Willem van Mieris, 1717 - Ụlọ ahịa Grocer - mbipụta nka mara mma

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In 1717 Willem van Mieris painted this work of art. The artwork was made with the size: elu: 49,5 cm obosara: 40,9 cm | elu: 19,5 n'obosara: 16,1 inch ma were ihe osise ese Usoro of oil on panel. The original artwork was inscribed with the following text - signed and dated: W. van Mieris. Fe. 1717. This work of art is part of the Mauritshuis's digital collection, which the Mauritshuis is home to the best artworks of Dutch painting of the seventeenth century. We are delighted to reference that the public domain work of art is provided with courtesy of Maurithuis, Hague. Ọzọkwa, ihe nkiri ahụ nwere akara kredit: Purchased from the artist by Johan Hendrik, Count of Wassenaer Obdam, The Hague, 14 May 1718 (825 guilders); his sale, The Hague, 19 August 1750 (Lugt 736), no. 56 (546 guilders); probably acquired by Prince William IV, before 1751; Prince William V, The Hague, in or before 1756-until 1795; confiscated by the French, transferred to the Muséum central des arts/Musée Napoléon (Musée du Louvre), Paris, 1795-1815; Royal Picture Gallery, housed in the Prince William V Gallery, The Hague, 1816; transferred to the Mauritshuis, 1822; exhibited in the Prince William V Gallery, The Hague, since 1977. Ọzọkwa, alignment bụ na Eserese usoro ma nwee akụkụ nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara. Willem van Mieris was a painter of Dutch nationality, whose artistic style was mainly Baroque. The European artist was born in 1662 na Leyden, South Holland, Netherlands wee nwụọ mgbe ọ dị afọ 85 n'afọ 1747.

What does the Mauritshuis say about this work of art painted by Willem van Mieris? (© - nke Mauritshuis - Maurithuis)

Purchased from the artist by Johan Hendrik, Count of Wassenaer Obdam, The Hague, 14 May 1718 (825 guilders); his sale, The Hague, 19 August 1750 (Lugt 736), no. 56 (546 guilders); probably acquired by Prince William IV, before 1751; Prince William V, The Hague, in or before 1756-until 1795; confiscated by the French, transferred to the Muséum central des arts/Musée Napoléon (Musée du Louvre), Paris, 1795-1815; Royal Picture Gallery, housed in the Prince William V Gallery, The Hague, 1816; transferred to the Mauritshuis, 1822; exhibited in the Prince William V Gallery, The Hague, since 1977

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• Mbipụta kanvas: The printed canvas, not to be confused with a real painting on a canvas, is a digital image printed onto canvas. A canvas print of your favorite masterpiece will allow you to transform your new into a large size artpiece as you know from art galleries. Canvas Prints have the advantage of being low in weight, meaning that it is quite simple to hang the Canvas print without the help of any wall-mounts. Canvas prints are suited for any kind of wall.
• Akwụkwọ mmado ebipụtara (akwa akwa akwa): The poster is a UV printed canvas with a fine surface structure, which resembles the original version of the artwork. It is optimally qualified for framing your art replica with a special frame. Please keep in mind, that depending on the absolute size of the canvas poster print we add a white margin 2-6 cm around the painting to facilitate the framing with your custom frame.
• Mbipụta nke aluminom: This is a metal print made on aluminium dibond material with an impressive depth. For our Direct Aluminium Dibond option, we print your selected work of art right onto the surface of the white-primed aluminum material.
• Mbipụta enyo acrylic: An acrylic glass print, often referred to as a UV print on plexiglass, will convert your favorite original work of art into décor. In addition, the acrylic fine art print makes a viable alternative option to dibond and canvas art prints. The real glass coating protects your custom fine art print against sunlight and external influences for up to six decades.

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Legal note: We try all that we can in order to depict the products as precisely as possible and to demonstrate them visually. Please bear in mind that the colors of the printing material, as well as the print result can differ somehwat from the representation on your device's screen. Depending on your screen settings and the nature of the surface, not all color pigments can be printed 100% realistically. Since all our are processed and printed by hand, there might also be slight differences in the motif's exact position and the size.

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