Peter Paul Rubens, 1616 - Daniel na ọdụmDen - ọmarịcha nka

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Daniel in the LionsDen is a painting created by Peter Paul Rubens in 1616. Taa, artwork bụ nke dijitalụ art collection nke Nnukwu osisi nke Art located in Washington D.C., United States of America. We are glad to mention that the masterpiece, which is part of the public domain is provided with courtesy of National Gallery of Art, Washington.Also, the work of art has the following creditline: . On top of that, alignment of the digital reproduction is odida obodo na a akụkụ ruru nke 3: 2, which implies that the length is 50% longer than the width. The diplomat, painter Peter Paul Rubens was a European artist from the Netherlands, whose style was primarily Baroque. The painter was born in 1577 in Siegen, North Rhine-Westphalia, Germany and died at the age of 63 na 1640 na Antwerp, Antwerpen Province, Flanders, Belgium.

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• Aluminom ihe eji eme ihe: Aluminium Dibond prints are prints on metal with a true depth effect. The non-reflective surface structure creates a modern impression. The bright parts of the work of art shimmer with a silky gloss but without the glow.
• Mbipụta kwaaji: The UV printed canvas material mounted on a wooden stretcher frame. It makes the particular impression of three-dimensionality. Further, a canvas generates a nice and enjoyable look. Your canvas print of your favorite artwork will allow you to transform your fine art print into a large size work of art like you know from galleries. A canvas print has the advantage of being low in weight, meaning that it is quite simple to hang your Canvas print without the use of additional wall-mounts. That is why, canvas prints are suited for any kind of wall.
• Mpempe akwụkwọ (ihe kwaaji): Our poster print is a printed sheet of canvas with a slight surface texture. Please note, that depending on the absolute size of the poster print we add a white margin of something between 2-6 cm round about the artwork in order to facilitate the framing.
• Mbipụta enyo acrylic: A glossy acrylic glass print, which is often labelled as a print on plexiglass, will convert the original artwork into stunning home décor. Above all, the acrylic glass print offers a great alternative option to canvas and aluminidum dibond fine art prints.

Legal disclaimer: We try the best we can in order to describe the art products as precisely as possible and to display them visually in our shop. Nevertheless, the tone of the print products and the imprint can vary somehwat from the representation on the screen. Depending on the screen settings and the quality of the surface, not all colors will be printed 100% realistically. In view of the fact that our are processed and printed by hand, there may also be minor discrepancies in the size and exact position of the motif.

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Description from National Gallery of Art (© Nwebiisinka - nke National Gallery of Art - Nnukwu osisi nke Art)

Ọkara: Mmanụ na kwaaji

Akụkụ: N'ozuzu 224.2 x 330.5 cm (88 1/4 x 130 1/8 in.)

The Old Testament prophet Daniel, as chief counselor to the Persian king Darius, aroused the envy of the other royal ministers. Conspiring against the young Hebrew, they forced the king into condemning Daniel to a den of lions. The following dawn Darius, anxious about his friend, had the stone that sealed the entrance rolled away to discover Daniel had been miraculously saved. Rubens depicted this deliverance when, as the beasts squint and yawn at the morning light streaming into their lair, Daniel gives thanks to his God.

The monumental size of the ten lions and their placement close to the viewer heighten the sense of immediacy. Within the asymmetrical, baroque design, Daniel is the focal point even though his position is off-center. Against the brown tones of animals and rocks, his pale flesh is accented by his red and white robes as well as by the blue sky and green vines overhead.

In 1618, Rubens traded Daniel along with eight other paintings and some cash for a collection of over a hundred ancient Roman busts and statues—the prize material of any art gallery in that era. During the transaction, Rubens described this canvas as: "Daniel among many lions, taken from life. Original, entirely by my hand." The North African lions Rubens used as his models were kept in the royal menagerie at Brussels. The Gallery has in its collection a study for the lion facing the viewer, standing to Daniel's right. (This Moroccan species, now extinct in the wild, may be seen at Washington's National Zoo.)

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