John Trumbull, 1789 - Ụdị nke Garrison nke Gibraltar mere - mbipụta nka mara mma.

Bipụta nchịkọta ngwaahịa

The Sortie Made by the Garrison of Gibraltar is an artpiece by John Trumbull. The original creation has the following size: 71 x 107 n'ime (180,3 x 271,8 cm) and was manufactured on the medium oil on canvas. Furthermore, the artwork is part of the art collection of Museumlọ ihe ngosi nka nke Obodo. Site n'ikike nke - The Metropolitan Museum of Art, New York, Purchase, Pauline V. Fullerton Bequest; Mr. and Mrs. James Walter Carter and Mr. and Mrs. Raymond J. Horowitz Gifts; Erving Wolf Foundation and Vain and Harry Fish Foundation Inc. Gifts; Gift of Hanson K. Corning, by exchange; and Maria DeWitt Jesup and Morris K. Jesup Funds, 1976 (nwere ikike - ngalaba ọha). The creditline of the artpiece is: Purchase, Pauline V. Fullerton Bequest; Mr. and Mrs. James Walter Carter and Mr. and Mrs. Raymond J. Horowitz Gifts; Erving Wolf Foundation and Vain and Harry Fish Foundation Inc. Gifts; Gift of Hanson K. Corning, by exchange; and Maria DeWitt Jesup and Morris K. Jesup Funds, 1976. What is more, the alignment is in odida obodo format ya na oke nke 1.4: 1, nke pụtara na ogologo bụ 40% ogologo karịa obosara. John Trumbull was a artist, painter of American nationality, whose artistic style can be attributed mainly to Romanticism. The painter lived for 87 afọ Amụrụ na 1756 na Lebanon, New London County, Connecticut, United States ma nwụọ n'afọ 1843.

Nweta nhọrọ akụrụngwa ebipụta nka mara mma

Anyị na-enye ụdị nha na ihe dị iche iche maka ngwaahịa ọ bụla. Anyị na-ahapụ gị ka ịhọrọ nha na akụrụngwa ọkacha mmasị gị n'etiti nhọrọ nhazi ngwaahịa ndị a:

• Mbipụta nke aluminom: Aluminium Dibond prints are prints on metal with a true effect of depth, which makes a modern impression by having a surface structure, which is non-reflective. For the Print On Aluminum Dibond, we print your chosen artpiece onto the aluminium composite surface. The bright and white sections of the original work of art shine with a silky gloss, however without the glare.
• Mbipụta enyo acrylic: The acrylic glass print, often referred to as a an art print on plexiglass, will change your favorite artwork into marvellous home décor. Above all, the acrylic glass art print offers a great alternative to canvas or aluminium dibond prints. The artwork is being printed with state-of-the-art UV direct print technology. The effect of this are rich and stunning color tones.
• Mbipụta kwaaji: A UV printed canvas material mounted on a wooden stretcher frame. A canvas print has the great advantage of being low in weight, which implies that it is easy and straightforward to hang up the Canvas print without the help of any wall-mounts. Canvas prints are suited for any type of wall.
• Akwụkwọ mmado na ihe kwaaji: A poster print is a printed canvas paper with a fine structure on the surface. Please keep in mind, that depending on the size of the canvas poster print we add a white margin 2 - 6cm around the work of art in order to facilitate the framing with a custom frame.

Ederede iwu dị mkpa: We try everything in order to depict our art products as accurately as possible and to display them visually. Nevertheless, the tone of the print materials, as well as the print result may differ to a certain extent from the presentation on your device's monitor. Depending on the screen settings and the quality of the surface, colors may not be printed as realistically as the digital version depicted here. Given that all are printed and processed manually, there might also be minor variations in the exact position and the size of the motif.

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What does the website of the The Metropolitan Museum of Art say about this 18th century artwork painted by John Trumbull? (© - by The Metropolitan Museum of Art - Museumlọ ihe ngosi nka nke Obodo)

This painting depicts the events of the night of November 26, 1781, when British troops, long besieged by Spanish forces at Gibraltar, made a sortie, or sudden attack, against the encroaching enemy batteries. The focal point of the painting is the tragic death of the Spanish officer Don Jose de Barboza. Abandoned by his fleeing troops, he charged the attacking column alone, fell mortally wounded, and, refusing all assistance, died near his post. Trumbull portrays him rejecting the aid of General George Eliott, commander of the British troops. This work, the largest and last of three versions of the subject that Trumbull executed between 1786 and 1789, demonstrates his ambition to solidify his reputation on the basis of the highly respected genre of history painting.