Hermann Dyck, 1854 - Ụlọ ụka mebiri emebi - mbipụta nka mara mma

Họrọ ihe kacha amasị gị

In the product dropdown menu you can choose the size and material of your choice. Pick your favorite size and material among the subsequent options:

• Bipụta na iko acrylic (nke nwere ezigbo mkpuchi iko): The acrylic glass print, which is sometimes named as a fine art print on plexiglass, will change your favorite artwork into magnificient décor. Further, the acrylic glass print is a great alternative to aluminium and canvas art prints. Your own copy of the work of art is made thanks to state-of-the-art UV printing machines. With an acrylic glass fine art print contrasts plus small color details become visible due to the very fine tonal gradation. The plexiglass with real glass coating protects your selected fine art print against light and external influences for up to 60 years.
• Akwụkwọ mmado ebipụtara (akwa akwa akwa): The poster print is a printed canvas paper with a fine surface texture. A poster is perfectly suited for putting your fine art print in a customized frame. Please note, that depending on the size of the poster print we add a white margin of approximately 2-6cm round about the work of art, which facilitates the framing with your custom frame.
• Mbipụta kanvas: The canvas print, not to be confused with an artwork painted on a canvas, is a digital image printed on a canvas. Besides, canvas print produces a charming and warm effect. A canvas of this work of art will give you the unique opportunity of turning your fine art print into a large artpiece like you would see in a true gallery. Canvas Prints have the great advantage of being relatively low in weight, meaning that it is quite simple to hang your Canvas print without additional wall-mounts. Canvas prints are suited for any type of wall.
• Mbipụta nke aluminom: Aluminium Dibond prints are prints on metal with an impressive depth, creating a fashionable impression throuch a non-reflective surface. For the Print On Aluminum Dibond, we print your favorite work of art onto the surface of the aluminum material. The colors of the print are luminous, the details appear crisp, and the print has a a matte appearance you can literally feel.

Disclaimer: We do all that we can in order to describe our art products with as many details as possible and to showcase them visually. Still, the colors of the printed materials, as well as the printing might vary to a certain extent from the presentation on the screen. Depending on the screen settings and the quality of the surface, colors can unfortunately not be printed as exactly as the digital version on this website. In view of the fact that all our fine art prints are printed and processed by hand, there might also be slight discrepancies in the motif's size and exact position.

Nchịkọta nke ngwaahịa ebipụta

Ihe osise a nwere aha Ruined chapel e sere ya Hermann Dyck. Ụdị nke ọrụ nka na-atụle nha 51,5 cm x 41,5 cm. kwaaji was used by the artist as the medium of the piece of art. "Bottom right: Hdyck / 1854" is the artwork's inscription. It is included in the collection of Städtische Galerie im Lenbachhaus und Kunstbau München, nke bụ ihe ngosi nka nke nwere nnukwu nchịkọta ọrụ nke ndị na-ese Blue Rider, nka nke narị afọ nke 19 na nka ọgbara ọhụrụ mgbe 1945 gasịrị. Site n'ikike nke Hermann Dyck, Verfallene Kapelle, 1854, Canvas, 51,5 cm x 41,5 cm, Städtische Galerie im Lenbachhaus und Kunstbau München, https://sammlungonline.lenbachhaus.de/objekt/verfallene-kapelle-30014794.html (ọha na eze). : Städtische Galerie im Lenbachhaus und Kunstbau München. E wezụga nke ahụ, nhazi ahụ bụ Eserese na nwere akụkụ ruru nke 3: 4, nke pụtara na ogologo 25% dị mkpụmkpụ karịa obosara.

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