Nicolas-Bernard Lépicié, 1769 - Emilie Vernet (1760-1794) - mbipụta nka mara mma.

59,99 €

Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.

Nchịkọta nke ihe nka, nke nwere aha Emilie Vernet (1760-1794)

Ihe osise nke narị afọ nke 18 nwere aha Emilie Vernet (1760-1794) onye omenkà mere ya Nicolas-Bernard Lépicié. E ji nha ya see nke mbụ - Ogologo: 40 cm, obosara: 31 cm na e ji teknuzu nke Mmanụ, Canvas (ihe). The original artwork's inscription is the following: "Date and signature - Signed and dated lower right: "Lepicie 1769"". What is more, the artwork is part of the Petit Palais - Musée des Beaux-arts de la Ville de Paris mkpokọta, nke dị na Paris, France. Obi dị anyị ụtọ ịkpọ nke a ngalaba ọha masterpiece is included with courtesy of Petit Palais Paris.: . Besides this, the alignment is in Eserese format ya na oke akụkụ nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara. The painter Nicolas-Bernard Lépicié was an artist, whose artistic style was primarily Rococo. The Rococo painter was born in the year 1735 and passed away at the age of 49 n'afọ 1784.

Original artwork specifications from the museum's website (© Copyright - by Petit Palais - Musée des Beaux-arts de la Ville de Paris - Petit Palais - Musée des Beaux-arts de la Ville de Paris)

Emilie Vernet, aged 9, is shown in chest, face, body oriented three-quarters to the left. She wears a white satin dress; a matching hat landed on his hair reassembled. A pearl necklace is attached to his neck. Raising his right hand, she points her finger at his face. The mischievous, she outlines a slight smile. The girl is dressed like an adult, and his attitude is that of a woman, he must wait a few years for artists to represent their young models in childish postures.

In 1769-1771 years Lepicie runs the portraits of three children of Joseph Vernet painter with which he is linked, Livio (1747-1827), Carle (1758-1836) and Emilie (1760-1794). The Emilia portrait is probably the first. Born in 1760, she married the architect François-Thérèse Chalgrin in 1776. Compromise in a theft case at the Chateau de la Muette, she was arrested June 25, 1794 and will be guillotined on July 24 of that year.

Chalgrin, Emilie (born Vernet)

Portrait, Face, Girl, Hand, Hat, Necklace

Tebụl a haziri ahazi nke ọrụ nka

Aha nka nka: "Emilie Vernet (1760-1794)"
nhazi ọkwa: sere
Otu izugbe: nka ochie
Nhazi oge: 18th narị afọ
Afọ okike: 1769
Afọ nka: 250 afọ
Usoro nka izizi: Mmanụ, Canvas (ihe)
Akụkụ nke ọrụ nka mbụ: Ogologo: 40 cm, obosara: 31 cm
Ederede ihe osise izizi: Date and signature - Signed and dated lower right: "Lepicie 1769"
Ụlọ ihe ngosi nka / mkpokọta: Petit Palais - Musée des Beaux-arts de la Ville de Paris
Ebe ngosi nka: Paris, France
Ebe nrụọrụ weebụ ihe ngosi nka: www.petitpalais.paris.fr
License: ngalaba ọha
Site n'aka: Petit Palais Paris

Nchịkọta nkenke nke onye na-ese ihe

Aha onye nka: Nicolas-Bernard Lépicié
Ọrụ nke onye na-ese ihe: onye na-ese ihe
nhazi ọkwa: nna ukwu ochie
Ụdị nke onye na-ese ihe: Rococo
Oge ndu: 49 afọ
A mụrụ: 1735
Afọ nwụrụ: 1784

Họrọ ihe ị ga-atụkwasị na mgbidi gị

Nchịkọta nhọrọ ndetu ngwaahịa na-enye gị ohere ịhọrọ ngwa na nha nke gị. Nhọrọ ndị a dị maka n'otu n'otu:

  • Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): A glossy print on acrylic glass, which is often referred to as a print on plexiglass, will turn your favorite original artwork into brilliant décor. Your own replica of the work of art is made thanks to the help of state-of-the-art UV direct print technology.
  • Poster (akwa akwa akwa): The Artprinta poster print is a printed flat canvas paper with a slightly rough finish on the surface. Please note, that depending on the absolute size of the poster print we add a white margin between 2-6cm round about the work of art to facilitate the framing.
  • Mbipụta nke aluminom: These are metal prints on aluminium dibond with an outstanding effect of depth. The Aluminium Dibond Print is the perfect introduction to fine art prints with aluminum. For our Direct Aluminium Dibond option, we print your favorite artwork on the aluminium white-primed surface. The white and bright parts of the original artwork shimmer with a silk gloss, however without glare. This UV print on Aluminum Dibond is the most popular entry-level product and is a truly modern way to showcase fine art prints, since it puts the viewer’s attention on the artwork.
  • Mbipụta kwaaji: A printed canvas material mounted on a wood frame. It makes the sculptural look of three-dimensionality. The great advantage of canvas prints is that they are relatively low in weight, which implies that it is easy and straightforward to hang up the Canvas print without any wall-mounts. That is why, canvas prints are suitable for any kind of wall.

Nkọwa ngwaahịa

Bipụta ngwaahịa: mmepụta nka
Mmeputakwa: mmeputakwa n'ụdị dijitalụ
Usoro mmepụta: Mbipụta UV ozugbo (mbipụta dijitalụ)
Mmalite nke ngwaahịa a: Germany
Ụdị ngwaahịa: na mmepụta ihe
Ihe eji eme atụmatụ: foto mgbidi, ụlọ ihe osise nka
Nhazi nka nka: usoro eserese
Oke akụkụ onyonyo: 1: 1.2 - ogologo: obosara
Oke onyonyo pụtara: ogologo bụ 20% mkpụmkpụ karịa obosara
Materials: Mpempe akwụkwọ mmado (akwụkwọ kwaaji), mbipụta kanvas, mbipụta ọla (aluminium dibond), mbipụta iko acrylic (nwere ezigbo mkpuchi iko)
Canvas dị n'elu ihe nrịbama (mbipụta kanvas) nha dị iche iche: 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha: 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Ụdị akwụkwọ mmado (akwụkwọ kwaaji) dị iche iche: 50x60cm - 20x24", 100x120cm - 39x47"
Nha ebipụta aluminium dibond: 50x60cm - 20x24", 100x120cm - 39x47"
ụba: agunyeghi

Ihe dị mkpa: We try whatever we can to depict our products in as much detail as possible and to illustrate them visually in our shop. Nonetheless, the colors of the printed materials and the printing may diverge somehwat from the presentation on the device's screen. Depending on the screen settings and the condition of the surface, not all color pigments can be printed 100% realistically. Because all our art reproductions are processed and printed by hand, there may as well be slight deviations in the motif's exact position and the size.

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