Maurice-Quentin de La Tour, 1741 - Eserese nke Gabriel Bernard Rieux - ọmarịcha nka.

Nkọwapụta nka nka izizi nke J. Paul Getty Museum (© - nke J. Paul Getty Museum dere - www.getty.edu)

Gabriel Bernard de Rieux, the youngest son of an immensely successful financier, wears the robes of his office as president of the second Court of Inquiry in the Parliament of Paris. From a large tome held on his lap, he lifts a sheet of paper. Intending to declare the sitter's erudition, wealth, and status, Maurice-Quentin de La Tour placed de Rieux in his study, surrounded by fashionable and expensive objects. Behind him is a richly ornamental screen; on a table covered with blue velvet cloth are books, papers, and an inkstand with a quill pen. A globe stands next to the table and a Turkish carpet covers the floor. These objects identify the sitter as a connoisseur of fine and precious thing--like his father, whose considerable fortune de Rieux inherited the year this portrait was painted.

This large, full-length portrait, still in its original, massive gilt frame, was assembled from separate sheets of paper laid on canvas and drawn entirely in pastel. The most sought-after portraitist of his day, La Tour worked exclusively in pastel, producing likenesses of the nobility and the wealthy middle class that were applauded for both their technical mastery and their astonishing verisimilitude. In fact, one contemporary critic marveled that such a work as this portrait could be created using crayons.

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• Ihe odide acrylic glass: An acrylic glass print, often referenced as a print on plexiglass, changes an original into gorgeous décor. The artwork will be made thanks to state-of-the-art UV print technology. With an acrylic glass art print sharp contrasts and artwork details will be recognizeable with the help of the very subtle gradation of the picture. The real glass coating protects your chosen fine art print against light and external influences for up to 60 years.
• Mbipụta akwụkwọ mmado (ihe kwaaji): The Artprinta poster is a UV printed canvas paper with a fine surface structure. Please note, that depending on the absolute size of the poster we add a white margin of around 2 - 6cm round about the print in order to facilitate the framing with your custom frame.
• Aluminom dibond (ọkpụkpụ ọla): These are metal prints on aluminium dibond with a true depth effect. A direct Direct Print on Aluminum Dibond is the best introduction to the sophisticated world of fine art prints produced with aluminum. For your Aluminium Dibond option, we print your selected work of art on the surface of the white-primed aluminum composite.
• Mbipụta kwaaji: A printed canvas, which shall not be mistaken with a painting on a canvas, is a digital replica printed on a cotton canvas. The advantage of canvas prints is that they are relatively low in weight, meaning that it is quite simple to hang up your Canvas print without any wall-mounts. That is why, a canvas print is suitable for all types of walls.

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Portrait of Gabriel Bernard Rieux onye na-ese ihe sere ya Maurice-Quentin de La Tour. N'oge a, ihe nka a dị na nchịkọta nke Ụlọ ihe ngosi nka nke J. Paul Getty, which is part of the J. Paul Getty trust and is one of the world's largest arts organizations worldwide. It seeks to inspire curiosity about, and enjoyment and understanding of, the visual arts by collecting, conserving, exhibiting, and interpreting works of art of outstanding quality and historical importance.. The classic art masterpiece, which is in the public domain is supplied with courtesy of Ụlọ ihe ngosi nka nke J. Paul Getty.: . Ihe ọzọ bụ, alignment bụ na Eserese usoro nwere oke akụkụ nke 1: 1.4, nke pụtara na ogologo bụ 29% mkpụmkpụ karịa obosara. Maurice-Quentin de La Tour was a pastellist, whose art style can primarily be assigned to Rococo. The artist was born in the year 1704 in Saint-Quentin, Hauts-de-France, France and passed away at the age of 84 in the year 1788 in Saint-Quentin, Hauts-de-France, France.

Nkwupụta iwu: We try everythig possible to depict our products as exact as it is possible and to exhibit them visually in our shop. Nevertheless, the colors of the printing material and the print result can vary slightly from the presentation on the monitor. Depending on the screen settings and the nature of the surface, colors can unfortunately not be printed one hundret percent realistically. Given that the are processed and printed by hand, there may also be minor deviations in the motif's size and exact position.

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