Juan Sánchez Cotán, 1607 - Ndụ ka nwere egwuregwu anụ ọhịa - mbipụta nka mara mma

Still Life with Game Fowl was made by Juan Sánchez Cotán. The version of the masterpiece had the following dimensions: 67,8 × 88,7 cm (26 11/16 × 34 15/16 in ). Mmanụ na kwaaji was used by the European painter as the medium of the painting. Besides, this artpiece is included in the art collection of Ụlọ ọrụ Art Chicago. a nka ochie A na-enye ihe osise ngalaba ọha site n'ikike nke Ụlọ ọrụ Art Chicago. Creditline of the artwork: Gift of Mr. and Mrs. Leigh B. Block. The alignment of the digital reproduction is in odida obodo format na nwere akụkụ ruru nke 4: 3, nke pụtara na ogologo bụ 33% ogologo karịa obosara.

Additional information by Art Institute Chicago website (© - Art Institute Chicago - Ụlọ ọrụ Art Chicago)

This work, the earliest European still life in the Art Institute’s collection, was painted by a leading Spanish practitioner of this new genre. It employs Juan Sánchez Cotán’s signature format: commonplace edibles placed in a shallow, niche-like embrasure with an impenetrable, dark background evoking the larders in Spanish homes used to keep food fresh. Some of the artist’s still lifes contain few objects, while in others, such as this one, the recess is filled. The objects are painstakingly rendered, and their placement seems mathematically exact. The hanging quince and game birds are arranged not perpendicular to the bottom edge of the painting, but on a barely perceptible diagonal. Further enlivening the composition is the strong light that sweeps over the still life and creates a dramatic contrast of light and shade, of precise realism and abstract form. After 1603 the artist stopped creating these austere and powerful images. Sánchez Cotán left his successful artistic career in Toledo to join the Carthusian order as a lay brother at the Charterhouse of Granada. Thereafter, his work consisted solely of idealized religious images.

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