Georges Michel, 1820 - Mill of Montmartre - mbipụta nka mara mma

Artwork description as provided from the museum (© - by The Metropolitan Museum of Art - Museumlọ ihe ngosi nka nke Obodo)

In the first quarter of the nineteenth century Montmartre was still a picturesque suburb of Paris, where about forty windmills could be seen. Michel loved this stretch of land and painted many views of it throughout his career. The detailed observation and the rather precise technique of this picture suggest that it was done around 1820.

Ihe osise a kpọrọ aha The Mill of Montmartre e sere ya nwoke onye na-ese ihe Georges Michel. Ihe osise a nwere nha: 29 x 40 n'ime (73,7 x 101,6 cm) and was painted with the medium oil on canvas. This piece of art can be viewed in in the art collection of The Metropolitan Museum of Art in New York City, New York, United States of America. With courtesy of: Ụlọ ihe ngosi nka nke Metropolitan, New York, Arịrịọ nke Collis P. Huntington, 1900 (nwere ikike: ngalaba ọha). Ihe kredit nke ọrụ nka bụ nke a: Arịrịọ nke Collis P. Huntington, 1900. Na mgbakwunye na nke a, nhazi nke mmepụta dijitalụ bụ odida obodo na a akụkụ ruru nke 4: 3, nke pụtara na ogologo bụ 33% ogologo karịa obosara. The painter Georges Michel was an artist, whose art style can primarily be classified as Romanticism. The Romanticist painter was born in 1763 na Paris, Ile-de-France, France ma nwụọ mgbe ọ dị afọ 80 n'afọ 1843 na Paris, Ile-de-France, France.

Nhọrọ ihe enwere ike

Anyị na-enye ihe dị iche iche dị iche iche na nha maka ngwaahịa ọ bụla. Anyị na-ahapụ gị ka ịhọrọ nha na akụrụngwa ọkacha mmasị gị n'etiti nhọrọ nhazi ngwaahịa ndị a:

• Akwụkwọ mmado ebipụtara (akwa akwa akwa): A poster print is a printed flat canvas paper with a slightly rough surface texture. Please note, that depending on the size of the canvas poster print we add a white margin 2-6 cm round about the print, which facilitates the framing with a custom frame.
• Aluminom dibond (ọkpụkpụ ọla): Aluminium Dibond prints are prints on metal with an impressive effect of depth. The Aluminium Dibond Print is the perfect start to reproductions on aluminum. For your Direct Aluminium Dibond print, we print the selected artwork onto the aluminium composite white-primed surface.
• Mbipụta enyo acrylic: The acrylic glass print, which is sometimes referred to as a UV print on plexiglass, changes your favorite original artwork into beautiful home decoration. In addition to that, it makes a good alternative to dibond or canvas fine art prints. Your artwork is manufactured with modern UV direct printing machines. This makes vivid and impressive colors. With an acrylic glass fine art print sharp contrasts and minor color details will be exposed because of the very fine tonal gradation.
• Kwaaji: The canvas print is a printed cotton canvas stretched on a wooden frame. It produces a plastic look of three dimensionality. The advantage of canvas prints is that they are relatively low in weight. This means, it is easy to hang the Canvas print without any wall-mounts. A canvas print is suited for any type of wall.

Tebụl nkọwa omenkà

Ozi ndabere gbasara nka

Banyere ihe

Nkwupụta iwu: We try what we can in order to depict our products in as much detail as possible and to display them visually on the respective product detail pages. Still, the tone of the print products and the print result can vary somehwat from the representation on your screen. Depending on your settings of your screen and the nature of the surface, not all colors can be printed 100% realistically. Given that our fine art prints are printed and processed manually, there may as well be minor variations in the exact position and the size of the motif.

© Copyright - ikike ọgụgụ isi nke | Artprinta (www.artprinta.com)