Amaghị aha, 1600 - Apollo na-enye ụgbọ ịnyịnya ya na Phaeton - ọmarịcha nka

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Nkọwa izugbe nke Petit Palais - Musée des Beaux-arts de la Ville de Paris (© - nke Petit Palais dere - Musée des Beaux-arts de la Ville de Paris - www.petitpalais.paris.fr)

Kneeling at the feet of his father, Apollo, Phaethon asked him to lend him his car. This subject, enriched personifications of the four seasons and time, originates from "Metamorphoses" of Ovid. The composition, including Nicolas Poussin's inventor, said nothing of the tragic end that awaits the young Phaethon. We do not know the identity of the author of this painter old copy. The name of Eustache Le Sueur was proposed several times, because of the affection he wore sujet.Il treated him, in fact, on the ceiling of the House of Muses of the Hotel Lambert. However, the invention provides a better understanding of space, a more pronounced depth. He probably looked at the composition of Poussin, but nothing indicates that it has established a copy for study purposes.

This copy of the work of Nicolas Poussin, "Helios and Phaeton with Saturn and the Four Seasons" (Berlin, Gemäldegalerie) was in the Paris collection of Charles Vincent Ocampo, in the early twentieth century. In 1931, Ocampo donated, subject to usufruct, to the City of Paris. He left the usufruct in 1942.

Apollo (Greek mythology); Phaeton (Greek mythology); Dionysus (Greek mythology)

mythological scene, mythology Greco-Roman, Greco-Roman deity, Autumn, Time, Summer, Winter, Spring, Ancient Chariot, Laurel Wreath, Lyre

Nkọwa nke ihe osise ihe karịrị afọ 420

In 1600 the artist Anonymous painted this artpiece Apollo giving his chariot to Phaeton. Ụdị ihe osise ahụ nwere nha ndị a Ogologo: 63,2 cm, obosara: 79,5 cm ma were ihe osise ese Usoro of Mmanụ, Canvas (ihe). N'oge a, artwork gụnyere na art collection nke Petit Palais - Musée des Beaux-arts de la Ville de Paris, nke bụ ihe ngosi nka nka na mpaghara 8th. Obi dị anyị ụtọ ikwu na nke a ngalaba ọha masterpiece is being supplied with courtesy of Petit Palais Paris.The creditline of the artwork is the following: . On top of that, alignment is odida obodo na a akụkụ ruru nke 1.2: 1, nke na-egosi na ogologo bụ 20% ogologo karịa obosara.

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