Georges de La Tour, 1630 - Onye na-agba afa - mbipụta nka mara mma

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What does the original artwork description of the The Metropolitan Museum of Art write about the 17th century work of art from the painter Georges de La Tour? (© - nke Ụlọ ihe ngosi nka nke Obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)

This celebrated painting, which was only discovered in the middle of the twentieth century, catches the moment when a wealthy young man, distracted by having his fortune told by an old gyspy woman, is robbed by her companions. The costume and composition may have been influenced by a theatrical scene, but such cautionary images, made popular by Caravaggio, were painted throughout Europe in the seventeenth century. Although scholars have debated whether the artist had seen Caravaggio’s work in Rome, the inscription in the right corner includes the name of the town where the artist lived in northeastern France.

Data ndabere gbasara nka nka izizi

Aha nka: "The Fortune-Teller"
nhazi ọkwa: sere
Category: nka ochie
Century: 17th narị afọ
Emepụtara n'afọ: 1630
Afọ nka: ihe karịrị 390 afọ
Ọkara nke ihe osise izizi: mmanụ na kwaaji
Akụkụ nke ihe osise izizi: 40 1/8 x 48 5/8 na (101,9 x 123,5 cm)
Egosiputara na: Museumlọ ihe ngosi nka nke Obodo
Ebe ngosi nka: New York City, New York, Njikota Obodo Amerika
Ibe weebụ: Museumlọ ihe ngosi nka nke Obodo
Ikikere nke ihe osise: ngalaba ọha
Site n'aka: Ụlọ ihe ngosi nka nke Metropolitan, New York, Rogers Fund, 1960
Ebe E Si Nweta: Rogers Fund, 1960

Ozi omenka

Aha onye nka: Georges de La Tour
Aha ndị ọzọ: Sr. Latour, georges latour, de la Tour, latour georges, La Tur Zhorzh dʹo, Tour Georges de la, La Tour Georges du Mesnil, La Tour Georges du Mesnil de, La Tour Georges Dumesnil, La Tour Ménil, Latour, La Tour Dumesnil, Georges de La Tour, De La Tour Georges, De La Tour Georges du Mesnil, La Tour Georges de, Du Mesnil de La Tour Georges, Georges Du Mesnil La Tour, g. de la tour, Georges du Mesnil de La Tour, De La Tour Claude du Menil, La Tour Claude du Menil de, La Tour
okike onye nka: nwoke
Obodo onye nka: French
Ọrụ: onye na-ese ihe
Country: France
Nhazi nke onye nka: nna ukwu ochie
Ụdị nka: Baroque
Nwụrụ na afọ nke: 60 afọ
Afọ amụrụ: 1593
Ebe amụrụ onye: Vic-sur-Seille, Grand Est, France
Afọ ọnwụ: 1653
Nwuru na (ebe): Luneville, Grand Est, France

Nkọwapụta ngwaahịa

Nkewa edemede: nka nka
Mmeputakwa: mmeputakwa n'ụdị dijitalụ
Usoro nhazi: UV kpọmkwem obibi
Mmalite nke ngwaahịa a: arụpụtara na Germany
Ụdị ngwaahịa: mmepụta ihe na-achọ
Eji ngwaahịa a chọrọ: nka mgbidi, ihe ndozi ụlọ
Ntuziaka onyonyo: usoro odida obodo
Oke akụkụ onyonyo: 1.2: 1
Mmetụta ihe onyonyo: ogologo bụ 20% ogologo karịa obosara
Akwa mmeputakwa dị: Mpempe akwụkwọ mmado (akwụkwọ kwaaji), mbipụta kanvas, mbipụta ọla (aluminium dibond), mbipụta iko acrylic (nwere ezigbo mkpuchi iko)
Nhọrọ nke akwa akwa n'elu etiti ihe ndọtị (mbipụta akwa akwa): 60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59"
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) nhọrọ nha: 60x50cm - 24x20", 120x100cm - 47x39"
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha: 60x50cm - 24x20", 120x100cm - 47x39"
Ụdị mbipụta aluminom: 60x50cm - 24x20", 120x100cm - 47x39"
ụba: enweghị etiti

Họrọ nhọrọ akụrụngwa gị

In the dropdown lists next to the article you can select your prefered material and size. We allow yout to choose among the following variants:

  • Mpempe akwụkwọ (ihe kwaaji): The Artprinta poster print is a UV printed canvas paper with a granular surface finish, which reminds the original work of art. Please bear in mind, that depending on the size of the poster we add a white margin of around 2-6cm around the work of art to facilitate the framing with a custom frame.
  • Mbipụta iko acrylic na-egbuke egbuke (nke nwere ezigbo mkpuchi iko): An print on acrylic glass, often referenced as a plexiglass print, will convert your favorite original work of art into brilliant décor. Additionally, it is a good alternative to dibond or canvas prints.
  • Mbipụta kwaaji: A canvas print, not to be confused with a canvas painting, is a digital image printed on a UV direct printer. In addition to that, a canvas makes a cosy and appealing atmosphere. A canvas print has the advantage of being low in weight, which means that it is easy to hang the Canvas print without any wall-mounts. Therefore, canvas prints are suitable for any type of wall in your home.
  • Mbipụta nke aluminom: Aluminium Dibond prints are metal prints with a true depth. For your Direct Print On Aluminum Dibond, we print the artwork on the aluminium surface. The white and bright components of the artpiece shine with a silk gloss, however without any glow. Colors are luminous, the fine details are crisp.

The 17th narị afọ artpiece was created by Georges de La Tour in 1630. Ihe mbụ eserese ahụ nwere nha: 40 1/8 x 48 5/8 na (101,9 x 123,5 cm). Mmanụ na kwaaji was applied by the artist as the technique for the work of art. Moveover, the work of art belongs to the The Metropolitan Museum of Art's digital art collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. With courtesy of - Ụlọ ihe ngosi nka nke Metropolitan, New York, Rogers Fund, 1960 (public domain license). Creditline of the artwork: Rogers Fund, 1960. What is more, the alignment of the digital reproduction is odida obodo na nwere akụkụ ruru nke 1.2: 1, meaning that the length is 20% longer than the width. Georges de La Tour was a painter of French nationality, whose style can be attributed primarily to Baroque. The French painter was born in 1593 in Vic-sur-Seille, Grand Est, France and deceased at the age of 60 in the year 1653 in Luneville, Grand Est, France.

Ozi dị mkpa: We try whatever we can in order to describe our products in as much detail as possible and to showcase them visually in our shop. However, the pigments of the print products, as well as the printing can differ to a certain extent from the representation on the monitor. Depending on the screen settings and the condition of the surface, colors can unfortunately not be printed as exactly as the digital version shown here. Given that all our fine art prints are processed and printed manually, there might as well be minor deviations in the motif's size and exact position.

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