Canaletto, 1738 - Nnukwu ọwa mmiri dị na Venice site na Palazzo Flangini ruo Campo - mbipụta nka mara mma.

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  • Mbipụta kanvas: The UV printed canvas material mounted on a wooden stretcher frame. A canvas of your favorite artpiece will allow you to transform your customized art print into a large size work of art like you know from galleries. The great advantage of canvas prints is that they are relatively low in weight, which implies that it is easy to hang up the Canvas print without the use of additional wall-mounts. Because of thata canvas print is suitable for all kinds of walls.
  • Aluminom ihe eji eme ihe: This is a metal print made on aluminium dibond with an impressive depth. Its non-reflective surface structure creates a modern impression. A direct Direct Print on Aluminum Dibond is your excellent start to art replicas on aluminum. For our Print On Aluminum Dibond, we print your favorite work of art on the surface of the white-primed aluminum material. The white and bright parts of the original artwork shimmer with a silk gloss but without glare. This direct print on aluminium is the most popular entry-level product and is a stylish way to showcase fine art reproductions, because it puts 100% of the viewer’s attention on the replica of the artwork.
  • Mbipụta enyo acrylic: A glossy print on acrylic glass, which is sometimes referenced as a an art print on plexiglass, will turn the artwork into magnificient décor and forms a distinct alternative option to canvas or aluminium dibond fine art prints. The work of art is being manufactured with modern UV print machines. The major upside of an acrylic glass art print is that contrasts as well as artwork details will be more exposed with the help of the granular gradation. The plexiglass with real glass coating protects your selected fine art print against light and external influences for many years.
  • Poster (akwa akwa akwa): Our poster is a UV printed sheet of canvas with a granular texture on the surface, that reminds the original artwork. Please note, that depending on the size of the canvas poster print we add a white margin between 2-6cm round about the artwork, which facilitates the framing with your custom frame.

Disclaimer: We try to depict the art products as exact as possible and to exhibit them visually on the different product detail pages. Nonetheless, the colors of the print materials, as well as the printing may diverge slightly from the presentation on your device's monitor. Depending on your settings of your screen and the quality of the surface, not all colors will be printed as realisitcally as the digital version shown here. Given that the fine art prints are processed and printed by hand, there may also be slight differences in the motif's exact position and the size.

What does the The J. Paul Getty Museum write about this 18th century work of art from the painter Canaletto? (© Nwebiisinka - nke J. Paul Getty Museum - Ụlọ ihe ngosi nka nke J. Paul Getty)

Canaletto was at the peak of his powers when he created this view of the sun-drenched palaces lining the Grand Canal and reflected in its shimmering water. With precise brushwork, he also evoked the effects of soot and crumbling stucco disfiguring the facades.

Canaletto's highly finished treatment and silvery tonality stand in marked contrast to Francesco Guardi's more painterly view of the same location, The Grand Canal in Venice with Palazzo Bembo, also in the Getty Museum's collection.

Ọrụ nka na aha "The Grand Canal in Venice from Palazzo Flangini to Campo"dị ka akwụkwọ nka nke gị

Ihe osise narị afọ nke 18 a The Grand Canal in Venice from Palazzo Flangini to Campo e kere ya Canaletto in 1738. Moveover, this piece of art is in the the collection of The J. Paul Getty Museum, which is part of the J. Paul Getty trust and is one of the world's largest arts organizations worldwide. It seeks to inspire curiosity about, and enjoyment and understanding of, the visual arts by collecting, conserving, exhibiting, and interpreting works of art of outstanding quality and historical importance.. With courtesy of - The J. Paul Getty Museum (license - public domain).Creditline of the artwork: . Besides, the alignment is odida obodo ma nwee oke onyonyo nke 16: 9, nke pụtara na ogologo bụ 78% ogologo karịa obosara. Canaletto was a painter from Italy, whose artistic style can be classified as Baroque. The Italian painter lived for a total of 71 afọ - A mụrụ na 1697 wee nwụọ na 1768.

Tebụl a haziri ahazi nke ihe osise

Aha nka nka: "The Grand Canal in Venice from Palazzo Flangini to Campo"
Nhazi: sere
Otu izugbe: nka ochie
Century: 18th narị afọ
Afọ nka: 1738
Afọ nka: karịa afọ 280
Egosiputara na: Ụlọ ihe ngosi nka nke J. Paul Getty
Ebe ngosi nka: Los Angeles, California, Njikota Obodo Amerika
Ebe nrụọrụ weebụ ihe ngosi nka: Ụlọ ihe ngosi nka nke J. Paul Getty
Licensedị ikike: ngalaba ọha
Site n'aka: Ụlọ ihe ngosi nka nke J. Paul Getty

Nkọwa ngwaahịa

Nkewa edemede: ọrụ mgbidi
Usoro mmeputakwa: mmeputakwa n'ụdị dijitalụ
Usoro nhazi: Mbipụta UV ozugbo (mbipụta dijitalụ)
Ihe ngosi: German mmepụta
Ụdị ngwaahịa: mmepụta ihe na-achọ
A na-atụ aro iji ngwaahịa eme ihe: nka mgbidi, foto mgbidi
Ndepụta: usoro odida obodo
Oke akụkụ: ( Ogologo: obosara) 16: 9
Nkọwa nke oke akụkụ: ogologo bụ 78% ogologo karịa obosara
Ihe mmeputakwa dị: mbipụta ọla (aluminium dibond), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta kanvas, mbipụta iko acrylic (nwere ezigbo mkpuchi iko)
Mbipụta kanvas (akwa akwa na etiti ihe ndọtị): 90x50cm - 35x20", 180x100cm - 71x39"
Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): 90x50cm - 35x20", 180x100cm - 71x39"
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha dị iche iche: 90x50cm - 35x20"
Mpempe aluminom (aluminium dibond ihe) nha: 90x50cm - 35x20"
ụba: biko buru n'uche na nka nka enweghi fremu

Ose okwu

aha: Canaletto
okike onye nka: nwoke
Nationality: Italian
Ọrụ: onye na-ese ihe
Mba onye si: Italy
Otu nka: nna ukwu ochie
Ụdị nke onye na-ese ihe: Baroque
Oge ndu: 71 afọ
Afọ ọmụmụ: 1697
Afọ ọnwụ: 1768

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