Donat Nonnotte, 1756 - Nwanyị nọ na Weaned Hebe - mbipụta nka mara mma

Ihe dị ka ihe osise ihe karịrị afọ 260

Lady in Weaned Hebe bụ eserese nke onye nka mere Donat Nonnotte. The over 260 year old original had the following size - Ogologo: 82 cm, obosara: 66 cm. Mmanụ, Canvas (ihe) e ji onye na-ese ihe mee ihe dị ka onye na-ese ihe. Date and signature - En haut à gauche "Nonnotte pinx. 1756" is the masterpiece's inscription. It can be viewed in in the art collection of Petit Palais - Musée des Beaux-arts de la Ville de Paris, which is an art museum in the 8th arrondissement. This classic art artwork, which is in the public domain is provided with courtesy of Petit Palais Paris.: . Ọzọkwa, nhazi nke mmepụta dijitalụ dị n'ime Eserese usoro ma nwee oke nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara.

Ozi mgbakwunye nke Petit Palais - Musée des Beaux-arts de la Ville de Paris (© Nwebiisinka - site Petit Palais - Musée des Beaux-arts de la Ville de Paris - www.petitpalais.paris.fr)

In this allegorical portrait, painted Donat Nonnotte Lady Weaned in the guise of Hebe, goddess of youth. Highly rosy cheeks of the young woman role is to translate this youth, like the smile she sketch, a carefree young âge.Hébé was responsible for serving drinks to the gods of Olympus, which explains the cutting attribute this repeatedly in representations of this deity. Transvestites portraits met a great success in the seventeenth siècle.C'est Jean-Marc Nattier who initiated the theme of allegorical portrait Hebe. He influenced Nonnotte in achieving this, especially with "Madame de Caumartin by Hebe" (Washington, National Gallery) and "Portrait of Louise Henriette de Bourbon Conti Hebe" (Chantilly, Musée Condé). Nonnotte resumed gradient blue background and specificity robe.La portraits Nonnotte lies in their psychological dimension. It does not give the model a stereotypical and idealized face, as Nattier was. Rather, it gives it life by representing Lady Weaned as it was, with his chubby hands, his eyes bright and his natural smile.

This allegorical portrait was featured in the third sale of Sedelmeyer collection of 3-4-5 June 1907. On this occasion, Charles Vincent Ocampo acquired it. In 1931 he donated it, subject to usufruct, to the City of Paris and renounced the usufruct in 1942.

Hebe (Greek mythology)

Human Representation, allegorical portrait, Female, Garland of Flowers, Cup, Disguise - travesty

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• Ebipụta akwụkwọ mmado na ihe akwa akwa: Our poster print is a printed flat canvas with a slightly rough finish on the surface, that resembles the original masterpiece. The poster is best designed for putting the art print with the help of a personal frame. Please keep in mind, that depending on the size of the poster print we add a white margin of something between 2-6cm around the work of art, which facilitates the framing with your custom frame.
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