Thomas Gainsborough, 1777 - Oriakụ Paul Cobb Methuen - ọmarịcha nka
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
What does the website of the National Gallery of Art write about the 18th century work of art made by Thomas Gainsborough? (© - National Gallery of Art - www.nga.gov)
mmanụ na kwaaji n'ozuzu: 84 x 71 cm (33 1/16 x 27 15/16 in.)
Iberibe nkọwa nka
Aha nka: | "Mrs. Paul Cobb Methuen" |
nhazi ọkwa: | sere |
Okwu mkpokọta: | nka ochie |
Time: | 18th narị afọ |
Afọ nka: | 1777 |
Afọ nka: | karịa afọ 240 |
Ụlọ ihe ngosi nka: | Nnukwu osisi nke Art |
Ebe ngosi nka: | Washington DC, Njikota Obodo Amerika |
ibe weebụ nke Museum: | Nnukwu osisi nke Art |
Akwụkwọ ikike nka: | ngalaba ọha |
Site n'aka: | National Gallery of Art, Washington |
Nchịkọta ihe nkiri
Ihe nkiri: | Thomas Gainsborough |
Aha ndị ọzọ: | Gainsborouh, T. Gainsborough, Thomas Gainsborough, th. gainsborough, Gainsborough Thomas, T. Gainsbro, Gainsbro Thomas, c., gainsborough thomas, Gainsboro', Gainsborough &, T Gainsborough RA, Gainsboro, Thomas Gainsbro, thos. gainsborough, Geĭnsboro Tomas, Gainsboroagh, Gainsbrough, gainsborough t., Gainsbury, Mr. Gainsborough, Gainsborough, Geĭnzbŭro Tomas, Gainsbro', Gainsboro Thomas, Gainsbro |
okike nke onye nka: | nwoke |
Obodo onye nka: | British |
Ọrụ nke onye na-ese ihe: | onye na-ese ihe |
Mba onye si: | United Kingdom |
Otu nka: | nna ukwu ochie |
Ụdị nke onye na-ese ihe: | Rococo |
Nwụrụ na afọ nke: | 61 afọ |
Afọ ọmụmụ: | 1727 |
Ebe amụrụ onye: | Sudbury, Suffolk, England, United Kingdom |
Afọ ọnwụ: | 1788 |
Obodo ọnwụ: | London, Greater London, England, United Kingdom |
Ngwaahịa a
Nkewa bipụta: | mmepụta nka |
Usoro mmeputakwa: | dijitalụ mmeputakwa |
Produzọ mmepụta: | Mbipụta UV ozugbo (mbipụta dijitalụ) |
Mmalite nke ngwaahịa a: | emere na Germany |
Ụdị ngwaahịa: | mmepụta ihe na-achọ |
Ojiji ngwaahịa: | foto mgbidi, nchịkọta nka (mmepụta) |
Ndepụta: | nhazi ihe osise |
Oke akụkụ onyonyo: | 1:1.2- ogologo: obosara |
Nsonaazụ nke oke onyonyo a: | ogologo bụ 20% mkpụmkpụ karịa obosara |
Nhọrọ dị: | akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibond), mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko), mbipụta akwụkwọ. |
Nhọrọ nke Canvas Mbipụta (akwa akwa na etiti ihe ndọtị): | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha: | 50x60cm - 20x24", 100x120cm - 39x47" |
Nhọrọ nha nha nke Dibond (ihe alumnium): | 50x60cm - 20x24", 100x120cm - 39x47" |
Nhazi nke nka nka: | na-enweghị etiti |
Akụrụngwa ị nwere ike ịhọrọ
In the product dropdown selection you can select a material and a size of your choice. You can choose your your favorite size and material among the following options:
- Mbipụta kwaaji: A canvas direct print is a printed canvas mounted on a wood frame. The canvas print makes a attractive and appealing atmosphere. The advantage of canvas prints is that they are relatively low in weight, meaning that it is easy and straightforward to hang the Canvas print without extra wall-mounts. Hence, a canvas print is suited for all types of walls.
- Mpempe akwụkwọ ederede (akwa akwa akwa): A poster is a printed canvas with a slightly roughened surface structure. Please bear in mind, that depending on the size of the canvas poster print we add a white margin of approximately 2-6cm around the print, which facilitates the framing.
- Aluminom dibond mbipụta (ọla): Aluminium Dibond prints are metal prints with a true depth, which creates a contemporary look by having a surface , that is not reflective. For your Print On Aluminum Dibond, we print the artpiece right on the surface of the white-primed aluminum.
- Mbipụta iko acrylic na-egbuke egbuke (nke nwere ezigbo mkpuchi iko n'elu): The acrylic glass print, which is sometimes described as a an art print on plexiglass, will change the original work of art into marvellous wall decoration. Your own replica of the artwork is being manufactured thanks to the help of state-of-the-art UV printing technology. This makes impressive and rich color hues. The major benefit of an acrylic glass fine art copy is that sharp contrasts and painting details become recognizeable due to the delicate gradation.
Nkọwa ngwaahịa
Ihe osise a akpọrọ Mrs. Paul Cobb Methuen kere site na rococo onye na-ese ihe Thomas Gainsborough in 1777. Taa, artpiece gụnyere na National Gallery of Art's digital collection. We are pleased to state that the public domain piece of art is provided with courtesy of National Gallery of Art, Washington.Ihe kredit nke ọrụ nka bụ: . Ọzọkwa, itinye n'ọnọdụ Eserese format ya na oke onyonyo nke 1: 1.2, which means that the length is 20% shorter than the width. Thomas Gainsborough was a painter, whose style was primarily Rococo. The British painter lived for a total of 61 years - born in the year 1727 in Sudbury, Suffolk, England, United Kingdom and passed away in the year 1788 in London, Greater London, England, United Kingdom.
Ederede iwu dị mkpa: We try what we can in order to depict our products as clearly as we can and to exhibit them visually on the various product detail pages. Please keep in mind that the colors of the print materials, as well as the imprint can vary to a certain extent from the image on the screen. Depending on the screen settings and the condition of the surface, not all colors can be printed 100% realistically. Considering that our art prints are processed and printed manually, there might also be minor discrepancies in the motif's exact position and the size.
Edochiri ederede a site na nwebiisinka © | www.artprinta.com (Artprinta)