Joseph Badger, 1760 - Eserese Sarah Larrabee Ọbụna - mbipụta nka mara mma
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
What does the curator team of the Los Angeles County Museum of Art state about this artwork from the painter Joseph Badger? (© - site na Los Angeles County Museum of Art - www.lacma.org)
Notes from the Curator: No signed portraits by Badger are known, but on the basis of the style of four documented portraits a large group of paintings similar in style have been attributed to him. The portrait of Sarah Larrabee Edes possesses the characteristics of this style: fairly pastel, chalky colors, outlining of the edges of the linen cuffs and collars, indistinct backgrounds with feathery foliage, and an insufficiency of foreshortening that makes the figures seem to float upon the surface of the painting. Since Badger’s portraits also are not dated, the progression of his stylistic development is not clear, making it hard to assign a date to the present painting. It has been dated about 1760 because that approximate date has been assigned to the portrait of the sitter’s father, Captain John Larrabee. Badger’s Captain John Larrabee, c. 1760 (Worcester [Mass.] Art Museum), is his only full-length adult portrait and easily his finest effort. The subject, born in 1686, was captain lieutenant, or commanding officer, of Castle William (afterwards Fort Independence) in Boston Harbor for nearly forty years before his death on February 11, 1762. In 1710 he married Elizabeth Jordan, and the couple had three children, a son and two daughters. The younger daughter, Sarah, was born on July 12, 1719. On December 21, 1738, she married Thomas Edes (1715-1794), a ship joiner, or carpenter, of Boston. They had ten children. Thomas Edes was one of the executors of Captain Larrabee’s will. An unusual feature of the portrait of Sarah Larrabee Edes is the evidence of significant changes in design, particularly in the position of the hands. Her proper right hand originally was painted as extending further into the lap, and her proper left hand, with its linen sleeve hanging downward, was raised toward her bosom, as though tucking a flower into the neckline, as in Robert Feke’s Mrs. James Bowdoin II, 1748 (Bowdoin College Museum of Art, Brunswick, Maine).
Notes from the Contributor: Painting by Joseph Badger (Museum: Los Angeles County Museum of Art)
"Portrait of Sarah Larrabee Even" is a masterpiece painted by the artist Joseph Badger in 1760. The version of the piece of art has the following size of 48 3/8 x 38 1/4 na (122,87 x 97,16 cm). Mmanụ na kwaaji was applied by the painter as the technique for the masterpiece. Moveover, the artpiece belongs to the art collection of Los Angeles County Museum of Art, which is located in Los Angeles, California, Njikota Obodo Amerika. We are happy to mention that the masterpiece, which is in the ngalaba ọha a na-agụnye na nkwanye ùgwù nke Ụlọ ihe ngosi nka nke Los Angeles County (www.lacma.org).Ezigbo nka nka bụ: . Ọzọkwa, itinye n'usoro mmepụta dijitalụ na-abanye Eserese format ya na oke onyonyo nke 3: 4, nke pụtara na ogologo bụ 25% mkpụmkpụ karịa obosara.
Họrọ nhọrọ ihe onwunwe
Maka mbipụta nka ọ bụla dị mma anyị na-enye nha na ihe dị iche iche. Nhọrọ ndị a dị maka n'otu n'otu:
- Mbipụta enyo acrylic: An acrylic glass print, which is sometimes described as a an art print on plexiglass, will convert your favorite original artwork into stunning décor. The work of art will be custom-made with the help of state-of-the-art UV print technology.
- Mbipụta akwụkwọ mmado (akwa akwa akwa): The poster print is a printed canvas with a slight structure on the surface, that resembles the actual masterpiece. It is suited for framing the art copy with a custom frame. Please note, that depending on the size of the poster print we add a white margin of something between 2-6cm around the painting, which facilitates the framing with a custom frame.
- Mbipụta kwaaji: A printed canvas material mounted on a wood stretcher frame. It produces the special impression of three-dimensionality. Additionally, a printed canvas produces a cosy and pleasing effect. A canvas of this artwork will give you the unique opportunity to transform your art print into a large size collection piece like you would see in a gallery. Canvas prints are relatively low in weight. That means, it is easy and straightforward to hang up the Canvas print without any wall-mounts. That is why, canvas prints are suited for any kind of wall.
- Mbipụta nke aluminom: Mbipụta aluminom Dibond bụ ebipụta na igwe nwere mmetụta omimi dị egwu.
Nchịkọta ihe nkiri
aha: | Joseph Badger |
Aha ndị ọzọ: | Badger Joseph, Joseph Badger, Badger |
okike onye nka: | nwoke |
Nationality: | American |
Ọrụ onye na-ese ihe: | onye na-ese ihe |
Country: | United States |
Otu nka: | nna ukwu ochie |
Nwụrụ na afọ nke: | 57 afọ |
Afọ amụrụ: | 1708 |
Obodo ọmụmụ: | Charlestown, Boston, Suffolk County, Massachusetts, United States, agbataobi |
Afọ nwụrụ: | 1765 |
Nwụrụ na (ebe): | Boston, Suffolk County, Massachusetts, Njikota Obodo Amerika |
Ozi nka ahaziri
Aha eserese: | "Portrait of Sarah Larrabee Even" |
nhazi ọkwa: | sere |
Otu sara mbara: | nka ochie |
Century: | 18th narị afọ |
Afọ nka: | 1760 |
Ogologo afọ nka nka: | 260 afọ |
Ihe osise izizi: | mmanụ na kwaaji |
Akụkụ izizi nka: | 48 3/8 x 38 1/4 na (122,87 x 97,16 cm) |
Egosiputara na: | Ebe ngosi nka nke Los Angeles County |
Ebe ngosi nka: | Los Angeles, California, Njikota Obodo Amerika |
Weebụsaịtị nke ihe ngosi nka: | www.lacma.org |
Licensedị ikike: | ngalaba ọha |
Site n'aka: | Ụlọ ihe ngosi nka nke Los Angeles County (www.lacma.org) |
Banyere ihe a
Ụdị edemede: | nka nka |
Usoro mmeghari: | dijitalụ mmeputakwa |
Produzọ mmepụta: | mbipụta dijitalụ |
Production: | emepụtara na Germany |
Ụdị ngwaahịa: | a na-achọ |
Ngwaahịa were: | nchịkọta nka (mmeputakwa), ihe ndozi mgbidi |
Ndozi onyonyo a: | usoro eserese |
Oke akụkụ onyonyo: | ogologo ruo obosara 3: 4 |
Nkọwa: | ogologo bụ 25% mkpụmkpụ karịa obosara |
Nhọrọ ihe onwunwe: | Mbipụta iko acrylic (nwere ezigbo mkpuchi iko), mbipụta ọla (aluminium dibond), mbipụta akwa akwa, mbipụta akwụkwọ mmado (akwụkwọ kwaaji) |
Nhọrọ nha nke akwa akwa n'elu etiti ihe na-agbatị (mbipụta kwaaji): | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Acrylic glass print (nwere ezigbo mkpuchi iko) nhọrọ: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Ụdị nha ebipụta aluminom: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Igwe onyonyo: | agunyeghi |
Ozi dị mkpa: We try all that we can in order to depict the products as clearly as possible and to showcase them visually in our shop. However, the tone of the printing material and the imprint can diverge slightly from the image on the monitor. Depending on your screen settings and the quality of the surface, colors can unfortunately not be printed as realistically as the digital version shown here. Given that all our are processed and printed by hand, there may as well be slight deviations in the motif's exact position and the size.
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