Luis Meléndez, 1772 - Ndụ ka nwere azụ, achịcha na kettle - mbipụta nka mara mma.

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The nka ochie nka nka Still Life with Fish, Bread, and Kettle mere site na nwoke artist Luis Meléndez n’afọ 1772. The mbụ nwere ndị na-esonụ size nke Nhazi: 54 x 67 x 5 cm (21 1/4 x 26 3/8 x 1 15/16 na); Edebereghị: 34 x 48 cm (13 3/8 x 18 7/8 na) and was manufactured with the medium oil on canvas. The original artwork is inscribed with the following information: signed lower right: "L.M.[z]". Furthermore, the piece of art is in the the art collection of Velọ ihe ngosi nka nke Cleveland, which is one of the leading museums worldwide that builds, preserves, studies, and shares its outstanding collections of art from all periods and parts of the world, generating new scholarship and understanding, while serving as a social and intellectual hub for its community. The classic art artpiece, which is part of the ngalaba ọha a na-enye ya site n'ikike nke Velọ ihe ngosi nka nke Cleveland. : Leonard C. Hanna, Jr. Fund. Ọzọkwa, nhazi nke mmepụta dijitalụ bụ odida obodo ya na oke onyonyo nke 1.4: 1, nke pụtara na ogologo bụ 40% ogologo karịa obosara. The painter Luis Meléndez was an artist from Spain, whose art style can be classified as Rococo. The Spanish artist lived for a total of 64 years and was born in 1716 and deceased in the year 1780.

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In the product dropdown selection you can pick the size and materialaccording to your preferences. Pick your favorite size and material among the following options:

• Mpempe akwụkwọ ederede (akwa akwa akwa): The poster is a UV printed canvas paper with a granular surface finish. Please keep in mind, that depending on the size of the canvas poster print we add a white margin of approximately 2-6cm round about the artwork, which facilitates the framing.
• Mbipụta nke aluminom: An Aluminium Dibond print is a material with an impressive depth. A direct Aluminium Dibond Print is your ideal start to replicas on aluminum. Colors are bright and vivid, fine details appear very clear.
• Glass acrylic e biri ebi (nwere ezigbo mkpuchi iko): A glossy print on acrylic glass, which is often labelled as a plexiglass print, will convert an original into marvellous décor and makes a viable alternative to dibond or canvas fine art replicas. Your own copy of the artwork is being printed with the help of state-of-the-art UV printing machines. The great upside of a plexiglass fine art print is that contrasts and small image details will be more visible with the help of the very subtle gradation. The acrylic glass protects your custom art print against sunlight and external influences for several decades.
• Kwaaji: The canvas print, not to be confused with a painting on a canvas, is a digital image applied directly on cotton canvas. A canvas produces a exclusive look of three-dimensionality. Further, a canvas print generates a cosy and positive effect. Your canvas of your favorite work of art will allow you to transform your individual into a large work of art as you know from art galleries. Canvas Prints have the advantage of being low in weight. That means, it is easy to hang up the Canvas print without additional wall-mounts. Canvas prints are suited for any type of wall.

Ederede iwu dị mkpa: We try all that we can to describe the products as precisely as possible and to demonstrate them visually in our shop. Nevertheless, the tone of the printed materials, as well as the imprint might diverge to a certain extent from the representation on your device's monitor. Depending on the screen settings and the quality of the surface, colors can unfortunately not be printed one hundret percent realistically. Bearing in mind that our art prints are processed and printed manually, there may also be slight variations in the exact position and the size of the motif.

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(© Nwebiisinka - site na Cleveland Museum of Art - Velọ ihe ngosi nka nke Cleveland)

During the 1760s, after painting portraits and portrait miniatures with his father, Meléndez began to specialize in still lifes. Active mainly in Madrid, he is regarded as the finest Spanish still-life painter of the 18th century, but he spent much of his life in poverty.