Per Krafft the Elder, 1758 - Nwa nwoke na-agụ akwụkwọ - mbipụta nka mara mma

39,99 €

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Mpempe akwụkwọ nka mara mma nkeonwe gị

Na 1758 nwoke Swedish artist Per Krafft bụ Okenye mere ihe osise "A Boy Reading". Ihe gafere 260 years old original was made with the size: Height: 63,5 cm (25 ″); Width: 48,8 cm (19,2 ″) Framed: Height: 71,5 cm (28,1 ″); Width: 86 cm (33,8 ″); Depth: 9 cm (3,5 ″). Mmanụ na kwaaji was used by the Swedish painter as the technique for the work of art. Moveover, this piece of art is in the the National Museum nke Stockholm art collection, nke Sweden ngosi nka nka na imewe, a Swedish ọchịchị ikike na a mandatet o chekwa omenala nketa na-akwalite art, mmasị nka na ihe ọmụma nka. Site n'ikike nke - Nationalmuseum Stockholm na Wikimedia Commons (nwere ikike: ngalaba ọha).Besides, the work of art has the creditline: . What is more, the alignment is portrait with a side ratio of 3: 4, nke pụtara na ogologo bụ 25% mkpụmkpụ karịa obosara.

Ngwa ihe ị nwere ike họrọ na:

In the product dropdown lists you can select the size and materialaccording to your preferences. We allow yout to choose among the following variants:

  • Aluminom ihe eji eme ihe: An Aluminium Dibond print is a material with a true effect of depth - for a modern look and a non-reflective surface structure. For our Print On Aluminum Dibond, we print your selected work of art on the aluminium surface. This print on Aluminum Dibond is the most popular entry-level product and is a stylish way to showcase artworks, as it draws attention on the replica of the artwork.
  • Glass acrylic e biri ebi (nwere ezigbo mkpuchi iko): The print on acrylic glass, often labelled as a print on plexiglass, will transform your original work of art into wall decoration. With a glossy acrylic glass fine art print contrasts and small color details will be more visible thanks to the granular gradation in the picture. Our acrylic glass protects your custom art replica against light and external influences for many more years to come.
  • Kwaaji: A canvas direct print is a printed canvas stretched on a wooden frame. It generates a special look of three-dimensionality. What is more, canvas creates a soft and appealing appearance. Canvas Prints have the advantage of being low in weight, which means that it is easy and straightforward to hang your Canvas print without the support of any wall-mounts. A canvas print is suitable for all kinds of walls.
  • Mbipụta akwụkwọ mmado (ihe kwaaji): The poster is a printed sheet of flat canvas paper with a slight structure on the surface, that resembles the original masterpiece. Please note, that depending on the size of the canvas poster print we add a white margin of approximately 2 - 6cm round about the work of art, which facilitates the framing with your custom frame.

Ihe dị mkpa: We try our utmost in order to depict our art products as clearly as possible and to display them visually. Still, the colors of the print materials, as well as the print result might vary to a certain extent from the image on your device's monitor. Depending on your settings of your screen and the condition of the surface, not all color pigments can be printed 100% realistically. Since the art reproductions are printed and processed by hand, there might also be slight deviations in the motif's size and exact position.

Banyere ihe a

Ụdị ngwaahịa: nka nka
Usoro mmeputakwa: dijitalụ mmeputakwa
Usoro mmepụta: Mbipụta UV ozugbo
Mmalite nke ngwaahịa a: emepụtara na Germany
Stockdị ngwaahịa: na mmepụta ihe
Ihe eji eme atụmatụ: foto mgbidi, ụlọ ihe osise nka
Nhazi nka nka: usoro eserese
Njikwa oyiyi: 3:4- (ogologo: obosara)
Mmetụta ihe onyonyo: ogologo bụ 25% mkpụmkpụ karịa obosara
Nhọrọ ihe: Mbipụta kwaaji, mbipụta ọla (aluminium dibond), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta enyo acrylic (nwere ezigbo mkpuchi iko)
Nhọrọ nha nha mbipụta kanvas (akwa akwa na etiti ihe ndọtị): 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63"
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha dị iche iche: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63"
Nhọrọ nke mbipụta akwụkwọ mmado (akwụkwọ kwaaji): 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Nhọrọ nha nke mbipụta aluminom (aluminium dibond material) 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Nhazi mbipụta nka: adịghị

Data ndabere na mpempe nka izizi

Aha ọrụ nka: "A Boy Reading"
Nhazi nka: sere
Okwu nche anwụ: nka ochie
Century: 18th narị afọ
Ekepụtara: 1758
Afọ nka: karịa afọ 260
Usoro nka izizi: mmanụ na kwaaji
Nha izizi nka: Ogologo: 63,5 cm (25 ″); Obosara: 48,8 cm (19,2 ″) Ekebere: Elu: 71,5 cm (28,1 ″); Obosara: 86 cm (33,8 ″); Omimi: 9 cm (3,5 ″)
Egosiputara na: National Museum nke Stockholm
Ebe ngosi nka: Stockholm, Obodo Stockholm, Sweden
website: National Museum nke Stockholm
License: ngalaba ọha
Site n'aka: Nationalmuseum Stockholm na Wikimedia Commons

Nchịkọta ihe nkiri

Aha onye nka: Per Krafft bụ Okenye
Aha nka ndị ọzọ: Krafft, Kraft Per the Elder, Krafft Per the elder, Per Krafft the Elder, Per I Krafft, per krafft der altere, Krafft Per I, Krafft Per, kraft, Krafft Per I, Per Krafft
okike onye nka: nwoke
Nationality: Swedish
Ọrụ nke onye na-ese ihe: onye na-ese ihe, onye nkuzi mahadum
Obodo obibi: Sweden
Otu nka: nna ukwu ochie
Afọ ọnwụ: 69 afọ
Afọ amụrụ: 1724
Ebe amụrụ onye: Arboga, Vastmanland, Sweden
Nwụrụ n'afọ: 1793
Nwụrụ na (ebe): Stockholm, obodo Stockholm, Sweden

Enwere ikike nwebiisinka ©, www.artprinta.com (Artprinta)

Additional description by the museum (© - Nationalmuseum Stockholm - National Museum nke Stockholm)

Beskrivning på inventarieblanketten: Målningen framställer en pojke sittande vid ett bord med huvudet lutat i handen och en uppslagen bok framför sig. Han är framställt med eget, fritt fallande hår samt enkel men prydlig skjorta och sidknäppt jacka. Teknik: Olja på duk uppfodrad på masonit Kommentar: Målningen utgör ursprungsversionen av NM 985 Utställningar: Fem stora gustavianer, Nationalmuseum 1943, kat. nr 136 Litteratur: Hillevi Petterson, Porträttmålaren Per Krafft d.ä.:s verksamhet utomlands 1749-1768, Stockholms universitet 1994 s. 57.

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