Johan Thomas Lundbye, 1846 - Kolås Wood. Vejrhøj - ọmarịcha nka nka

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Kolås Wood. Vejrhøj is a piece of art created by the romanticist Danish artist Johan Thomas Lundbye. The work of art is part of the Statens Museum maka Kunst (National Gallery nke Denmark)'s nchịkọta dijitalụ. Site n'ikike nke: National Gallery nke Denmark (ikike - ngalaba ọha).Ebe E Si Nweta nke ihe osise:. Ọzọkwa, itinye n'usoro mmepụta dijitalụ dị odida obodo format n'akụkụ akụkụ nke 4: 3, nke pụtara na ogologo bụ 33% ogologo karịa obosara. Johan Thomas Lundbye was a painter, whose style can be classified as Romanticism. The Romanticist painter lived for a total of 30 afọ - born in 1818 in Kalundborg, Sj?lland, Denmark and died in the year 1848.

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”I do not find lonely places in nature sad, but am drawn to the grandeur and calm of such sites”, said J.Th. Lundbye in his diary in 1844.

Lundbye was a votary of isolation as something conducive to the study’s union of the love of nature and the artistic spirit.

In this case the signature tells us that the study was created on Vejrhøj, a landmark within the artist’s autobiographical landscape: His grandparents lived in the nearby town of Kalundborg, where he himself was born, and the place became a recurring motif in his pictures.

The study testifies to the close relationship between art and artist, for the painter very emphatically left evidence of his work in the picture, e.g. in the luminous tree trunks that have been outlined with traces of thick, glossy paint.

In Lundbye’s work, withdrawal into a state that emphasised the individual and self-elected loneliness was partly prompted by the philosopher Søren Kierkegaard (1813-1855), whose writings had begun to have considerable impact on his mindset around the time this study was created. Kierkegaard evinced a similar interested in a radically individual state of perception, and as far back as 1843 Lundbye became familiar with Kierkegaard’s Either/Or, which was published under the pseudonym Victor Eremita (the Victorious Hermit).