François Boucher, 1748 - Ndị Nnụnụ Nnụnụ - mbipụta nka mara mma

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What does the curator team of the The J. Paul Getty Museum say about this 18th century artwork created by François Boucher? (© Copyright - The J. Paul Getty Museum - Ụlọ ihe ngosi nka nke J. Paul Getty)

Responding to the contemporary rage for pastorals depicting amorous countryside games, François Boucher here exhibited young, fashionable couples in the act of catching birds. In the 1700s, small birds played an important symbolic role in courtship ritual: the gift of a caged bird from a man to a woman signified her capture of his heart. Posed in front of the ruins of a temple to Vesta, young aristocratic women dressed in exquisite finery play with small birds; some still hold them on strings while others daintily hold them on their fingers.

The Bird Catchers and its pendant, The Fountain of Love, were finished cartoons or models for a series of tapestries known as the Noble Pastorales. Eventually, the cartoons were cut up into sections and sold separately. The tapestries reveal how large the cartoons originally were and how much is missing from the cut-up sections.

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N'elu 270 ihe nka afọ afọ aha ya The Bird Catchers was made by the painter François Boucher in the year 1748. Ihe gafere 270 afọ mbụ okike tụrụ nha: 294,6 × 337,8 cm (116 × 133 na) ewe me ya ka ọ were ihe-ọcha mmanụ na kwaaji. Ọrụ nka a gụnyere na nchịkọta nka nke Ụlọ ihe ngosi nka nke J. Paul Getty, nke dị na Los Angeles, California, Njikota Obodo Amerika. Nke a masterpiece, nke dị na ngalaba ọha is being provided with courtesy of The J. Paul Getty Museum.The creditline of the artwork is: . Moreover, alignment is in odida obodo usoro ma nwee oke nke 1.2: 1, which implies that the length is 20% longer than the width. François Boucher was a painter from France, whose style was mainly Rococo. The European artist lived for a total of 67 afọ, amuru na afo 1703 ma nwụọ na 1770 na Paris.

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