are processed and printed manually, there might as well be minor deviations in the motif's size and exact position.
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