Georges de La Tour, 1640 - Magdalen chegharịrị - ọmarịcha nka
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Original artwork information as provided by the museum's website (© - National Gallery of Art - www.nga.gov)
Oil on canvas overall: 113 x 92.7 cm (44 1/2 x 36 1/2 in.) framed: 121.9 x 136.5 cm (48 x 53 3/4 in.)
Data nka ahaziri
Aha nka nka: | "The Repentant Magdalen" |
Nhazi nka nka: | sere |
Otu sara mbara: | nka ochie |
Narị afọ nka: | 17th narị afọ |
Afọ nka: | 1640 |
Afọ nka: | 380 afọ |
Ụlọ ihe ngosi nka / ebe: | Nnukwu osisi nke Art |
Ebe ebe ngosi nka: | Washington DC, Njikota Obodo Amerika |
website: | Nnukwu osisi nke Art |
License: | ngalaba ọha |
Site n'aka: | National Gallery of Art, Washington |
Ozi omenka
aha: | Georges de La Tour |
A makwaara dịka: | De La Tour Georges du Mesnil, La Tour Dumesnil, La Tour, La Tour Georges du Mesnil de, g. de la tour, Du Mesnil de La Tour Georges, La Tur Zhorzh dʹo, La Tour Claude du Menil de, georges latour, Sr. Latour, Georges de La Tour, latour georges, De La Tour Georges, De La Tour Claude du Menil, La Tour Georges du Mesnil, La Tour Georges Dumesnil, Latour, Tour Georges de la, de la Tour, Georges Du Mesnil La Tour, Georges du Mesnil de La Tour, La Tour Ménil, La Tour Georges de |
Gender: | nwoke |
Obodo onye nka: | French |
Ọrụ: | onye na-ese ihe |
Country: | France |
Otu nka: | nna ukwu ochie |
Ụdị nke onye na-ese ihe: | Baroque |
Nwụrụ na afọ nke: | 60 afọ |
Amụrụ n'afọ: | 1593 |
Obodo amụrụ: | Vic-sur-Seille, Grand Est, France |
Nwuru: | 1653 |
Nwụrụ na (ebe): | Luneville, Grand Est, France |
Banyere ihe a
Nkewa bipụta: | ọmarịcha nka |
Usoro mmeghari: | dijitalụ mmeputakwa |
Usoro mmepụta: | Mbipụta UV ozugbo (mbipụta dijitalụ) |
Mmalite ngwaahịa: | emepụtara na Germany |
Stockdị ngwaahịa: | mmepụta ihe na-achọ |
Eji ngwaahịa emebere: | nka mgbidi, ihe ndozi mgbidi |
Ndozi onyonyo: | nhazi ihe osise |
Ụdị anya: | 1:1.2- ogologo: obosara |
Akụkụ akụkụ pụtara: | ogologo bụ 20% mkpụmkpụ karịa obosara |
Akụrụngwa ị nwere ike ịhọrọ: | Mbipụta kwaaji, mbipụta ọla (aluminium dibond), mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji) |
Kanvas n'elu etiti ihe ndọtị (mbipụta akwa akwa): | 50x60cm - 20x24" |
Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): | 50x60cm - 20x24" |
Nhọrọ nha nke akwụkwọ mmado (akwụkwọ kwaaji): | 50x60cm - 20x24" |
Mpempe akwụkwọ Dibọn (ihe alumnium): | 50x60cm - 20x24" |
Nhazi mbipụta nka: | na-enweghị etiti |
Ngwa ngwaahịa ndị ahịa anyị nwere ike isi na ya were
Maka mbipụta nka ọ bụla mara mma anyị na-enye ụdị nha na ihe dị iche iche. Ka ị kwekọọ n'ihe ị chọrọ nke ọma, ị nwere ike họrọ n'ime nhọrọ nhazi ngwaahịa ndị a:
- Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): An print on acrylic glass, often referenced as a plexiglass print, will turn your original artwork into great décor. Further, it offers a great alternative to dibond and canvas prints. Your favorite work of art is manufactured with modern UV printing machines. This creates the effect of intense and sharp colors. Our acrylic glass protects your custom art replica against light and heat for many more years.
- Ebipụta akwụkwọ mmado na ihe akwa akwa: The Artprinta poster is a UV printed flat canvas paper with a fine finish on the surface, which resembles the actual work of art. It is suited for placing the fine art print with a special frame. Please keep in mind, that depending on the size of the poster we add a white margin of something between 2-6cm around the print to facilitate the framing with your custom frame.
- Aluminom dibond (ọkpụkpụ ọla): Aluminium Dibond prints are prints on metal with a true depth. A direct Aluminium Dibond Print is your perfect introduction to art replicas with aluminum. The colors of the print are luminous, fine details are clear and crisp, and the print has a a matte look you can literally feel. The UV print on Aluminum Dibond is the most popular entry-level product and is a stylish way to display artworks, because it draws focus on the replica of the artwork.
- Mbipụta kanvas: The UV printed canvas material applied on a wood stretcher frame. It generates a particular effect of three dimensionality. In addition to that, a canvas generates a cosy and enjoyable effect. Hanging a canvas print: The advantage of canvas prints is that they are relatively low in weight, meaning that it is quite simple to hang your Canvas print without additional wall-mounts. That is why, a canvas print is suited for any kind of wall.
N'elu 380 afọ artpiece kere site Georges de La Tour. Ọzọkwa, ọrụ nka dị n'ime National Gallery of Art's nchịkọta dijitalụ. Site n'ikike nke National Gallery of Art, Washington (ọha na eze).In addition to that, the artpiece has the creditline: . Further, the alignment of the digital reproduction is Eserese ma nwee oke nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara. Georges de La Tour was a male painter from France, whose art style can primarily be classified as Baroque. The European painter lived for a total of 60 afọ - a mụrụ n'afọ 1593 in Vic-sur-Seille, Grand Est, France and passed away in 1653.
Nkwupụta iwu: We try everything in order to depict the art products as exact as possible and to exhibit them visually. Nonetheless, the pigments of the print products, as well as the imprint can diverge somehwat from the representation on the monitor. Depending on the settings of your screen and the nature of the surface, not all color pigments can be printed 100% realistically. Given that our fine art prints are printed and processed by hand, there may also be slight deviations in the motif's exact position and the size.
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