Jacob Maris, 1899 - Igwe ikuku na ìhè ọnwa - ọmarịcha nka
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Ozi nka ndị ọzọ sitere na webụsaịtị ihe ngosi nka (© nwebiisinka - Rijksmuseum - Rijksmuseum)
A windmill by moonlight. In the foreground, a dirt road with a figure, in the distance houses and lanterns.
In 1899 Jacob Maris created the artwork. It is in the the digital art collection of Rijksmuseum in Amsterdam, Netherlands. Site n'ikike nke: Rijksmuseum (ikike - ngalaba ọha).Ihe kredit nke ọrụ nka bụ: . Ọzọkwa, itinye n'usoro Eserese format ma nwee oke nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara.
Akụrụngwa ị nwere ike ịhọrọ
In the product dropdown lists you can pick your prefered material and size. You can choose your preferred material and size among the following options:
- Mbipụta kanvas: The printed canvas material stretched on a wooden stretcher frame. Hanging a canvas print: A canvas print has the advantage of being low in weight, which implies that it is easy to hang the Canvas print without the use of any wall-mounts. A canvas print is suitable for all types of walls.
- Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): A glossy print on acrylic glass, often named a UV print on plexiglass, will change your favorite original artwork into brilliant home decoration and makes a distinct alternative to aluminium or canvas art prints. With an acrylic glass fine art print sharp contrasts and minor details will be exposed thanks to the precise gradation. The acrylic glass protects your selected art print against light and external influences for many years to come.
- Metal (aluminium debond mbipụta): These are metal prints on aluminium dibond material with an impressive depth, which creates a contemporary impression thanks to a non-reflective surface structure. For our Direct Print On Aluminum Dibond, we print the chosen artwork right onto the aluminium white-primed surface.
- Mbipụta akwụkwọ mmado (akwa akwa akwa): The Artprinta poster print is a UV printed sheet of canvas paper with a slightly rough surface finish, that resembles the actual version of the work of art. Please bear in mind, that depending on the size of the poster print we add a white margin between 2-6 cm around the artwork to facilitate the framing.
Tebụl nyocha nke onye na-ese ihe
aha: | Jacob Maris |
okike onye nka: | nwoke |
Obodo onye nka: | Dutch |
Ọrụ: | onye na-ese ihe |
Mba onye si: | mba netherland |
Otu nka: | omenkà nke oge a |
Oge ndu: | 62 afọ |
Amụrụ n'afọ: | 1837 |
Afọ nwụrụ: | 1899 |
Iberibe nkọwa nka
Aha nka nka: | "Windmill in moonlight" |
Nhazi nka: | sere |
Otu sara mbara: | nkà nke oge a |
Time: | 19th narị afọ |
Emepụtara n'afọ: | 1899 |
Afọ nka: | 120 afọ |
Ụlọ ihe ngosi nka: | Rijksmuseum |
Ebe ebe ngosi nka: | Amsterdam, Netherlands |
Weebụsaịtị ihe ngosi nka: | Rijksmuseum |
Ụdị nka nka: | ngalaba ọha |
Site n'aka: | Rijksmuseum |
Tebụl edemede
Nkewa ngwaahịa: | nka nka |
Usoro mmeghari: | dijitalụ mmeputakwa |
Production usoro: | Mbipụta UV ozugbo (mbipụta dijitalụ) |
Production: | German mmepụta |
Ụdị ngwaahịa: | a na-achọ |
Eji ngwaahịa a chọrọ: | ihe ndozi mgbidi, nka mgbidi |
Ndozi onyonyo: | usoro eserese |
Oke akụkụ onyonyo: | 1: 1.2 ogologo: obosara |
Ntụgharị nkọwa akụkụ onyonyo: | ogologo bụ 20% mkpụmkpụ karịa obosara |
Nhọrọ dị: | akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibond), mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko), mbipụta akwụkwọ. |
Nhọrọ nha nha mbipụta kanvas (akwa akwa na etiti ihe ndọtị): | 50x60cm - 20x24", 100x120cm - 39x47" |
Acrylic glass print (nwere ezigbo mkpuchi iko) nhọrọ: | 50x60cm - 20x24", 100x120cm - 39x47" |
Ụdị akwụkwọ mmado (akwụkwọ kwaaji) dị iche iche: | 50x60cm - 20x24", 100x120cm - 39x47" |
Nhọrọ mbipụta aluminom: | 50x60cm - 20x24", 100x120cm - 39x47" |
Nhazi mmeputa nka nka: | agunyeghi |
Disclaimer: We make every effort to depict our art products as exact as possible and to illustrate them visually. Although, some pigments of the printing material, as well as the print result might vary slightly from the presentation on the monitor. Depending on your screen settings and the condition of the surface, not all color pigments are printed as realistically as the digital version depicted here. Bearing in mind that all our are processed and printed by hand, there might as well be minor variations in the motif's exact position and the size.
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