Amaghị aha, 1750 - Eserese nke Louis XV - ọmarịcha nka

39,99 €

Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.

Original artwork description by Petit Palais - Musée des Beaux-arts de la Ville de Paris (© Copyright - Petit Palais - Musée des Beaux-arts de la Ville de Paris - Petit Palais - Musée des Beaux-arts de la Ville de Paris)

Louis XV is here represented Order of hosts. It sports the attributes of sovereignty - the blue ribbon of the Order of the Holy Spirit and coat flower lysed - in solennelle.Commandé attitude in 1750, the original of this portrait is preserved at Versailles Castle National Museum. He held instead of the official portrait for ten years, until Louis-Michel van Loo executes a new suit of this official coronation of King fois.L'effigie was sent to all major cities in France and in the major European courts. A copyist workshop was then moved to Versailles, this is probably that was made table Petit Palais.La composition of Carle van Loo is directly inspired by two portraits of Louis XIV by Hyacinthe Rigaud executed ( "Portrait of Louis XIV "Madrid, the Prado Museum and" Louis XIV, King of France and Navarre, "Versailles, National Museum of the Castle). Continuing the archetype drawn by Rigaud, C. van Loo Louis XV registered in the direct lineage of his grandfather Louis XIV. It is also for the painter to position the work's artistic heir of Rigaud.

On 26 January 1925 the Argentine collector Charles Vincent Ocampo bought the painting to the merchant E. Vinot, for $ 3 250frs. He disposed in his Paris hotel district XVII and donated, subject to usufruct, to the City of Paris in 1931. In 1942, he raised the usufruct. Table joined the collections of the Petit Palais after the war.

Louis XV, King of France

Portrait, Portrait ceremonial, Lis, Breastplate, Helmet, Tent, Sword, Feather

Ozi ọrụ nka

Aha eserese: "Portrait of Louis XV"
nhazi ọkwa: sere
Otu sara mbara: nka ochie
Narị afọ nka: 18th narị afọ
Emepụtara n'afọ: 1750
Afọ nka: karịa afọ 270
Usoro izizi: Mmanụ, Canvas (ihe)
Akụkụ nke ihe osise izizi: Ogologo: 46,3 cm, obosara: 34,8 cm
Akanyere (ọrụ nka): Cartel - On the box: "Carle Van Loo was born in 1705 in Paris - 1765 / Portrait of Louis XIV"
Ụlọ ihe ngosi nka / mkpokọta: Petit Palais - Musée des Beaux-arts de la Ville de Paris
Ebe ngosi nka: Paris, France
ibe weebụ nke Museum: www.petitpalais.paris.fr
Licensedị ikike: ngalaba ọha
Site n'aka: Petit Palais Paris

Ose okwu

Ihe nkiri: amaonye
Ọrụ onye na-ese ihe: onye na-ese ihe
Nhazi nke onye nka: nna ukwu ochie

Nkọwapụta ngwaahịa

Ụdị edemede: mmepụta nka
Usoro mmeghari: mmeputakwa n'ụdị dijitalụ
Usoro mmepụta: mbipụta dijitalụ
Nlụpụta: Germany
Ụdị ngwaahịa: a na-achọ
A na-atụ aro iji ngwaahịa eme ihe: nchịkọta nka (mmeputakwa), foto mgbidi
Nhazi nka nka: nhazi ihe osise
Oke akụkụ onyonyo: 3: 4 - ( Ogologo: obosara)
Pụtara nke akụkụ akụkụ: ogologo bụ 25% mkpụmkpụ karịa obosara
Ụdị akwa: ígwè ebipụta (aluminium dibond), acrylic glass print (nwere ezigbo mkpuchi iko), mbipụta akwa akwa, mbipụta akwụkwọ mmado (akwụkwọ kwaaji)
Nhọrọ nke Canvas Mbipụta (akwa akwa na etiti ihe ndọtị): 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63"
Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63"
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha dị iche iche: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Mpempe akwụkwọ Dibony (ihe alumnium) nha dị iche iche: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Nhazi nke nka nka: na-enweghị etiti

Họrọ ngwa ngwaahịa ịchọrọ

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  • Mbipụta kanvas: The printed canvas mounted on a wooden frame. A canvas makes a plastic look of three-dimensionality. Also, a printed canvas creates a lovely and positive impression. A canvas of this work of art will allow you to transform your customized into a large size collection piece as you know from galleries. How do I hang a canvas on my wall? The advantage of canvas prints is that they are relatively low in weight. This means, it is easy and straightforward to hang up the Canvas print without any wall-mounts. That is why, canvas prints are suitable for all kinds of walls.
  • Ihe odide acrylic glass: A glossy acrylic glass print, often denoted as a fine art print on plexiglass, will convert the original work of art into amazing wall décor and forms a viable alternative to aluminium and canvas prints. The artwork is being printed with state-of-the-art UV direct printing machines. The major benefit of a plexiglass print is that contrasts and also granular details become more visible because of the very fine tonal gradation of the picture. Our real glass coating protects your selected fine art print against light and heat for several decades.
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  • Mpempe akwụkwọ mmado ebipụtara na akwa akwa: The poster is a UV printed canvas with a slightly rough surface structure, that reminds the original artwork. Please bear in mind, that depending on the absolute size of the poster print we add a white margin 2-6cm round about the artwork in order to facilitate the framing with your custom frame.

nkọwapụta

Ihe osise narị afọ nke 18 a Portrait of Louis XV bụ onye omenkà kere ya amaonye. The version of the painting was made with the absolute exact size: Height: 46,3 cm, Width: 34,8 cm and was painted with Oil, Canvas (material). The masterpiece has the following inscription: Cartel - On the box: "Carle Van Loo was born in 1705 in Paris - 1765 / Portrait of Louis XIV". Taa, artwork bụ akụkụ nke Petit Palais - Musée des Beaux-arts de la Ville de Paris nchịkọta nka dijitalụ. Site n'ikike nke Petit Palais Paris (ọha na eze).Ezigbo nka nka bụ: . Ihe ọzọ bụ, alignment bụ na Eserese format ma nwee oke nke 3: 4, nke pụtara na ogologo bụ 25% mkpụmkpụ karịa obosara.

Disclaimer: We try the best we can in order to depict the products as precisely as possible and to exhibit them visually in our shop. At the same time, the tone of the printing material, as well as the imprint can differ somehwat from the representation on your device's screen. Depending on the settings of your screen and the nature of the surface, color pigments might not be printed one hundret percent realistically. Considering that all art prints are processed and printed manually, there might also be slight differences in the exact position and the size of the motif.

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